Oral Literature in Africa


Book Description

Ruth Finnegan's Oral Literature in Africa was first published in 1970, and since then has been widely praised as one of the most important books in its field. Based on years of fieldwork, the study traces the history of storytelling across the continent of Africa. This revised edition makes Finnegan's ground-breaking research available to the next generation of scholars. It includes a new introduction, additional images and an updated bibliography, as well as its original chapters on poetry, prose, "drum language" and drama, and an overview of the social, linguistic and historical background of oral literature in Africa. This book is the first volume in the World Oral Literature Series, an ongoing collaboration between OBP and World Oral Literature Project. A free online archive of recordings and photographs that Finnegan made during her fieldwork in the late 1960s is hosted by the World Oral Literature Project (http: //www.oralliterature.org/collections/rfinnegan001.html) and can also be accessed from publisher's website.




Oral Literature of the Embu and Mbeere


Book Description

This is a new title from the Kenyan publisher who is publishing works of scholarship on the oral literature of the different groups in Kenya. The background is the rich repository in oral literature of the enduring wisdom and cultural values of the peoples of Africa. Within the proverbs and riddles, oral narratives and songs, philosophical and material cultures are captured and expressed. These ethnic-based oral literature titles seek to preserve this wisdom in the written form. The literature of the Embu and Mbeere of Eastern Kenya is fully explored here by a renowned scholar and writer on oral literature. She covers the historical and cultural background; genres of oral literature and their performance; form and style; and the social functions of oral literature. Literary texts examined are narratives, oral poetry, proverbs, and riddles and puzzles.




The Poem in the Story


Book Description

Fact and fiction meet at the boundaries, the betwixt and between where transformations occur. This is the area of ambiguity where fiction and fact become endowed with meaning, and this is the area—where ambiguity, irony, and metaphor join forces—that Harold Scheub exposes in all its nuanced and evocative complexity in The Poem in the Story. In a career devoted to exploring the art of the African storyteller, Scheub has conducted some of the most interesting and provocative investigations into nonverbal aspects of storytelling, the complex relationship between artist and audience, and, most dramatically, the role played by poetry in storytelling. This book is his most daring effort yet, an unconventional work that searches out what makes a story artistically engaging and emotionally evocative, the metaphorical center that Scheub calls "the poem in the story." Drawing on extensive fieldwork in southern Africa and decades of experience as a researcher and teacher, Scheub develops an original approach—a blend of field notes, diary entries, photographs, and texts of stories and poems—that guides readers into a new way of viewing, even experiencing, meaning in a story. Though this work is largely focused on African storytelling, its universal applications emerge when Scheub brings the work of storytellers as different as Shakespeare and Faulkner into the discussion.




African Folktales


Book Description

The deep forest and broad savannah, the campsites, kraals, and villages—from this immense area south of the Sahara Desert the distinguished American folklorist Roger D. Abrahams has selected ninety-five tales that suggest both the diversity and the interconnectedness of the people who live there. The storytellers weave imaginative myths of creation and tales of epic deeds, chilling ghost stories, and ribald tales of mischief and magic in the animal and human realms. Abrahams renders these stories in a narrative voice that reverberates with the rhythms of tribal song and dance and the emotional language of universal concerns. With black-and-white drawings throughout Part of the Pantheon Fairy Tale and Folklore Library




The Oral Tradition of the Baganda of Uganda


Book Description

The Baganda people of Uganda enjoy an extraordinarily rich oral tradition, which serves as a window into their culture, history, and experiences as a people. This comprehensive, multigenre work is both a study of the Baganda people's oral literature--framed within the broader contexts of the African oral tradition genre, modern African literature, and global literary studies--and a collection of representative stories. Cultural explanations throughout the text explore the living culture of this unique East African nation. Particular attention is paid to the history of Uganda, thus placing the oral tradition within its proper context. An appendix offers sample Luganda songs.




Oral Literature of the Maasai


Book Description

Oral Literature of the Maasai offers an extensive collection of types of oral literature: oral narratives; proverbs; riddles; and a variety of songs for different occasions. The versions in this book were collected by the author from a specific Maasai community in Kajiado County of Kenya. The author listened to many of the narratives and participated in many proverb and riddle telling sessions as she grew up in her Ilbissil village of Kajiado Central Sub-county. However, she recorded most of the examples of oral literature in the early seventies with the help of her mother, who performed the role of the oral artist. Many songs were recorded from live performances. The examples ring with individuality, while also revealing a comprehensive way of life of a people. The images in the literature reveal the concrete life of the Maasai people living closely with their livestock and engaged in constant struggle with the environment. But like all important literature, the materials here ultimately reveal a people with its moral and spiritual concerns, grappling with questions of human values and relations, struggling for a better social order.




African Proverbs Reveal Christianity in Culture


Book Description

In many oral cultures local proverbs are highly regarded for their wisdom and prized for their aesthetic expression. In this study Jay Moon provides an in-depth look at the use of local proverbs among the Builsa culture of Ghana, West Africa. In particular, the author's research shows how local proverbs can facilitate contextualized expressions of Christianity that are both biblically authentic and culturally relevant. The process of initiating and sustaining this form of expression is explicated with the help of an engaging narrative, providing valuable insights for those striving for genuine and meaningful expression of Christ in culture. This study will be especially beneficial to the missionary community, particularly for the purposes of appreciating oral literature in primary oral cultures, finding proper roles in the contextualization process, identifying cultural values via the window of local proverbs, training missionaries in cultural understanding, and tailoring discipleship training to incorporate significant aspects of orality




Oral Traditions and the Verbal Arts


Book Description

Provides up-to-date guidance on how to approach the study of oral forms and their performances, examining both the practicalities of fieldwork and the methods by which oral texts and performances can be observed, collected and analysed.




Oral Literature of the Luo


Book Description

This is the sixth title in a series of titles focussing on the oral literary tradition of various East African ethnic groups - the Maasai, the Embu and the Mbeere amongst others - published by EAEP. Okumba Miruka, particularly known for his contribution to oral literature in Kenya, sets out to contexualise his subject by first explaining about the Luo people and culture - from migratory patterns and economic activity to the concept of divinity, death, warfare and Luo cuisine and eating culture. He then approaches the oral literature of the Luo through the genres of riddles, proverbs, poetry and narratives. For each genre, he offers a general introduction, notes on style, convention, performance and social function, and a wide range of samples, or 'primary texts' with commentaries.