Anne of Brittany


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The Cultural and Political Legacy of Anne de Bretagne


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A queen who helped define the cultural landscape of her era. As duchess of Brittany [1491-1514] and twice queen of France [1491-98; 1498-1514], Anne de Bretagne set a benchmark by which to measure the status of female authority in Europe at the dawn of the Renaissance. Although at times a traditional political pawn, when men who ruled her life were involved in reshaping European alliances, Anne was directly or indirectly involved with the principal political and religious European leaders of her time and helped define the cultural landscape of her era. Taking a variety of cross-disciplinary perspectives, these ten essays by art historians, literary specialists, historians, and political scientists contribute to the ongoing discussion ofAnne de Bretagne and seek to prompt further investigations into her cultural and political impact. At the same time, they offer insight of a broader nature into related areas of intellectual interest - patronage, the history of the book, the power and definition of queenship and the interpretation of politico-cultural documents and court spectacles - thereby confirming the extensive nature of Anne's legacy. CYNTHIA J. BROWN is Professor of French at the University of California, Santa Barbara.




The Lost Tapestries of the City of Ladies


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Susan Bell recounts her thirty-year search for tapestries based on Christine de Pizan's City of Ladies (1405) that were listed as possessions of 16th C. European rulers, mostly women.







Twice Queen of France


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A biography for teens of a strong, independent woman of the 15th century. Anne of Brittany was only 12 when, in 1488, she became its Duchess, but already she was among the best-educated women of her era and she was determined to preserve the duchy’s independence. At 15 she averted takeover by France when she married its king, Charles VIII, and after he died she married his successor, Louis XII, becoming the only person ever twice crowned Queen of France. Foreword by Sylvia Louise Engdahl, the author’s daughter. Illustrated with 16th-century portraits. “The life of Anne of Brittany is traced in detail against a vivid background of court life during the Renaissance. . . . Useful to schools for its portrayal of the times, this has enough romance to appeal to girls.”—ALA Booklist




He Loved But One


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The Count's Chauffeur


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Bulletin


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The Publishers Weekly


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