Ways of Seeing


Book Description

Contains seven essays. Three of them use only pictures. Examines the relationship between what we see and what we know.




A New Way of Seeing


Book Description

An exciting new critical voice explores what it is that makes great art great through an illuminating analysis of the world’s artistic masterpieces. From a carved mammoth tusk (ca. 40,000 BCE) to Bosch’s Garden of Earthly Delights (1505–1510) to Duchamp’s Fountain (1917), a remarkable lexicon of astonishing imagery has imprinted itself onto the cultural consciousness of the past 40,000 years. Author Kelly Grovier devotes himself to illuminating these and more than fifty other seminal works in this radical new history of art. Stepping away from biography, style, and the chronology of “isms” that preoccupies most of art history, A New Way of Seeing invites a new interaction with art, one in which we learn from the artworks and not just about them. Grovier identifies that part of the artwork that bridges the divide between art and life and elevates its value beyond the visual to the vital. This book challenges the sensibility that conceives of artists as brands and the works they create as nothing more than material commodities to hoard, hide, and flip for profit. Lavishly illustrated with many of the most breathtaking and enduring artworks ever created, Kelly Grovier casts fresh light on these famous works by daring to isolate a single, and often overlooked, detail responsible for its greatness and power to move.




˜Aœ way of seeing


Book Description




Wittgenstein


Book Description

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.




Perception and Imaging


Book Description

When you look at an image, what do you see and feel? What do you want your audience to see and feel when they view your work? For over thirty years, Dr. Richard Zakia helped thousands of photographers hone in on their creative vision through the inspirational, informative text and images included in his classic book, Perception and Imaging. More than a step-by-step photography instruction manual, Perception and Imaging explores the fundamental act of photography – seeing – through a uniquely comprehensive combination of technique, history, visual perception, philosophy and psychology. No matter your level of technical skill, you can learn to think more clearly about what you wish to convey in your images. Fully revised to account for the unique influences and consequences of the digital revolution and online photosharing, John Suler newly addresses digital impermanence, sensory and cognitive overload, and the selfie, and their effects on perception. Additional coverage also includes microexpressions, Rorschach inkblots and subliminal reactions, transference, and synectics.




An Artist's Way of Seeing


Book Description

Artist Mary Whyte has learned many lessons over the years--lessons about art and, perhaps more important to her, lessons about life. In this book, she uses specific illustrations from her training, her teaching, her travels and her mentors to show the reader how to see and how to appreciate the artist's experience. Referring to numerous color and black and white examples, she explains what her intentions and feelings were during the composition and completion of many of her favorite works. The techniques of watercolor painting can be learned. Skill, according to Mary, is never enough. One must learn to feel as well as to see in order to become a complete artist and a complete person. Her paintings are beautiful; so is her soul. Mary Whyte is a graduate of The Tyler School of Art and is a nationally known watercolor artist, author and teacher. She is a resident of Johns Island, South Carolina, where she finds many of her subjects among the Gullah people--descendants of the slave culture of the barrier islands of coastal Carolina. Her works have been exhibited at and collected by many art galleries and museums. She is the author of Alfreda's World and the illustrator of a number of children's books.




Standing in the Light


Book Description

"An inside view of the Lakota world-of the meaning of Lakota song and dance, of their history, of what it is to be Lakota in America today. . . . A lasting personal tribute to the Lakota way of living."-Whole Earth Review. "A unique, in-depth presentation on Lakota music and the profession of singer, a useful contemporary Oglala representation of the core of their culture, and a version of the involvement of the American Indian Movement on Pine Ridge Reservation, told by a man who was affiliated but not a principal leader. . . . This is a subjective statement, well and persuasively written."-Choice. Severt Young Bear stood in the light-in the center ring at powwows and other gatherings of Lakota people. As founder and, for many years, lead singer of the Porcupine Singers, a traditional singing and drumming group, he also stood, figuratively, in the light of understanding the cherished Lakota heritage. Young Bear's own life in Brotherhood Community, Porcupine District of the Pine Ridge Sioux Reservation, is the linchpin of this narrative, which ranges across the landscape of Dakota culture, from the significance of names to the search for modern Lakota identity, from Lakota oral traditions to powwows and giveaways, from child-rearing practices to humor and leadership. "Music is at the center of Lakota life, " says Young Bear; he describes in rich detail the origins and varieties of Lakota song and dance. Severt Young Bear performed with the Porcupine Singers throughout North America, taught at Oglala Lakota College, and served on the Oglala Sioux tribal council. He was music and dance consultant for the films Dances with Wolves and Thunder Heart. This book is the fruit of his longfriendship and collaboration with R. D. Theisz, a fellow Porcupine Singer and professor of communications and education at Black Hills State University.




The Old Way of Seeing


Book Description

Hale provides a tour of our buildings and our social history, examines the principles that animate beautiful buildings, and offers hope for recapturing the lost magic of architecture.




A Way of Seeing


Book Description

40 inspirational reflections exquisitely illustrated-for personal or group contemplation."During a visit to Venice in 1876, the mother of Lilias Trotter heard that John Ruskin, then fifty-seven, was in the city to work on drawings and to revise his book of 1851-53, The Stones of Venice. Carefully drafting a letter of introduction, she must have hoped that Lilias might receive some instruction in drawing or at least some general commendation from the foremost writer on art of his day. Probably she was expecting no more than that, although there would have been the obvious excitement of personal contact with one of the most famous people in the English-speaking world. Having given 'somewhat sulky permission,' Ruskin was surprised to see 'extremely rightminded and careful work,' and asked 'that the young lady might be allowed to come out sketching with me.' 'She seemed to learn everything the instant she was shown it,' he recalled, 'and ever so much more than she was taught.'"Stephen Wildman, Professor of History of Art, Lancaster University, Director, Ruskin Library and Research Centre




A Way of Seeing


Book Description

We usually think of imagination as a fanciful, whimsical faculty that has little to do with reality and truth. This beautifully written book by the Australian poet John Allison shows how ordinary imagination can be intensified to become an organ of cognition--a path of development to real knowing. Allison shows how poetry--poetic knowing and seeing--can reveal aspects of the world invisible to science. Three lucid chapters describe the path to true imagination, where attention is the key. First we must practice it, then we must become aware of the processes involved in it. Learning to experience "poise," we must come to terms with the shadow--or all that says "No" in us. The combination of attention, equanimity, and assent opens the world in a new way. Allison then examines how poets have actually developed and practiced the kind of "deep seeing" that "image work" involves. For this he draws on William Shakespeare, William Blake, Samuel Taylor Coleridge, John Keats, Johann Wolfgang von Goethe, Novalis, John Ruskin, Gerard Manley Hopkins, Rainer Maria Rilke, and Octavio Paz. The author concludes with a sequence of his own poems that exemplify the philosophy and practice he has developed. Contents: Preface: "A Way of Seeing" One: "Developing Imagination" Attending to Attentiveness Experiencing Poise Developing Imagination Owning the Shadow Getting It Two: "Poets and Imagination" Freeing Imagination from Fancy Negative Capability Deep Seeing Instress and Inscape Heartwork Three: "The Poetic Image" Another Way of Seeing Things Four: "Seeing Things" Living in the World Connections Three Portals of Imagination Otanerito Triptych: Crossings Indwelling the Overlap Catlins Gateway Reflected Light Seeing Things II