Book Description
Describes the art of the Australian Aborigines including rock painting and engraving as well as sand and bark painting; also discusses the symbolism found in these works.
Author : Carol Finley
Publisher : Lerner Publications
Page : 64 pages
File Size : 45,79 MB
Release : 1999-01-01
Category : Juvenile Nonfiction
ISBN : 9780822520764
Describes the art of the Australian Aborigines including rock painting and engraving as well as sand and bark painting; also discusses the symbolism found in these works.
Author : Laura Fisher
Publisher : Anthem Press
Page : 259 pages
File Size : 31,50 MB
Release : 2016-05-30
Category : Art
ISBN : 1783085320
This book is an investigation of the way the Aboriginal art phenomenon has been entangled with Australian society’s negotiation of Indigenous people’s status within the nation. Through critical reflection on Aboriginal art’s idiosyncrasies as a fine arts movement, its vexed relationship with money, and its mediation of the politics of identity and recognition, this study illuminates the mutability of Aboriginal art’s meanings in different settings. It reveals that this mutability is a consequence of the fact that a range of governmental, activist and civil society projects have appropriated the art’s vitality and metonymic power in national public culture, and that Aboriginal art is as much a phenomenon of visual and commercial culture as it is an art movement. Throughout these examinations, Fisher traces the utopian and dystopian currents of thought that have crystallised around the Aboriginal art movement and which manifest the ethical conundrums that underpin the settler state condition.
Author : Susan Lowish
Publisher : Routledge
Page : 292 pages
File Size : 10,10 MB
Release : 2018-05-30
Category : Art
ISBN : 1351049976
This book aims to redefine Australia’s earliest art history by chronicling for the first time the birth of the category "Aboriginal art," tracing the term’s use through published literature in the late eighteenth, nineteenth and early twentieth centuries. Susan Lowish reveals how the idea of "Aboriginal art" developed in the European imagination, manifested in early literature, and became a distinct classification with its own criteria and form. Part of the larger story of Aboriginal/European engagement, this book provides a new vision for an Australian art history reconciled with its colonial origins and in recognition of what came before the contemporary phenomena of Aboriginal art.
Author : Jennifer Isaacs
Publisher : New Holland Australia(AU)
Page : 0 pages
File Size : 22,29 MB
Release : 2002
Category : Aboriginal Australians
ISBN : 9781864368031
A collection of traditional Aboriginal paintings which spans decades and which displays the distinctive styles of two regions of Australia: the western desert and Arnhem Land. The paintings are simply presented to be easily appreciated, with brief notes on information provided by the artists themselves.
Author : Hetti Perkins
Publisher : Prestel Publishing
Page : 376 pages
File Size : 34,67 MB
Release : 2007
Category : Art
ISBN :
Featuring over 240 colour plates, this volume canvasses an extraordinary diverse range of Aboriginal art. The 27 essays by leading authorities and 13 interviews with key artists are accompanied by an extensive chronology.
Author : Peter Sutton
Publisher :
Page : 266 pages
File Size : 29,99 MB
Release : 1989-01
Category : Aboriginal Australians
ISBN : 9780670824496
A very comprehensive look at Aboriginal art from traditional to contemporary art. Lively discussion and beautiful presentation.
Author : Wally Caruana
Publisher :
Page : 0 pages
File Size : 24,45 MB
Release : 2024-07
Category : Art
ISBN : 9780500204658
An updated and expanded edition of this classic survey, which has established itself as the superlative introduction to the full diversity of Aboriginal art.
Author : Patrick Corbally Stourton
Publisher : Ben Uri Gallery & Museum
Page : 200 pages
File Size : 38,62 MB
Release : 1996
Category : Art
ISBN :
The art of the Australian Aborigines is widely recognised as being the oldest art form in the world, preceding that of the Americas and Europe by many centuries. For thousands of years, however, the only art forms practised by the Aborigines were rock painting and carving, bark painting, sand painting and body painting using natural ochres, wild desert cotton, charcoal and birds' down, often carried out as part of ceremonial activities. It was not until 1971 that the Aborigines of the Papunya Tula settlement in the deserts of the Northern Territory were introduced to methods of painting on canvas and board using modern materials. This book commemorates the twenty-fifth anniversary of the Papunya Tula painting movement - the birthplace of contemporary Aboriginal painting. The work of eighty Papunya Tula artists, including some of the best known Aboriginal painters - Clifford Possum Tjapaltjarri, Michael Nelson Tjakamarra and Tim Leura Tjapaltjarri - is illustrated in this book in two hundred full-colour reproductions which demonstrates the vibrancy and sophistication of the art. Patrick Corbally Stourton's introductory text examines the events which led to the birth of this extraordinary painting movement, and illuminates the mythology of Dreamings which lies behind every Aboriginal painting.
Author : Peter Platt
Publisher :
Page : 148 pages
File Size : 36,46 MB
Release : 2018-12-19
Category : Games & Activities
ISBN : 9780648461708
Australian Aboriginal Artist Troy Little has asked me to create 2 coloring books from 45 drawings featuring native Australian wildlife. Book 1 contains 20 drawings that have been used to create 70 designs on one-sided pages for all ages to color.The 70 designs have the original and 3 variations.-The original.-The original placed on dot art.-The animal enlarged for children to color and cut out.-The animal surrounded by dot art for children to color.The book is 8.5 x 11 inches with 148 pages.
Author : Marie Geissler
Publisher : Cambridge Scholars Publishing
Page : 220 pages
File Size : 24,48 MB
Release : 2020-09
Category : Bark painting
ISBN : 9781527555464
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.