Actor's Alchemy


Book Description

(Book). An actor's script is both a gold mine, and the map to discovering it: if properly read, a script will reveal its riches to you. Unfortunately, most actors never learn to efficiently read the map, or master how to convert what they find in a script into playable gold. Why? Because this aspect of the acting process is seldom taught in a simple and tangible way in the classroom or studio. Acting can and should be more than guesswork and instinct. Actor's Alchemy: Finding the Gold in Your Script examines the relationship between the script and what an actor ultimately does on the stage or on screen. Here is a straightforward guide filled with useful information to help actors learn to use their scripts in a specific and analytical way to solve the problems of the scene and bring their elusive characters to life. In learning how to decipher the script, actors will be equipped to make the choices that lead to delivering a gold performance.




The Alchemical Actor


Book Description

The Alchemical Actor – Performing the Great Work: Imagining Alchemical Theatre offers an imagination for an alchemical theatre inspired by the directives of Antonin Artaud.




The Alchemy of the Acting Process


Book Description

What makes it possible for actors to create impacting, transformative performance? This thesis refers to theories of acting, performance and devising in Western traditions, and theories of consciousness, embodiment and neuroscience. A methodological bricolage approach to a devised theatre project was instigated to collect data during a three-week rehearsal. The thesis presents the empirical basis for a new theory to understand actors' creativity, and its transformative impact. The actors' felt-experiences and the creative processes and strategies they used were determined from video diaries and recorded discussions. The analysis highlighted the complexity at the heart of the actors' creative process and signified six component elements - a quiet mind; activated senses; perceptively minded-body; imaginative exploration; investment of time; transformative, vulnerable instrument. The research revealed that the interaction of the combined elements transformed the actors through an alchemy of the actor's process to achieve an authentic, impacting performance. These findings have implications for the enhancement of creative potential in other areas of life.




The Alchemy of Movement


Book Description




Happy Alchemy


Book Description

The acclaimed playwright, novelist, and author of Fifth Business explores the performing arts in this witty and insightful essay collection. Though best known for his award-winning fiction, Robertson Davies enjoyed a long and varied career as an actor, playwright, journalist and critic. Happy Alchemy collects an equally diverse range of Davies’ writings—including speeches, articles, prologues to plays, a ghost story set to music, and even a scenario for a film. In this eclectic volume, Davies shares his many musings on music, theatre, opera, and more. These pieces, many of them published here for the first time, touch on topics from Greek tragedy to Scottish Folklore and from Lewis Carroll to Carl Jung.




The Actor as Storyteller


Book Description

(Book). The Actor as Storyteller is intended for serious beginning actors. It opens with an overview, explaining the differences between theater and its hybrid mediums, the part an actor plays in each of those mediums. It moves on to the acting craft itself, with a special emphasis on analysis and choice-making, introducing the concept of the actor as storyteller, then presents the specific tools an actor works with. Next, it details the process an actor can use to prepare for scene work and rehearsals, complete with a working plan for using the tools discussed. The book concludes with a discussion of mental preparation, suggestions for auditioning, a process for rehearsing a play, and an overview of the realities of show business. Included in this updated edition are: A detailed examination of script analysis of the overall play and of individual scenes; A sample of an actor's script, filled with useful script notations; Two new short plays, one written especially for this text; Updated references, lists of plays, and recommended further reading




The Alchemist


Book Description

First performed in 1610, The Alchemist is one of Ben Jonson’s greatest comedies. Written for the King’s Men—the acting company to which Shakespeare belonged—it was first performed in Oxford because the playhouses in London were closed due to the plague. It was an immediate success and has remained a popular staple ever since. The play centers around a con man, his female accomplice, and a roguish butler who uses his master’s house to gull a series of victims out of their money and goods. Jonson uses the play to satirize as many people as he can—pompous lords, greedy commoners, and self-righteous Anabaptists alike—as his three con artists proceed to bilk everyone who comes to their door. They don multiple roles and weave elaborate tales to exploit their victims’ greed and amass a small fortune. But it all comes to a sudden, raucous end when the master unexpectedly returns to London and all the victims gather to try and reclaim their property.




The Actor as Storyteller


Book Description

THE ACTOR AS STORYTELLER: AN INTRODUCTION TO ACTING




Theatre and Alchemy


Book Description




Acting on the Script


Book Description

Mastery of craft depends on repetition: the more opportunities student actors have to be guided through analyzing scripts, the more likely they are to develop a reliable process for making choices when the time comes to work independently. That's why Acting on the Script contains eight short plays, which can be used independently or as parts of one full-length play, giving aspiring actors the practice they need to tell the story of the play and of their characters clearly, believably, and compellingly. With each new scene, readers are given the opportunity to think through the analysis and synthesis process independently, then they are guided clearly through that process. The first section reintroduces the basic elements of acting craft. The book then lays out how these elements relate to a script in general and then more specifically – by using a short play to illustrate the basic principles. The second section focuses on specific analysis and synthesis problems using original scenes especially composed to help students develop their analysis and choice-making skills and to address individual acting issues. The plays, already tested in classes and two productions (one professional and one college), are filled with the kinds of acting problems that beginning actors often have trouble with and need to learn to solve. In addition, specific problems that actors might have with certain types of material are addressed as well.