A Widow's Words: Grief, Reflection, Prose, and Poetry - The First Year


Book Description

How did I end up publishing my most personal thoughts in a book for the world to see? What made me decide to allow total strangers to peek into my heart and glimpse the raw pain and grief that overcame me following my husband's death? When I began this grief journal, it was out of a survival instinct. I had always attempted to use journaling to sort through my thoughts in an attempt to gain insights into my feelings, to elicit and capture whatever furtive thoughts lurked deep within my mind. For most of my adult life, writing through painful emotional events soothed me. Composing poetry helped me extract and experience all the pain my logical brain kept me from feeling. After my husband's death, writing was all I had. I met Rick Palmer when I was nearing forty. After a few years of unsuccessful relationships, I was the single mother of one son, and I had given up on ever finding "the one." However, Rick and I knew from the first meeting that it was meant to be, and we enjoyed twenty-one wonderful years together. Rick was diagnosed with small cell lung cancer in October 2016. By our 21st wedding anniversary the next July, he was in remission, but was suffering from several side effects of the chemo and radiation therapy he had undergone. He died unexpectedly after falling and breaking his hip on August 13, 2017. Rick and I owned a web design company, and a blog was the natural receptacle for my journal of feelings, thoughts, and memories. It was also the perfect way to honor the man I loved beyond life and a place to dedicate my thoughts, love, poetry, and prose to Rick. However, the blog was private, only shared with my closet friends and family members. After a few months, I began to share a few of my posts and some of my poetry with other widows in the Hope for Widows Foundation private Facebook group. Group members often responded to my writing by telling me that I put into words what they could not express. I was invited to become a guest blogger for the Hope for Widows website. At that point, I made the decision to "go public." I chose a pen name, the Writing Widow, and publicized my website on Facebook, Instagram, and Twitter. Since opening my blog to others, I have been immensely rewarded with comments and thank yous from many other widows, and those who have lost other loved ones, as well. Some suggested publishing my poetry, which I did in, I Wanted to Grow Old With You: A Widow's First Year of Grief in Poetry. This book, A Widow's Words, is a compilation of my most popular blog posts from the first year, including the poetry from that book. Grief is universal. No two widows grieve in the same way, but, hopefully, my musings will comfort others as they navigate the perilous and emotional journey of widowhood on their own.




I Wanted to Grow Old with You


Book Description

Ten months after being diagnosed with small cell lung cancer, and four months after being pronounced in remission, Rick Palmer died unexpectedly as the result of a freak accident. His wife, Katherine, turned to writing to cope with her grief. "I Wanted to Grow Old With You" is a collection of poems from her first year of mourning. From the initial prose stream-of-consciousness musings to the transition to conventional poetry, each poem conveys the poignancy and pain resulting from the loss of the man she loved. Losing a spouse is a unique circumstance that affects one's entire being, including disruption of daily habits and routines; loss of one's confidant, best friend, and sexual partner; coping with the pain of separation; and even the destruction of future plans, hopes, and dreams. These poems touch on many of these aspects of grieving, as well as grief triggers, and the different stages of grief. Each poem is evidence of the trials of becoming a widow or widower.Anyone who has lost a loved one will find themselves in this collection. The author explains the inspiration for many of the poems in an introduction to the works, from the first crude expressions of grief to the later metered verse. "I Wanted to Grow Old With You" is a book for anyone, young or old, who has felt the pain of grief and separation following a loved one's death, and especially for the widow.I Wanted to Grow Old With You I wanted to grow old with you, but fate had other plans.I vowed to love you until death as we stood holding hands.We pledged to be together until our lives were through.I thought we'd spend the golden years ahead, just me and you.I know you'd be here if you could, you tried so hard to live.You struggled to rise every day, gave all you had to give.If love alone could save you, you'd still be here with me.If love alone could bring you back, how lovely life would be.But no one lives forever, so I go on alone.I'm finding my "new normal," attempting to move on.The silence now is deafening, the empty bed brings tearsI dream of you most every night; I hope I will for years.I look for signs that you're around, perhaps I've gone insaneBut I miss you so desperately, I'll grasp at anything.Our memories are all I have; I guess they'll have to do.I'm thankful for the years we had; so grateful I found you.I know that I am fortunate, that some will never knowA love like ours, the joy we shared, before you had to go.I miss your touch, your gentleness, your laughter, and your careAnd now the pain at what I've lost is more than I can bear.Our vows still echo in my head from on our special dayOur wedding song exactly voiced the words we longed to say...You sang, "Grow old along with me,"You said the best was yet to be.We vowed til death that we'd be trueI wanted to grow old with you._____________________________________________Katherine Billings Palmer is a technical writer, poet, and essayist from Garden City, Michigan. She has won several academic writing awards, including first place in the University of Michigan Dearborn Critical Essay Contest for her work about poet John Donne: "'The Sun Rising': A Lover's Boast." In 2017, Katherine's husband, Rick, died of complications from small cell lung cancer. Since then, she has written a series of poems and essays about her struggles to cope with her grief. She is a guest blogger for the Hope for Widows Foundation and you can visit her at www.TheWritingWidow.com.




The Bright Hour


Book Description

"Built on her ... Modern Love column, 'When a Couch is More Than a Couch' (9/23/2016), a ... memoir of living meaningfully with 'death in the room' by the 38-year-old great-great-great granddaughter of Ralph Waldo Emerson--mother to two young boys, wife of 16 years--after her terminal cancer diagnosis"--




Finding Hope in the Darkness of Grief


Book Description

This earthly plane offers much for us to learn: happiness, wisdom, loss, heartbreak, and enlightenment. It is a Pandora's box of emotions, situations, opportunities, and failures, all wrapped into a package we call life. Nobody is immune, but everyone has the opportunity to grow tall or wither like a flower in harsh light. It's completely up to us how we choose to respond. Finding Hope in the Darkness of Grief is a gleaning of insights from artist Diamante Lavender. For her, life has been a long, difficult road, but it has taught many poignant lessons. Her poetry collection is an exploration of the human soul, a traversing of situations that life throws at us. Diamante has always been intrigued by the ability to overcome and move on to bigger and better things. She writes to encourage hope and possibility in those who read her stories. If she can help others heal, as she has, then Diamante's work as an author and artist will have been well spent. She believes that everyone should try to leave a positive mark on the world, to make it a better place for all. Writing is the way that she is attempting to leave her markone story at a time.




A GRIEF OBSERVED (Based on a Personal Journal)


Book Description

A Grief Observed is a collection of Lewis's reflections on the experience of bereavement following the death of his wife, Joy Davidman, in 1960. The book was first published under the pseudonym N.W. Clerk as Lewis wished to avoid identification as the author. Though republished in 1963 after his death under his own name, the text still refers to his wife as "H" (her first name, which she rarely used, was Helen). The book is compiled from the four notebooks which Lewis used to vent and explore his grief. He illustrates the everyday trials of his life without Joy and explores fundamental questions of faith and theodicy. Lewis's step-son (Joy's son) Douglas Gresham points out in his 1994 introduction that the indefinite article 'a' in the title makes it clear that Lewis's grief is not the quintessential grief experience at the loss of a loved one, but one individual's perspective among countless others. The book helped inspire a 1985 television movie Shadowlands, as well as a 1993 film of the same name. Clive Staples Lewis (1898-1963) was a British novelist, poet, academic, medievalist, lay theologian and Christian apologist. He is best known for his fictional work, especially The Screwtape Letters, The Chronicles of Narnia, and The Space Trilogy, and for his non-fiction Christian apologetics, such as Mere Christianity, Miracles, and The Problem of Pain.




Widows' Words


Book Description

Forty-three widows tell their stories, in their own words, revealing how each woman deals with the trauma of bereavement differently. Whether you are a widow yourself or have simply experienced loss, you will be sure to find something moving and profound in these diverse tales of mourning, remembrance, and resilience.




The Widows' Handbook


Book Description

Widows convey their feelings and survival strategies in this compelling anthology The Widows' Handbook is the first anthology of poems by contemporary widows, many of whom have written their way out of solitude and despair, distilling their strongest feelings into poetry or memoir. This stirring collection celebrates the strategies widows learn and the resources they muster to deal with people, living space, possessions, social life, and especially themselves, once shock has turned to the realization that nothing will ever be the same. As Supreme Court Justice Ruth Bader Ginsburg says in her foreword, losing one's partner is "a loss like no other." The Widows' Handbook is a collection of poetry from 87 American women of all ages, legally married or not, straight and gay, whose partners or spouses have died. Some of the poets are already published widely--including more than a dozen prizewinners, four Pushcart nominees, and two regional poets laureate. Others are not as well known, and some appear in print for the first time here. With courage and wry humor, these women encounter insidious depression, poignant memories, bureaucratic nonsense, unfamiliar hardware, well-intentioned but thoughtless remarks, demanding work, spiritual revelation, and unexpected lust, navigating new relationships in the uncertain legacy of sexual liberation. They write frankly about being paralyzed and about going forward. Their poems are honest, beautiful, and accessible. Only poetry can speak such difficult truths and incite such intense empathy. While both men and women understand the bewilderment, solitude, and change of status thrust upon the widowed, women suffer a particular social demotion and isolation. Anyone who has lost a loved one or is involved in helping the bereaved will be able to relate to the experiences conveyed in The Widows' Handbook.




The Widows' Handbook


Book Description




The Works of Li Qingzhao


Book Description

Previous translations and descriptions of Li Qingzhao are molded by an image of her as lonely wife and bereft widow formed by centuries of manipulation of her work and legacy by scholars and critics (all of them male) to fit their idea of a what a talented woman writer would sound like. The true voice of Li Qingzhao is very different. A new translation and presentation of her is needed to appreciate her genius and to account for the sense that Chinese readers have always had, despite what scholars and critics were saying, about the boldness and originality of her work. The introduction will lay out the problems of critical refashioning and conventionalization of her carried out in the centuries after her death, thus preparing the reader for a new reading. Her songs and poetry will then be presented in a way that breaks free of a narrow autobiographical reading of them, distinguishes between reliable and unreliable attributions, and also shows the great range of her talent by including important prose pieces and seldom read poems. In this way, the standard image of Li Qingzhao, exemplied by a handful of her best known and largely misunderstood works, will be challenged and replaced by a new understanding. The volume will present a literary portrait of Li Qingzhao radically unlike the one in conventional anthologies and literary histories, allowing English readers for the first time to appreciate her distinctiveness as a writer and to properly gauge her achievement as a female alternative, as poet and essayist, to the male literary culture of her day.




The Language of Loss


Book Description

When Barbara Abercrombie’s husband died, she found the language of condolence irritating, no matter how well intended. “My husband had not gone to a better place as if he were off on a holiday. He had not passed like clouds overhead, nor was he my late husband as if he’d missed a train. I had not lost him as if I’d been careless, and for sure, none of it was for the best.” She yearned instead for words that acknowledged the reality of death, spoke about the sorrow and loneliness (and perhaps even guilt and anger), and might even point the way toward hope and healing. She found those words in the writings gathered here. The Language of Loss is a book to dip into and read slowly, a collection of poems and prose to lead you through the phases of grief. The selections follow an arc that mirrors the path of many mourners — from abject loss and feeling unmoored, to glimmers of promise and possibility, through to gratitude for the love they knew. These writings, which express what often feels ineffable, will accompany those who grieve, offering understanding and solace.