Adolphe Appia


Book Description

Adolphe Appia swept away the foundations of traditional theatre and set the agenda for the development of theatrical practice this century. Richard Beacham brings together for the first time, selections from all his major works.




Adolphe Appia


Book Description

Adolphe Appia swept away the foundations of traditional theatre and set the agenda for the development of theatrical practice this century. In Adolphe Appia: Texts on Theatre, Richard Beacham brings together for the first time selections from all his major writings. The publication of these essays, many of which have long been unavailable in English, represents a significant addition to our understanding of the development of theatrical art. It will be an invaluable sourcebook for theatre students and welcomed as an important contribution to the literature of the modern stage.




The Work of Living Art


Book Description




Wagner and the Art of the Theatre


Book Description

Chapitre 6, p. 175-207, consacré à Adolphe Appia.




Adolphe Appia


Book Description




Music and the Art of the Theatre


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Looking Into the Abyss


Book Description

Engaging essays by an internationally prominent historian and theorist of theater set design




Dynamic Cartography


Book Description

Dynamic Cartography analyses the works of Rudolf Laban, Lawrence Halprin, Anne Bogart, Adolphe Appia, Cedric Price, Joan Littlewood, and Hélio Oiticica. They are practitioners who have worked on different areas of enquiry from the existing relations between body and space through movement, events, or actions but whose work has never been presented from this perspective or in this context. The work and methodologies set up by these practitioners enable us to develop a practice-based exploration. Some of the experiments in the book – Micro-actions I and II – explore the presence of the body in the space. In Kinetography I and II, Laban’s dance notation system – kinetography – is used to create these dynamic cartographies. Kinetography III proposes the analysis of an urban public space through the transcription of the body movement contained on it. The series Dynamic Cartographies I, II, and III analyses movement in geometrically controlled spaces through the Viewpoints techniques by Anne Bogart. Finally, Wooosh! and Trellick Tales present two projects in which performance is applied in order to analyse and understand urban and architectural space.




Experimental Theatre


Book Description

James Roose-Evans, one of Britain's most innovative directors, traces the origins of the avant-garde in the theatre through such key figures as Stanislavsky, Brecht and Grotowski.




Active Light


Book Description

This book looks at various important events relating to the poetics of light in theatre production in the West in the twentieth century, from the great reformists at the beginning of the century to contemporary artists such as Josef Svoboda, Alwin Nikolais and Robert Wilson. The intention isn't to outline a somewhat comprehensive history of stage lighting, instead it is an attempt to identify some basic issues concerning its use. Lighting issues are unshackled from the limited contexts of technique and image, where they often end up only to be relegated, and examined in the context of the performance's space/time structure, poetic and dramatic construction, and the relationship with the performer. A section dedicated to the theatrical work of the author outlines the distinctive point of view behind the book, regarding the creative processes and the operational relationship with technique. The title Active Light is a direct reference to Adolphe Appia who, at the end of the nineteenth century, was one of the first to deal with the issue of light explicitly as an artistic issue in theatre, with his own writings and creations. As far as Appia was concerned lumiere active was expressive light, creating shapes, forming poetic matter and dramatic substance."