Farouk Hosny, Adam Henein


Book Description

This catalogue accompanied the exhibition that was organized to coincide with the September 1999 exhibition "Egyptian Art in the Age of the Pyramids" at The Metropolitan Museum of Art. An introductory essay and critical commentary by noted art historians accompany the color reproductions of works by Hosny and Henien. Oversize: 11x11". Annotation copyrighted by Book News, Inc., Portland, OR




Modernity and the Museum in the Arabian Peninsula


Book Description

Modernity and the Museum in the Arabian Peninsula is dedicated to the recent and rapid high-profile development of museums in the Arabian Peninsula, focusing on the a number of the Arabian Peninsula states: Bahrain, Kuwait, Oman, Qatar and theUAE. These Gulf states are dynamically involved in the establishment of museums to preserve and , represent their distinct national culture and heritage, as well as engaging in the regional and global art worlds through the construction of state-of-the-art art museums. Alongside such developments is a rich world of collection and displaying material culture in homes and private museums that is little known to the outside world. Museum Studies literature has struggled to keep pace with such developments and Modernity and the Museum in the Arabian Peninsula is the first book to coherently present: a contemporary overview of the ever-evolving landscape of museums and related heritage projects in the Arabian Peninsula a critical evaluation of the nature of these museum projects within the political and cultural conditions in the Arabian Peninsula suggestions for productive ways forward for museum developments in the Arabian Peninsula Museums Studies students and museum professionals now have a book that fills an important gap in the picture of the museum worldwide. Contextualising this study in the history and politics of the region, from a scholar working within the region, this in-depth overview and critical analysis of museums in the Arabian Peninsula stands alone as an entry into this important topic.




My Life in Jewelry


Book Description

"How a female artisan became the Arab world’s top jewelry designer"—CNBC on Azza Fahmy The inspiring personal story of an exceptional female artist and entrepreneur who overcame great obstacles to become one of the most recognized jewelers in the Arab world and an international luxury brand In the Egypt of the 1970s, a young Azza Fahmy set out into the all-male world of Historic Cairo's jewelry district to apprentice as a silversmith. This was the start of a remarkable success story that would make her name an international luxury brand. With warmth and candor, she recalls a happy childhood in Upper Egypt, spent in the bygone world of postwar Egypt. This idyllic start to life ended abruptly with the death of her father, when Azza Fahmy was only thirteen, and the family was forced to move to Cairo, to begin a new life under much reduced circumstances. It was a chance find at a book fair that changed the course of events for her—sparking a passion for silversmithing, and inspiring her to seek out the master craftsmen of Khan al-Khalili, the great craft district of Historic Cairo, and the nearby Sagha, or goldsmiths’ and silversmiths’ district. Through her intimate knowledge of these jewelry workshops, Azza Fahmy takes us through the quarter’s exquisite architecture and bustling alleyways, peopled with silversmiths, goldsmiths, brass workers, and artisans of every stripe, and lays out the indelible influence this now disappearing world has left on her acclaimed jewelry designs. While Azza Fahmy’s story is one of great accomplishment, woven through it are her struggles as a single mother, a middle-class Egyptian, and a woman working in a man's profession. This memoir, a tribute to the people and places that shaped her creative imagination, is also an ode to the conviction that with hope and perseverance, anything is possible.




DK Egypt


Book Description

Get closer to Egypt with DK Eyewitness. A boat trip down the ancient River Nile. Snorkeling off the Sinai Peninsula. Exploring the vast Valley of the Kings. Egypt offers enough bucket-list experiences to fill a lifetime. Whatever your dream trip involves, this DK Eyewitness travel guide is the perfect companion. With a brand-new design, beautiful new photography, and new inspirational content, this fully updated guide brings Egypt to life, transporting you there like no other travel guide. You'll find trusted travel advice, expert-led insights, detailed breakdowns of all the must-see sights, photographs on practically every page, and our hand-drawn illustrations, which take you inside the country's buildings and neighborhoods. You'll discover: Our pick of Egypt's must-sees and top experiences Beautiful photography and detailed illustrations, taking you to the heart of Egypt The best spots to eat, drink, shop and stay Detailed maps and walks that make navigating the region easy Easy-to-follow itineraries Expert advice: get ready, get around and stay safe Color-coded chapters to each part of Egypt A lightweight format, so you can take it with you wherever you go Want the best of Cairo in your pocket? Try our Top 10 Cairo and the Nile. DK is the world's leading illustrated reference publisher, producing beautifully designed books for adults and children in over 120 countries.




Decolonizing images


Book Description

The 2011 revolution put Egypt at the centre of discussions around radical transformations in global photographic cultures. But Egypt and photography share a longer, richer history rarely included in western accounts of the medium. Decolonizing images focuses on the country’s local visual heritage, continuing the urgent process of decolonizing the canon of photography. It presents a new account of the visual cultures produced and exhibited in Egypt by interpreting the camera’s ability to conceal as much as it reveals. The book moves from the initial encounters between local knowledge and western-led modernity to explore how the image intersects with the politics of representation, censorship, activism and aesthetics. It overturns Eurocentric understandings of the photograph through a compelling narrative of contemporary Egypt’s indigenous visual culture.




Historical Dictionary of Egypt


Book Description

Egypt’s was the first non-Western country to undergo an industrial revolution. It was a major commercial center during the 19th and early 20th centuries. It was one of the first countries to have (albeit briefly) a constitutional government. Its struggle for independence was among the earliest in the non-Western world. Its capital, Cairo, has served as a headquarters and a meeting place for nationalist leaders. Its schools and universities attracted students from many other African and Asian countries. For the Arab world, its educational and legal institutions set the pattern that most other Arabic-speaking countries have followed. Its books, magazines, and newspapers circulate widely. Its radio and television broadcasting became the model for other Arab states. The leadership of Jamal Abd al-Nasir and Anwar al-Sadat profoundly influenced other Arab and Third World leaders. And the demonstrations in Cairo’s Tahrir Square became the iconic movement for the so-called “Arab Spring” in the rest of the Middle East. This fourth edition of Historical Dictionary of Egypt covers its history from its emergence as an independent actor during the reign of Ali Bey (1760-1772) up to and including the first two years of the Arab Spring (February 2013). This is done through a chronology, an introductory essay, appendixes, and an extensive bibliography. The dictionary section has over 700 cross-referenced entries on of persons, events, institutions, political groups, economic and social conditions, policies, relationships with other countries, ideas, religions, ideologies, and commodities relevant to the modern history of Egypt. This book is an excellent access point for students, researchers, and anyone wanting to know more about Egypt.




Publications of the Metropolitan Museum of Art, 1964-2005


Book Description

The present volume, Publications of The Metropolitan Museum of Art, 1964-2005, is a successor to a volume published by the Museum in 1965 entitled Publications of The Metropolitan Museum of Art, 1870-1964. These two bibliographic volumes endeavor to list all the known books, pamphlets, and serial publications bearing the Museum's imprint, and issued by the institution during the first 135 years of its existence (through June 2005). The first volume was compiled by Albert TenEyck Gardner, at the time an Associate Curator of American Paintings and Sculpture, and the present volume has been compiled from the Annual Reports issued by the Museum during the relevant years. Together the two volumes testify to the tremendous contributions made to knowledge by the curators and conservators of the Metropolitan and by the many other experts who have contributed to the Museum's exhibition catalogues. Various issues of the Bulletin emphasize the great sweep of the Museum's acquisitions during these years, and the exhibition catalogues--a number of them Alfred H. Barr Jr., Award or the George Wittenborn Award--testify to the continuity of the institution's dedicated program to enrich people's lives through knowledge of art. (This title was originally published in 2006.)




أسرار أبو الهول


Book Description

This lavishly illustrated, bilingual English and Arabic volume tells the story of the Sphinx from ancient times to the present, focusing particularly on the task - first addressed in the second millenium BC - of preserving it. Published to mark the completion of a major modern restoration project, the book is an invaluable and fascinating document, a testimony not only to the skills of the people who built the Sphinx, but to those who have maintained and renewed it down the ages.




Modern Art in Egypt


Book Description

Following a spectacular surge in interest for Egyptian masters, Modern Art in Egypt fills the void in Egyptian art history, chronicling the lives and legacies of six pioneering artists working under the British occupation. Using Western-style academic art as a starting point, these artists championed cultural progress, re-appropriating Egyptian visual culture from European orientalists to found a neo-Pharaonic School of Realism. Modern Art in Egypt charts the years from Muhammad Ali's educational reforms to the mass influx of foreigners during the nineteenth-century. With a focus on the al-Nahda thought movement, this book provides an overview of the key policy-makers, reformists and feminists who founded the first School of Fine Arts in Egypt, as well as cultural salons, museums and arts collectives. By combining political and aesthetic histories, Fatenn Mostafa breaks the prevailing understanding that has preferred to see non-Western art as derivatives of Western art movements. Modern Art in Egypt re-establishes Egypt's presence within the global Modernist canon.




Consuming Ancient Egypt


Book Description

Consuming Ancient Egypt examines the influence of Ancient Egypt on the everyday lives of contemporary people, of all ages, throughout the world. It looks at the Egypt tourist sees, Egypt in film and Egypt as the inspiration for opera. It asks why so many books are published each year on Egyptological subjects at all levels, from the austerely academic to the riotous celebrations of Egypt as a land of mystery, enchantment and fantasy. It then considers the ways in which Ancient Egypt interacts with the living world, in architecture, museum going, the acquisition of souvenirs and reproductions, design, and the perpetual appeal of the mummy. The significance of Egypt as an adjunct to (and frequently the subject of) marketing in the consumer society is examined. It reveals much about Egypt's immemorial appeal and the psychology of those who succumb to its magic.