A Writer's Diary Volume 1


Book Description

Winner of the AATSEEL Outstanding Translation Award This is the first paperback edition of the complete collection of writings that has been called Dostoevsky's boldest experiment with literary form; it is a uniquely encyclopedic forum of fictional and nonfictional genres. The Diary's radical format was matched by the extreme range of its contents. In a single frame it incorporated an astonishing variety of material: short stories; humorous sketches; reports on sensational crimes; historical predictions; portraits of famous people; autobiographical pieces; and plans for stories, some of which were never written while others appeared in the Diary itself.




A Writer's Diary: 1873-1876


Book Description




A Writer's Diary Volume 1


Book Description

Winner of the AATSEEL Outstanding Translation Award This is the first paperback edition of the complete collection of writings that has been called Dostoevsky's boldest experiment with literary form; it is a uniquely encyclopedic forum of fictional and nonfictional genres. The Diary's radical format was matched by the extreme range of its contents. In a single frame it incorporated an astonishing variety of material: short stories; humorous sketches; reports on sensational crimes; historical predictions; portraits of famous people; autobiographical pieces; and plans for stories, some of which were never written while others appeared in the Diary itself.




Russian Baptists and Orthodoxy, 1960-1990


Book Description

Russian Baptists and the Orthodox Church have had a difficult and – at times – dramatic relationship over the past century and a half. However, the purpose of this thesis is to examine certain internal connections between these two Christian bodies. Despite the evident dissimilarity – in theology, church practice and traditions – there is common ground which has been largely unexplored. A number of features inevitably brought them together, such as living in the same country over a long period of time, sharing a history and national roots, responding to the same civic concerns, and finally – until recently – using the same Russian (“Synodal”) translation of the Bible. This thesis explores, first of all, the roots of the issue of Orthodox-Baptist similarities and dissimilarities in the nineteenth century. The remainder of the thesis focuses on 1960 to 1990. There is a chapter analyzing the way in which, in significant areas, Russian Baptist theology resembled Orthodox thinking. This is followed by a study of church and sacraments, which again shows that Russian Baptist approaches had echoes of Orthodoxy. The thesis then explores Baptist liturgy, showing the Orthodox elements that were present. The same connections are then explored in the area of Russian Baptist communal spiritual traditions. The examination of the Bible, beliefs and behaviour also indicates the extent to which Russian Baptists mirrored Orthodoxy. Finally there is an analysis of the popular piety of the Russian Baptists and the way in which they constructed an alternative culture. The basic views of Russian Baptists between the 1960s and 1990 have been drawn from periodicals of the Russian Baptist communities and from interviews with pastors (presbyters) and church members who were part of these communities. This often yields insights into “primary theology”, which in relation to many issues differs from official Baptist declarations that tend to stress the more Protestant aspects of Russian Baptist life. The aim of the thesis is to show that in a period in the history of the USSR when the division between the Western world and the Soviet bloc was marked, there was a strong Eastern orientation among Russian Baptists. This changed when the USSR came to an end. Over a number of years there was mass emigration of Russian Baptists and, in addition, pro-Western thinking gained considerable ground within the Russian Baptist community. During the period examined here, however, it is possible to uncover a great deal of evidence of Russian Baptists participating in Orthodox theology, spiritual mentality and culture.




Fin-de-siècle Russia and Chinese Aesthetics


Book Description

Many are familiar with European modernists' interest in Chinese art and poetry, however less well known is that Russian literature and art at the turn of 20th century also flourished in a sustained dialogue with China. In Fin-de-siècle Russia and Chinese Aesthetics, Jinyi Chu reconsiders the place of Russia in the genealogy of global modernism by exploring the enduring impact of China on pre-revolutionary Russian culture. This book argues that fin-de-siècle Russian ideas about increasing global cultural and socioeconomic interconnectedness emerged from their unsettling encounters with China. Drawing on literary texts, paintings, advertisements, official documents, and archival work in Russia, China, France, and the United States, Chu reconstructs surprising stories about cultural interactions. From Innokenty Annensky's encounter with a Tibetan monk in Paris, Aleksei Remizov's adaptations of Chinese ghost stories, and Lev Tolstoy's translations of the Daoist canon, to Ilya Mashkov's fauvist painting of a Chinese fairy, this book presents a new cultural history of fin-de-siècle Russia in relation to the East. Fin-de-siècle Russia and Chinese Aesthetics casts new light on the intricate relationships between geopolitics and transnational aesthetics. It moves beyond the idea that Russian literary and artistic representations of China were simply manifestations of Russia's imperial ideology and Eurasian cultural identity. Instead, Chu shows that literature and art actively renegotiate and destabilize the preconceived world order at a time of intensifying geopolitical and cultural transformation when China shifted from Russia's rival in Inner Asia to a target in the competition of global imperialist powers.




A New Word on The Brothers Karamazov


Book Description

Clear and compelling new readings of Dostoevsky's last and greatest novel.




Turning Teaching Inside Out


Book Description

Using the successful Inside-Out program, in which incarcerated and non-incarcerated college students are taught in the same classroom, this book explores the practice of community-based learning, including the voices of teachers and participants, and offers a model for courses, student life programs, and faculty training.




The London Journal, 1845-83


Book Description

This book is the first full-length study of one of the most widely read publications of nineteenth-century Britain, the London Journal, over a period when mass-market reading in a modern sense was born. Treating the magazine as a case study, the book maps the Victorian mass-market periodical in general and provides both new bibliographical and theoretical knowledge of this area. Andrew King argues the necessity for an interdisciplinary vision that recognises that periodicals are commodities that occupy specific but constantly unstable places in a dynamic cultural field. He elaborates the sociological work of Pierre Bourdieu to suggest a model of cultural 'zones' where complex issues of power are negotiated through both conscious and unconscious strategies of legitimation and assumption by consumers and producers. He also critically engages with cultural theory as well as traditional scholarship in history, art history, and literature, combining a political economic approach to the commodity with an aesthetic appreciation of the commodity as fetish. Previous commentators have coded the mass market as somehow always 'feminine', and King offers a genealogy of how such a gender identity came about. Fundamentally, however, the author relies on new and extensive primary research to ground the changing ways in which the reading public became consumers of literary commodities on a scale never before seen. Finally, King recontextualizes within the Victorian mass market three key novels of the time - Walter Scott's Ivanhoe (serialised in the London Journal 1859-60), Mary Braddon's Lady Audley's Secret (1863), and a previously unknown version of Émile Zola's The Ladies' Paradise (1883) - and in so doing he lends them radically new and unexpected meanings.




Literature, Neurology, and Neuroscience: Historical and Literary Connections


Book Description

This well-established international series examines major areas of basic and clinical research within neuroscience, as well as emerging and promising subfields. This volume on the neurosciences, neurology, and literature vividly shows how science and the humanities can come together --- and have come together in the past. Its sections provide a new, broad look at these interactions, which have received surprisingly little attention in the past. Experts in the field cover literature as a window to neurological and scientific zeitgeists, theories of brain and mind in literature, famous authors and their suspected neurological disorders, and how neurological disorders and treatments have been described in literature. In addition, a myriad of other topics are covered, including some on famous authors whose important connections to the neurosciences have been overlooked (e.g., Roget, of Thesaurus fame), famous neuroscientists who should also be associated with literature, and some overlooked scientific and medical men who helped others produce great literary works (e,g., Bram Stoker's Dracula). There has not been a volume with this coverage in the past, and the connections it provides should prove fascinating to individuals in science, medicine, history, literature, and various other disciplines. This book looks at literature, medicine, and the brain sciences both historically and in the light of the newest scholarly discoveries and insights




A Place Somewhat Apart


Book Description

The story of secularization and religious disestablishment in American higher education is told from the standpoint of a lively community of professors, students, and administrators at the University of Michigan in the late nineteenth century. This campus culture--one of the most closely watched of its day--sheds new light on the personal and cultural meanings of these momentous changes in American intellectual and public life. Here we see how religion was not so much displaced or marginalized in the heyday of university reform as translated into new arenas of public service and scholarly pursuit. The main characters in this story--professors Calvin Thomas and Henry Carter Adams--underwent profound religious crises of faith accompanied by major adjustments in their interpersonal relationships. Together, with students and administrators, their lives constituted a communal biography of religious deconversion. A close examination of these private and public worlds provides a more complete understanding of the dynamics behind new academic policies and intellectual innovations in a leading public university. The non-cognitive, intersubjective, gendered, quasi-religious shadings of academic modernism and early pragmatist philosophy, in particular, come to light in vivid ways. As John Dewey later observed, Michigan became an experimental laboratory for "new meanings to unfold, new acts to propose."