Watercolours Unleashed


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The Vienna Galleries


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A Reluctant Memoir


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A fiercely honest and unvarnished autobiography from Ireland's most successful and controversial living artist. Making his name as a Pop artist in the late 1960s and 70s, Robert Ballagh quickly achieved an international reputation. With little formal artistic training, he triumphed in his field despite often formidable hostility. His work was also strikingly topical and political, playing with classic images by Goya or Delacroix to express outrage about the situation in Northern Ireland. But it is his series of realistic portraits of writers, politicians and fellow artists – often searingly inquisitive and moving in equal measure – that have won him lasting fame. His subjects include Brian Friel, Seamus Heaney, Samuel Beckett, James Watson, Francis Crick, Harold Pinter and Fidel Castro. And his remarkable self-portraits unsparingly document the process of his own ageing. This memoir is also a story of Ireland over the past sixty years, its violence, hypocrisy and immobility as well as its creativity and generosity.







The Botanist's Daughter


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Discovery. Desire. Deception. A wondrously imagined tale of two female botanists, separated by more than a century, in a race to discover a life-saving flower, from the author of the bestselling The Forgotten Letters of Esther Durrant In Victorian England, headstrong adventuress Elizabeth takes up her late father's quest for a rare, miraculous plant. She faces a perilous sea voyage, unforeseen dangers and treachery that threatens her entire family. In present-day Australia, Anna finds a mysterious metal box containing a sketchbook of dazzling watercolours, a photograph inscribed 'Spring 1886' and a small bag of seeds. It sets her on a path far from her safe, carefully ordered life, and on a journey that will force her to face her own demons. In this spellbinding botanical odyssey of discovery, desire and deception, Kayte Nunn has so exquisitely researched nineteenth-century Cornwall and Chile you can almost smell the fragrance of the flowers, the touch of the flora on your fingertips . . . 'Two incredibly likeable, headstrong heroines . . . watching them flourish is captivating. With these dynamic women at the helm, Kayte weaves a clever tale of plant treachery involving exotic and perilous encounters in Chile, plus lashings of gentle romance. Compelling storytelling' The Australian Women's Weekly 'The riveting story of two women, divided by a century in time, but united by their quest to discover a rare and dangerous flower said to have the power to heal as well as kill. Fast-moving and full of surprises, The Botanist's Daughter brings the exotic world of 19th-century Chile thrillingly to life' KATE FORSYTH Praise for The Forgotten Letters of Esther Durrant: 'If you enjoyed City of Girls by Elizabeth Gilbert, read Kayte Nunn' The Washington Post 'Nunn's US debut is an engaging, dual-period narrative tracing Esther's journey towards healing and wholeness as well as Rachel's attempts to move beyond her wanderlust and unwillingness to commit to a home, job or relationship. The ending highlights the enduring power of love and forgiveness' Booklist Magazine 'Vivid descriptions highlight intertwining plot lines that seamlessly build to a satisfying climax. For fans of authors such as Lauren Willig and Kate Morton' Library Journal **Contains BONUS extract from Kayte's newest spellbinding novel, THE SILK HOUSE**




Sweet Savage Heart


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Follow the wind. . .Kiss of the night wind. . .Promise me forever. . . Award-winning author Janelle Taylor brings her magnificent historicals alive with fiery passion and exciting adventure. And Sweet Savage Heart continues that bestselling tradition on the wild plains of the Dakota Territory where an arrogant rancher stakes his claim on a flame-haired beauty! Sweet Savage Heart Kidnapped when she was a child, eighteen-year-old Rana Michaels couldn't imagine any life other than her carefree existence among the Sioux. The white man Travis Kincade appeared in her camp, and the flame-haired beauty's peace was shattered forever. His emerald eyes seemed to strip away her doeskin dress; his heated touch was destined to teach her passion's secrets. But when he traded a few trinkets for her freedom, Rana vowed to slay him before returning to her people. . .even if it meant denying herself the exquisite release only he could ignite within her!




Picture World


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The modern media world came into being in the nineteenth century, when machines were harnessed to produce texts and images in unprecedented numbers. In the visual realm, new industrial techniques generated a deluge of affordable pictorial items, mass-printed photographs, posters, cartoons, and illustrations. These alluring objects of the Victorian parlor were miniaturized spectacles that served as portals onto phantasmagoric versions of 'the world.' Although new kinds of pictures transformed everyday life, these ephemeral items have received remarkably little scholarly attention. Picture World shines a welcome new light onto these critically neglected yet fascinating visual objects. They serve as entryways into the nineteenth century's key aesthetic concepts. Each chapter pairs a new type of picture with a foundational keyword in Victorian aesthetics, a familiar term reconceived through the lens of new media. 'Character' appears differently when considered with caricature, in the new comics and cartoons appearing in the mass press in the 1830s; likewise, the book approaches 'realism' through pictorial journalism; 'illustration' via illustrated Bibles; 'sensation' through carte-de-visite portrait photographs; 'the picturesque' by way of stereoscopic views; and 'decadence' through advertising posters. Picture World studies the aesthetic effects of the nineteenth century's media revolution: it uses the relics of a previous era's cultural life to interrogate the Victorian world's most deeply-held values, arriving at insights still relevant in our own media age.




Monthly Review


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The Monthly Review, Or, Literary Journal


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A monthly book announcement and review journal. Considered to be the first periodical in England to offer reviews. In each issue the longer reviews are in the front section followed by short reviews of lesser works. It featured the novelist and poet Oliver Goldsmith as an early contributor. Griffiths himself, and likely his wife Isabella Griffiths, contributed review articles to the periodical. Later contributors included Dr. Charles Burney, John Cleland, Theophilus Cibber, James Grainger, Anna Letitia Barbauld, Elizabeth Moody, and Tobias Smollet.