Leonardo Da Vinci's Treatise of Painting


Book Description

This book traces the story of the world's greatest treatise on painting - Leonardo Da Vinci's "Treatise of Painting". It combines an extensive body of literature about the Treatise with original research to offer a unique perspective on: • Its origins, and history of how it survived the dispersal of manuscripts; • Its contents, their significance and how Leonardo developed his Renaissance Theory of Art; • The development of both the abridged and complete printed editions; • How the printed editions have influenced treatises and art history throughout Europe, the Eastern Mediterranean, and America from the Seventeenth to the Twentieth Centuries.




Leonardo on Painting


Book Description

This is a selection of Leonardo da Vinci's writings on painting. Martin Kemp and Margaret Walker have edited material not only from his so-called Treatise on Painting but also from his surviving manuscripts and from other primary sources.




A Treatise on Painting


Book Description

Leonardo da Vinci's 'A Treatise on Painting' is a collection of his writings on the science of painting, emphasizing his keen observation of expression and character. One of its most famous principles is the branching rule, which states that all branches of a tree put together at every stage of its height are equal in thickness to the trunk below them. With an aim to argue that painting was a science, da Vinci's work is a valuable resource for artists and art enthusiasts alike.




A Treatise on Painting


Book Description




Re-reading Leonardo


Book Description

Examining the historical reception of Leonardo's Treatise on Painting in a cross-cultural framework, this collection represents the first attempt to chart the influence of the work, an important resource for the academic instruction of artists through four centuries and widely read by intellectuals and lovers of art for three centuries, when Leonardo's ideas and art were known almost exclusively through his book. The volume, dealing specifically with the reception and influence of the artist's ideas, takes Leonardo studies to a new level of historical inquiry.




Treatise on Painting by Leonardo Da Vinci


Book Description

First published in 1632, then later in its modern form in 1817, A Treatise on Painting was a (somewhat disorganized) culmination of da Vinci's teachings and philosophy about the science of art. Written by Francesco Melzi, one of his pupils around 1540, many assumed it had been written by da Vinci himself for centuries. Art historians around the world laud the treatise as one of the most significant and influential works on his art theory, circulating in manuscript form in nearly every language. Work on the treatise began in Milan and continued for the last 25 years of his life.




Leonardo on Art and the Artist


Book Description

Systematic grouped passages of Leonardo's writings concerning painting, focusing on problems of interpretation. More than an anthology, it offers a reconstruction of the underlying meaning of Leonardo's words. Introductions, notes, bibliography, reference materials. Over 125 black-and-white illustrations.







Leonardo Da Vinci's Treatise of Painting


Book Description

This book traces the story of the world's greatest treatise on painting - Leonardo Da Vinci's "Treatise of Painting". It combines an extensive body of literature about the Treatise with original research to offer a unique perspective on: • Its origins, and history of how it survived the dispersal of manuscripts; • Its contents, their significance and how Leonardo developed his Renaissance Theory of Art; • The development of both the abridged and complete printed editions; • How the printed editions have influenced treatises and art history throughout Europe, the Eastern Mediterranean, and America from the Seventeenth to the Twentieth Centuries.




The Fabrication of Leonardo da Vinci’s Trattato della pittura (2 vols.)


Book Description

This first complete English translation, including over 250 full-color images, is a longitudinal cultural history of how art came to be institutionalized in the history of western representational practices.