African Dream Machines


Book Description

African Dream Machines takes African headrests out of the category of functional objects and into the more rarefied category of ‘art’ objects. Styles in African headrests are usually defined in terms of western art and archaeological discourses, but this book interrogates these definitions of style and demonstrates the shortcomings of defining a single formal style model as exclusive to a single ethnic group. Among the artefacts made by southern African peoples, headrests were the best known. Anitra Nettleton’s study of the uses and forms of headrests opened up a number of art-historical methodologies in the attempt to gain an understanding of form, style and content in African art objects. Her drawings of each and every headrest encountered become a major part of the project.




African Dream Machines


Book Description




Material Explorations in African Archaeology


Book Description

How people engaged with materials such as clay or stone, why people dug features such as pits, why they decorated their bodies, or treated their dead in certain ways, were all meaningful in the African past. However, these are subjects that have been generally neglected by archaeologists working in Africa until recently. Material Explorations in African Archaeology examines materiality in African archaeology by exploring concepts of material agency and material engagement and entanglement in relation to their manifest presence in persons, animals, objects, substances, and contexts. It investigates the magnificent and complex world of past African materiality by considering a range of case studies. These include, for example, why standing stones were erected, the potential meanings of bodily alteration practices such as scarification and dental modification, and why, recurrently, Africans in the past gave ritual importance to objects, materials, and locations thought of as exotic or different. Adopting a multidisciplinary focus, the volume draws not only on archaeology but also, among other areas, ethnography and history, discussing themes such as bodies, landscape, healing and medicine, and divination, as well as concepts such as memory and biography, transformation, and metaphor and metonym.




Print, Text and Book Cultures in South Africa


Book Description

An explanation of the unique role of the book and book collecting in South Africa due to the apartheid This book explores the power of print and the politics of the book in South Africa from a range of disciplinary perspectives- historical, bibliographic, literary-critical, sociological, and cultural studies. The essays collected here, by leading international scholars, address a range of topics as varied as: the role of print cultures in contests over the nature of the colonial public sphere in the nineteenth century; orthography; iimbongi, orature and the canon; book- collecting and libraries; print and transnationalism; Indian Ocean cosmopolitanisms; books in war; how the fates of South African texts, locally and globally, have been affected by their material instantiations; photocomics and other ephemera; censorship, during and after apartheid; books about art and books as art; local academic publishing; and the challenge of 'book history' for literary and cultural criticism in contemporary South Africa.




Speaking of Objects


Book Description

A lavishly illustrated selection of highlights from the Art Institute of Chicago’s extraordinary collection of the arts of Africa Featuring a selection of more than 75 works of traditional African art in the Art Institute of Chicago’s collection, this stunning volume includes objects in a wide variety of media from regions across the continent. Essays and catalogue entries by leading art historians and anthropologists attend closely to the meanings and materials of the works themselves in addition to fleshing out original contexts. These experts also underscore the ways in which provenance and collection history are important to understanding how we view such objects today. Celebrating the Art Institute’s collection of traditional African art as one of the oldest and most diverse in the United States, this is a fresh and engaging look at current research into the arts of Africa as well as the potential of future scholarship.




Mapping Modernisms


Book Description

Mapping Modernisms brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. Mapping Modernisms is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. Contributors. Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian Skinner, Nicholas Thomas, Norman Vorano




Archaeology of Spiritualities


Book Description

Archaeology of Spiritualties provides a fresh exploration of the interface between archaeology and religion/spirituality. Archaeological approaches to the study of religion have typically and often unconsciously, drawn on western paradigms, especially Judaeo-Christian (mono) theistic frameworks and academic rationalisations. Archaeologists have rarely reflected on how these approaches have framed and constrained their choices of methodologies, research questions, hypotheses, definitions, interpretations and analyses and have neglected an important dimension of religion: the human experience of the numinous - the power, presence or experience of the supernatural. Within the religions of many of the world’s peoples, sacred experiences – particularly in relation to sacred landscapes and beings connected with those landscapes – are often given greater emphasis, while doctrine and beliefs are relatively less important. Archaeology of Spiritualities asks how such experiences might be discerned in the archaeological record; how do we recognize and investigate ‘other’ forms of religious or spiritual experience in the remains of the past?. The volume opens up a space to explore critically and reflexively the encounter between archaeology and diverse cultural expressions of spirituality. It showcases experiential and experimental methodologies in this area of the discipline, an unconventional approach within the archaeology of religion. Thus Archaeology of Spiritualities offers a unique, timely and innovative contribution, one that is also challenging and stimulating. It is a great resource to archaeologists, historians, religious scholars and others interested in cultural and religious heritage.




Dreams for Lesotho


Book Description

In Dreams for Lesotho: Independence, Foreign Assistance, and Development, John Aerni-Flessner studies the post-independence emergence of Lesotho as an example of the uneven ways in which people experienced development at the end of colonialism in Africa. The book posits that development became the language through which Basotho (the people of Lesotho) conceived of the dream of independence, both before and after the 1966 transfer of power. While many studies of development have focused on the perspectives of funding governments and agencies, Aerni-Flessner approaches development as an African-driven process in Lesotho. The book examines why both political leaders and ordinary people put their faith in development, even when projects regularly failed to alleviate poverty. He argues that the potential promise of development helped make independence real for Africans. The book utilizes government archives in four countries, but also relies heavily on newspapers, oral histories, and the archives of multilateral organizations like the World Bank. It will interest scholars of decolonization, development, empire, and African and South African history.




The Impossible Collection of Cars


Book Description

It is the dream of many to own the world’s most beautifully designed automobiles, but most often only a handful of collectors ever come close. Now, The Impossible Collection of Cars makes that dream come true, showcasing the one hundred most exceptional cars of the twentieth century in ASSOULINE's third volume in the Impossible Collection series. Each luxury automobile—from the 1909 Blitzen Benz to a 1996 McLaren F1—was chosen for its revolutionary engineering, magnificent lines, and head-turning capabilities. Assouline is pleased to announce this exquisite tome, which features cars owned by celebrities like Marlene Dietrich, Ralph Lauren, Greta Garbo, Pablo Picasso, and Elvis Presley. This Impossible Collection volume is presented on cotton paper in a beautiful black rubber clamshell box with a cutout metal plate.




Tribal Art


Book Description

Quarterly journal of the art, culture and history of traditional peoples and Old World civilizations.