A Triad in Three Acts


Book Description

"There is always a way.” Kelnaht, Taruif, and Ianys are meant to be together, but old promises and the decree of the elders prevent them from claiming each other openly at Solstice. Kelnaht can investigate murder and foul play, but he can’t see how he can keep both his lovers without breaking the rules. But if he believes in the guide’s words and trusts his faith in Ma’terra, they will find a way to clear the fog and puddles from their paths. The Forester Kelnaht, a cloud elf, is a truth seeker caught between love and faith, when a murder reveals an illicit affair between two tree elves he desires more than he can admit. Kelnaht’s former lover Ianys once betrayed him, and the shunned forester Taruif is not allowed to talk to anyone but the guide, their spiritual pathfinder. Lost and Found A stripling goes missing from the tribe, and heavy rainfall hides all traces of his whereabouts. With days creeping by without a lead, it’s hard to keep the tribe’s spirits up, more so when Kelnaht’s own future depends on the elders. Taruif has been shunned for almost twenty turns, but now that a possible forester’s apprentice is coming of age, the elders consider reducing his sentence. Taruif could be set free. Full Circle When several children fall ill with more than a summer bug, truth seeker Kelnaht is assigned to investigate. What he finds is deadly and threatens the life of every underage child in the tribe, including Ianys’ daughter Atèn. Then a wounded traveller is found in the forest, left to die after a vicious attack. ___________________________ 303 pages / 95,000 words TALES OF THE FOREST is an ongoing series of standalone stories linked by a forest world. Content warnings are available in the book's front matter and on the author's website.




Four Saints in Three Acts


Book Description

Virgil Thomson and Gertrude SteinFour Saints in Three ActsEdited by H. Wiley Hitchcock MU18 / A 64 ISBN (2008) lv + 447 pp. $250.00 ISBN 978-0-89579-629-5 Rental parts available from Schirmer only. With music by Virgil Thomson and a libretto by Gertrude Stein, Four Saints in Three Acts was completed in 1928 but waited almost six years for its first performances. After a week¿s run in Hartford, Connecticut, in February 1934, it moved to New York where--with some sixty performances in six weeks--it became the longest-running opera that Broadway up to that time had experienced.This critical edition by H. Wiley Hitchcock and Charles Fussell features the scenario by Maurice Grosser and is based on the full score that Thomson commissioned from copyist Ben Weber for his 1947-48 revision; it includes the 32-measure orchestral prelude to the Act II "Dance of the Angels," and it makes comparisons primarily to the manuscript scores held at the Library of Congress and Yale University. The critical apparatus applies as much to the music as to the Stein text, the principal source for which is the 1929 first publication.




The Music of Alban Berg


Book Description

Headlam closely analyzes Berg's compositional technique and the use of symmetry and cycles throughout his oeuvre. He brings into the discussion Berg's own writings, as well as those of composer and musicologist George Perle; the techniques of Schoenberg, Webern, and other serialists; and aspects of pitch-class set and twelve-tone theory.




Catalog of Copyright Entries


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Plotinus


Book Description




Digital Modernism Heritage Lexicon


Book Description

The book investigates the theme of Modernism (1920-1960 and its epigones) as an integral part of tangible and intangible cultural heritage which contains the result of a whole range of disciplines whose aim is to identify, document and preserve the memory of the past and the value of the future. Including several chapters, it contains research results relating to cultural heritage, more specifically Modernism, and current digital technologies. This makes it possible to record and evaluate the changes that both undergo: the first one, from a material point of view, the second one from the research point of view, which integrates the traditional approach with an innovative one. The purpose of the publication is to show the most recent studies on the modernist lexicon 100 years after its birth, moving through different fields of cultural heritage: from different forms of art to architecture, from design to engineering, from literature to history, representation and restoration. The book appeals to scholars and professionals who are involved in the process of understanding, reading and comprehension the transformation that the places have undergone within the period under examination. It will certainly foster the international exchange of knowledge that characterized Modernism




The Ethical Treatises


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The Harvard Dictionary of Music


Book Description

This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.