A White Hand


Book Description

Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.




White Hand Society


Book Description

In 1960 Timothy Leary was not yet famous — or infamous — and Allen Ginsberg was both. Leary, eager to expand his experiments at the Harvard Psilocybin Project to include accomplished artists and writers, knew that Ginsberg held the key to bohemia's elite. Ginsberg, fresh from his first experience with hallucinogenic mushrooms in Mexico, was eager to promote the spiritual possibilities of psychedelic use. Thus, "America's most conspicuous beatnik" was recruited as Ambassador of Psilocybin under the auspices of an Ivy League professor, and together they launched the psychedelic revolution and turned on the hippie generation. White Hand Society weaves a fascinating and entertaining tale of the life, times and friendship of these two larger-than-life figures and the incredible impact their relationship had on America. Peter Conners has gathered hundreds of pages of letters, documents, studies, FBI files, and other primary resources that shed new light on their relationship, and a veritable who's who of artists and cultural figures appear along the way, including Jack Kerouac, William Burroughs, Thelonious Monk, Willem de Kooning, and Barney Rosset. The story of the "psychedelic partnership" of two of the most famous, charismatic and controversial members of America's counterculture brings together a multitude of major figures from politics, the arts, and the intersection of intellectual life and outlaw culture in a way that sheds new light on the dawn of the 1960s. "Through the years City Lights has brought us seminal work by Allen Ginsberg, Gregory Corso, and now, this detail-rich double bio of Allen Ginsberg and Timothy Leary. I knew both these men pretty well, and the times intimately, and Peter Conners has been true to it all. I don't know how he amassed the trunks of data he must have used to find the jillions of details which were new to me, but I'm certainly glad that he did. This book wins a well deserved spot on my shelf, and belongs with anyone who wants an intimate view of the Sixties-Seventies spinning of the Great Wheel of the Dharma." —Peter Coyote, actor/author, Sleeping Where I Fall "Peter Conners has given us a wondrous tale of picaresque adventure and authentic friendship – between Leary the trickster-explorer-scientist and Ginsberg the activist-bard-philosopher, two seminal figures who pioneered new pathways through the cultural maelstrom of the sixties."—Ralph Metzner, co-author, with Ram Dass & Gary Bravo, of Birth of a Psychedelic Culture "The Psychedelic Revolution of the Sixties began with the meeting of two visionary explorers into the unmapped regions of inner consciousness — Timothy Leary and Allen Ginsberg. In the White Hand Society Peter Conners charts the course from the earliest dirt roads of laughing gas to the superhighways of LSD in one compelling story. It is a thrilling ride on what Ginsberg called the Trackless Transit System, going where no one else had dared venture. Take this as a new kind of guidebook into the mystery of the mind." —Bill Morgan, author of Beat Atlas: A State by State Guide to the Beat Generation in America and The Typewriter Is Holy: The Complete, Uncensored History of the Beat Generation "Peter Conners' White Hand Society is a gripping account of a key event in 20th Century history, the decision to actively promote strong psychedelics to the population at large. Conners tells the Timothy Leary story from the traditional perspective of the West Coast counterculture, but he emphasizes the egalitarian influence that the Beat movement had on him and, in particular, the huge Blakean personality of Allen Ginsberg. The result is a portrait of two remarkable figures who came together and changed our culture forever." —John Higgs




A White Hand. A Story of Noblesse Oblige


Book Description

Reprint of the original, first published in 1875.







J.W.R. Whitehand and the Historico-geographical Approach to Urban Morphology


Book Description

Over recent decades, the historico-geographical approach to urban morphology has been prominent in the debate on the physical form of our cities and on the agents and processes shaping that form over time. With origins in the work of the geographer M.R.G. Conzen, this approach has been systematically developed by researchers in different parts of the world since the 1960s. This book argues that J.W.R. Whitehand structured an innovative and comprehensive school of urban morphological thought grounded in the invaluable basis provided by Conzen. It identifies the development of several dimensions of the concepts of “fringe belt” and “morphological region” and the systematic exploration of the themes of “agents of change,” “comparative studies” and “research and practice” as key contributions by Whitehand to this school of thought. The book presents contributions from leading international experts in the field addressing these major issues.




Hand Coloring Black & White Photography


Book Description

All step-by-step photography by Laurie Klein.




A Hand to Hold


Book Description

Can you hold onto someone with your heart instead of your hand? When it's time to start school, a little girl must let go of her father's hand in order to reach out and grab hold of something new.




Raising Our Hands


Book Description

White women are one of the most influential demographics in America—we are the largest voting bloc, with purchasing power that exceeds anybody else's, and when we unify to demand change, we are a force to be reckoned with. Yet, so many of us sit idly on the sidelines, opting out of raising our hands to do, learn, and engage in ways that could make a difference. Why? White American women are no monolith. Yet, as Women's March national organizer Jenna Arnold has learned over the past few years criss-crossing the US in conversations with white women about their identity and role in the country, we do possess common characteristics—ones that get in the way of us becoming more engaged as citizens. We're so focused on checking off our to-do lists, or so afraid of getting it wrong, or so busy trying to avoid conflict, that we are actively avoiding the urgent conversations we need to have. We are confused about how we got here and unsure how to do better. Raising Our Hands is the reckoning cry for white women. It asks us to step up and join the new frontlines of the fight against complacency—in our homes, in our behaviors, and in our own minds. Consider Raising Our Hands your starting place, your "Intro to Being a White Woman in Today's World" freshman-year class. In these pages, Jenna peels back the history that's been kept out of textbooks and the cultural norms that are holding us back, so we can finally start really listening to marginalized voices and doing our part to promote progress. The American white woman is a powerful force—an essential participant—to mobilize alongside the rest of humanity on behalf of the world, and we can no longer make excuses for why we don't have time or don't know enough.




My Grandmother's Hands


Book Description

A NATIONAL BESTSELLER "My Grandmother's Hands will change the direction of the movement for racial justice."— Robin DiAngelo, New York Times bestselling author of White Fragility In this groundbreaking book, therapist Resmaa Menakem examines the damage caused by racism in America from the perspective of trauma and body-centered psychology. The body is where our instincts reside and where we fight, flee, or freeze, and it endures the trauma inflicted by the ills that plague society. Menakem argues this destruction will continue until Americans learn to heal the generational anguish of white supremacy, which is deeply embedded in all our bodies. Our collective agony doesn't just affect African Americans. White Americans suffer their own secondary trauma as well. So do blue Americans—our police. My Grandmother's Hands is a call to action for all of us to recognize that racism is not only about the head, but about the body, and introduces an alternative view of what we can do to grow beyond our entrenched racialized divide. Paves the way for a new, body-centered understanding of white supremacy—how it is literally in our blood and our nervous system. Offers a step-by-step healing process based on the latest neuroscience and somatic healing methods, in addition to incisive social commentary. Resmaa Menakem, MSW, LICSW, is a therapist with decades of experience currently in private practice in Minneapolis, MN, specializing in trauma, body-centered psychotherapy, and violence prevention. He has appeared on the Oprah Winfrey Show and Dr. Phil as an expert on conflict and violence. Menakem has studied with bestselling authors Dr. David Schnarch (Passionate Marriage) and Dr. Bessel van der Kolk (The Body Keeps the Score). He also trained at Peter Levine's Somatic Experiencing Trauma Institute.




Into the White


Book Description

European narratives of the Atlantic New World tell stories of people and things: strange flora, wondrous animals, and sun-drenched populations for Europeans to mythologize or exploit. Yet between 1500 and 1700 one region upended all of these conventions in travel writing, science, and, most unexpectedly, art: the Arctic. Icy, unpopulated, visually and temporally “abstract,” the far North – a different kind of terra incognita for the Renaissance imagination – offered more than new stuff to be mapped, plundered, or even seen. Neither a continent, an ocean, nor a meteorological circumstance, the Arctic forced visitors from England, the Netherlands, Germany, and Italy, to grapple with what we would now call a “nonsite,” spurring dozens of previously unknown works, objects, and texts – and this all in an intellectual and political milieu crackling with Reformation debates over art’s very legitimacy. Into the White uses five case studies to probe how the early modern Arctic (as site, myth, and ecology) affected contemporary debates of perception and matter, of representation, discovery, and the time of the earth – long before the nineteenth century romanticized the polar landscape. In the far North, this book contends, the Renaissance exotic became something far stranger than the marvelous or the curious, something darkly material and unmasterable, something beyond the idea of image itself.