Africa in Antiquity


Book Description







Africa in Antiquity


Book Description




Africa in Antiquity


Book Description







Africa in Antiquity


Book Description




Africa in Antiquity


Book Description




Ancient Nubia


Book Description

First published in 1996. This book is designed to provide a clear, up-to-date account of the past of Nubia (both in Egypt and the Sudan) from the earliest human activity known there in Old Stone Age times until the coming of Islam in the fourteenth– fifteenth centuries AD, based on over 45 years' experience of that country both as an archaeological civil servant and an academic. The archaeology and ancient history of Nubia has not been well known until very recently and the book is planned to fill a gap by making this story more widely known. This book is designed to provide a clear, up-to-date account of the past of Nubia (both in Egypt and the Sudan) from the earliest human activity known there in Old Stone Age times until the coming of Islam in the fourteenth– fifteenth centuries AD, based on over 45 years' experience of that country both as an archaeological civil servant and an academic. The archaeology and ancient history of Nubia has not been well known until very recently and the book is planned to fill a gap by making this story more widely known.




The Oxford Handbook of Ancient Nubia


Book Description

The cultures of Nubia built the earliest cities, states, and empires of inner Africa, but they remain relatively poorly known outside their modern descendants and the community of archaeologists, historians, and art historians researching them. The earliest archaeological work in Nubia was motivated by the region's role as neighbor, trade partner, and enemy of ancient Egypt. Increasingly, however, ancient Nile-based Nubian cultures are recognized in their own right as the earliest complex societies in inner Africa. As agro-pastoral cultures, Nubian settlement, economy, political organization, and religious ideologies were often organized differently from those of the urban, bureaucratic, and predominantly agricultural states of Egypt and the ancient Near East. Nubian societies are thus of great interest in comparative study, and are also recognized for their broader impact on the histories of the eastern Mediterranean and the Near East. The Oxford Handbook of Ancient Nubia brings together chapters by an international group of scholars on a wide variety of topics that relate to the history and archaeology of the region. After important introductory chapters on the history of research in Nubia and on its climate and physical environment, the largest part of the volume focuses on the sequence of cultures that lead almost to the present day. Several cross-cutting themes are woven through these chapters, including essays on desert cultures and on Nubians in Egypt. Eleven final chapters synthesize subjects across all historical phases, including gender and the body, economy and trade, landscape archaeology, iron working, and stone quarrying.




Hellenizing Art in Ancient Nubia 300 B.C. - AD 250 and its Egyptian Models


Book Description

Presenting a large body of evidence for the first time, this book offers a comprehensive treatment of Nubian architecture, sculpture, and minor arts in the period between 300 BC-AD 250. It focuses primarily on the Nubian response to the traditional pharaonic, Hellenistic/Roman, Hellenizing, and “hybrid” elements of Ptolemaic and Roman Egyptian culture. The author begins with a history of Nubian art and a critical survey of the literature on Ptolemaic and Roman Egyptian art. Special chapters are then devoted to the discussion of the Egyptian-Greek interaction in the arts of Ptolemaic Egypt, the place of Egyptian Hellenistic and Hellenizing art within the oikumene, the pluralistic visual world of Ptolemaic and Roman Egypt, as well as on the specific genre of terracotta sculpture. Utilizing examples from Meroe City and Musawwarat es Sufra, the author argues that cultural transfer from Ptolemaic and Roman Egypt to Nubia resulted in an inward-focused adaptation. Therefore, the resulting Nubian art from this period expresses only those aspects of Egyptian and Greek art that are compatible with indigenous Nubian goals.