Accademie e scuole


Book Description







Accademie / Patrimoni di Belle Arti


Book Description

Il Volume Accademie / Patrimoni di Belle Arti, così ricco di opere e di storie, è un primo monitoraggio unitario del patrimonio presente nelle accademie storiche e moderne della Nazione, nato con il fine di documentare la qualità dei beni artistici materiali e immateriali che sono presenti nelle istituzioni Afam e, quindi, sensibilizzare gli addetti ai lavori, la stampa e l’opinione pubblica sull’alto e insostituibile valore della formazione artistica. Le Accademie stesse sono istituzioni complesse e patrimonio ad un tempo, con la loro storia e il loro Know-how sull’arte contemporanea. Immagini e contributi delle Accademie di Belle Arti di (in ordine di fondazione): Firenze Perugia Roma Torino Bologna Venezia Genova Napoli Verona Carrara Milano Palermo Bergamo Ravenna Lecce Reggio Calabria Urbino Catania L'Aquila Bari Foggia Catanzaro Macerata Frosinone Sassari







L'arte


Book Description




International Futurism in Arts and Literature


Book Description

This publication offers for the first time an inter-disciplinary and comparative perspective on Futurism in a variety of countries and artistic media. 20 scholars discuss how the movement shaped the concept of a cultural avant-garde and how it influenced the development of modernist art and literature around the world.




The Procaccini and the Business of Painting in Early Modern Milan


Book Description

The book investigates the lives and careers of the Procaccini brothers: Camillo (1561–1629), Carlo Antonio (1571–1631) and Giulio Cesare (1574–1625), the most important family of painters working in northern Italy at the start of the seventeenth century. The Procaccinis' work is here analysed by interconnecting their individual stories and understanding their success as the combination of mutual artistic choices, a high level of specialization and precise business organization. The book looks at this family of painters as entrepreneurs, emphasizing their conscious response to the requests of public and private patrons, as well as their ability to balance instances of originality and imitation in an era characterized by a wide range of artistic opportunities, including religious commissions, national and international patronage and multifaceted markets. This book will be of interest to scholars studying art history, early modern studies, the art market, Italian studies and Italian history.




Great Museums of Italy


Book Description

"Great Museums is a volume dedicated to the subject of museums, analyzed through the history of how some emblematic Italian museums have been created. Eight examples, unique due to the richness, variety and importance of their collections, which in virtual terms also trace a kind of conceptual art history itinerary: from the Egyptian civilization, documented by the grandiose collection of the Egyptian Museum of Turin, to the Roman civilization represented by the Archaeological Museum of Naples, by the princely collections of the Uffizi, Pitti, Villa Borghese and Capodimonte, and finally to the great masterpieces of Italian artists from the Sixteenth to the Nineteenth century, organized by schools and periods for didactic purposes, in the picture galleries of Milan and Venice. The purpose of the volume is to present the museum, not just as a safe storage for precious works of art, a place housing historical memories and a temple dedicated to absolute beauty, but as a place open to everyone, a central element in a kind of permanent education which develops and is accomplished both through a knowledge and appreciation of the history which has given Italy the world's largest artistic heritage, and by an interpretation of the single masterpieces, chosen as eloquent and fascinating testimonials of the changing taste and the transformation of the idea of beauty over time."--from the Publisher




Antiquarian Literature in the Sixteenth Century


Book Description

During the sixteenth century, antiquarian studies (the study of the material past, comprising modern archaeology, epigraphy, and numismatics) rose in Europe in parallel to the technical development of the printing press. Some humanists continued to prefer the manuscript form to disseminate their findings – as numerous fair copies of sylloges and treatises attest –, but slowly the printed medium grew in popularity, with its obvious advantages but also its many challenges. As antiquarian printed works appeared, the relationship between manuscript and printed sources also became less linear: printed copies of earlier works were annotated to serve as a means of research, and printed works could be copied by hand – partially or even completely. This book explores how antiquarian literature (collections of inscriptions, treatises, letters...) developed throughout the sixteenth century, both in manuscript and in print; how both media interacted with each other, and how these printed antiquarian works were received, as attested by the manuscript annotations left by their early modern owners and readers.