African-American Heroes 1776-1919


Book Description

African-American Heroes 1776-1919 The Story of Sergeant Neadom Roberts By: Gilbert Wayne Hedgpeth, MHS, CAS, CS About the Book African-American Heroes 1776-1919: The Story Sergeant Neadom Roberts demonstrates the spirit and heroism of an African-American soldier’s patriotic deeds and determination to serve his country despite barriers of racism, segregation, oppression, and discrimination. He persevered onward in great sacrifice, yet records of his service have gone unrecognized, been diminished and forgotten. This book seeks to educate the reader to tell the individual and collective stories of these gallant heroes and bring to light their historical legacies. The American democracy must include equality and opportunity for all its citizens without regard to their race, ethnicity, social-economic status and religion. The author hopes that readers of this book will enhance their knowledge and gain a renewed sense of pride and self-esteem about African-American heroes and their collective contributions to our beloved country.




African-American Heroes of the Civil War


Book Description

Yes, you're familiar with Harriet Tubman and Frederick Douglass. But what about William Carney, Charlotte Forten, Francis Dumas, and 15 other African-Americans who played key roles during the War Between the States? African-American Heroes of the Civil War brings to light the stories and contributions of 20 individuals who made a difference during America's bloodiest conflict. Six in-depth biographies cover: Andre Cailloux William Carney Robert Smalls Frederick Douglass Harriet Tubman Charlotte Forten Fourteen additional mini-biographies capture the stories of other African-Americans who fought or worked for victory during the war. Extensive teacher materials include worksheets for building comprehension skills, suggestions for a culminating assessment project, and more. Photos, puzzles, and graphics throughout the text make African-American Heroes of the Civil War a complete compendium of this often overlooked facet of American history. A perfect supplement to history, ELA, and even life skills classes. See other Heroes of the Civil War titles







African American War Heroes


Book Description

Entries profile decorated African Americans from all of the U.S. conflicts since the Revolutionary War. In addition to providing basic biographical data, each profile offers a detailed account of the individual's heroic actions.




African-Americans in Boston


Book Description

A "must" introduction to significant African-American events & people in Massachusetts where so much American history began. The first slaves arrived in Boston in 1638; the first Black gave his life in the Boston Massacre. Entries are dramatic bullet-style cameos set off by more than 100 photographs. Arranged chronologically within a dozen categories--Science, Religion, Government, Creative Arts, among them--the elegantly designed paperback offers instant identification of names & invites follow up research--a catalyst "to find out more." Among the entries: a high school student wins ten dollars in gold for her essay on the "Evils of Intemperance"; a physician fights for the right to deliver babies at the city hospital; Blacks unite in protest against the film BIRTH OF A NATION; a Boston mechanic invents a diving suit & a dentist invents a golf tee. The BOSTON GLOBE calls it a book that explores the "rich heritage & legacy of leaders who lived here but had an impact upon all America--including Frederick Douglass, William DuBois, Phillis Wheatley, Malcolm X, Dr. Martin Luther King, Jr." An executive of Bank of Boston, which funded the publication, calls it "a book about dreams." And the dreams came true. Available through Publisher's Sales Office--666 Boylston Street, Boston, MA 02116, Tele-(617)-536-5400. xt 346.




Integration of the Armed Forces, 1940-1965


Book Description

CMH Pub 50-1-1. Defense Studies Series. Discusses the evolution of the services' racial policies and practices between World War II and 1965 during the period when black servicemen and women were integrated into the Nation's military units.




Finding Afro-Mexico


Book Description

In 2015, the Mexican state counted how many of its citizens identified as Afro-Mexican for the first time since independence. Finding Afro-Mexico reveals the transnational interdisciplinary histories that led to this celebrated reformulation of Mexican national identity. It traces the Mexican, African American, and Cuban writers, poets, anthropologists, artists, composers, historians, and archaeologists who integrated Mexican history, culture, and society into the African Diaspora after the Revolution of 1910. Theodore W. Cohen persuasively shows how these intellectuals rejected the nineteenth-century racial paradigms that heralded black disappearance when they made blackness visible first in Mexican culture and then in post-revolutionary society. Drawing from more than twenty different archives across the Americas, this cultural and intellectual history of black visibility, invisibility, and community-formation questions the racial, cultural, and political dimensions of Mexican history and Afro-diasporic thought.




Combat Multipliers


Book Description




The Revolution Will Not Be Theorized


Book Description

The study of the impact of Black Power Movement (BPM) activists and organizations in the 1960s through ʼ70s has largely been confined to their role as proponents of social change; but they were also theorists of the change they sought. In The Revolution Will Not Be Theorized Errol A. Henderson explains this theoretical contribution and places it within a broader social theory of black revolution in the United States dating back to nineteenth-century black intellectuals. These include black nationalists, feminists, and anti-imperialists; activists and artists of the Harlem Renaissance; and early Cold War–era black revolutionists. The book first elaborates W. E. B. Du Bois's thesis of the "General Strike" during the Civil War, Alain Locke's thesis relating black culture to political and economic change, Harold Cruse's work on black cultural revolution, and Malcolm X's advocacy of black cultural and political revolution in the United States. Henderson then critically examines BPM revolutionists' theorizing regarding cultural and political revolution and the relationship between them in order to realize their revolutionary objectives. Focused more on importing theory from third world contexts that were dramatically different from the United States, BPM revolutionists largely ignored the theoretical template for black revolution most salient to their case, which undermined their ability to theorize a successful black revolution in the United States. This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of The Pennsylvania State University. Learn more at the TOME website, available at: openmonographs.org, and access the book online at http://muse.jhu.edu/book/67098. It is also available through the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/1704.




The New Negro


Book Description

When African American intellectuals announced the birth of the "New Negro" around the turn of the twentieth century, they were attempting through a bold act of renaming to change the way blacks were depicted and perceived in America. By challenging stereotypes of the Old Negro, and declaring that the New Negro was capable of high achievement, black writers tried to revolutionize how whites viewed blacks--and how blacks viewed themselves. Nothing less than a strategy to re-create the public face of "the race," the New Negro became a dominant figure of racial uplift between Reconstruction and World War II, as well as a central idea of the Harlem, or New Negro, Renaissance. Edited by Henry Louis Gates, Jr., and Gene Andrew Jarrett, The New Negro collects more than one hundred canonical and lesser-known essays published between 1892 and 1938 that examine the issues of race and representation in African American culture. These readings--by writers including W.E.B. Du Bois, Paul Laurence Dunbar, Alain Locke, Carl Van Vechten, Zora Neale Hurston, and Richard Wright--discuss the trope of the New Negro, and the milieu in which this figure existed, from almost every conceivable angle. Political essays are joined by essays on African American fiction, poetry, drama, music, painting, and sculpture. More than fascinating historical documents, these essays remain essential to the way African American identity and history are still understood today.