A History of African American Poetry


Book Description

Offers a critical history of African American poetry from the transatlantic slave trade to present day hip-hop.




Slave Songs and the Birth of African American Poetry


Book Description

In this insightful and provocative volume, Rameyreveals spirituals and slave songs to be a crucial element in American literature. This book shows slave songs'intrinsic value as lyric poetry, sheds light on their roots and originality, anddraws new conclusions on anart form long considereda touchstone of cultural imagination.




W. E. B. Du Bois and The Souls of Black Folk


Book Description

In this book, Stephanie J. Shaw brings a new understanding to one of the great documents of American and black history. While most scholarly discussions of The Souls of Black Folk focus on the veils, the color line, double consciousness, or Booker T. Washington, Shaw reads Du Bois' book as a profoundly nuanced interpretation of the souls of black Americans at the turn of the twentieth century. Demonstrating the importance of the work as a sociohistorical study of black life in America through the turn of the twentieth century and offering new ways of thinking about many of the topics introduced in Souls, Shaw charts Du Bois' successful appropriation of Hegelian idealism in order to add America, the nineteenth century, and black people to the historical narrative in Hegel's philosophy of history. Shaw adopts Du Bois' point of view to delve into the social, cultural, political, and intellectual milieus that helped to create The Souls of Black Folk.




The Great American Songbooks


Book Description

In the late nineteenth and early twentieth centuries, American authors pioneered a mode of musical writing that quite literally resounded beyond the printed page. Novels gained soundtracks, poetry compelled its audiences to sing, and the ostensibly silent act of reading became anything but. The Great American Songbooks is the story of this literature, at once an overview of musical and authorial practice at the century's turn, an investigation into the sensory dimensions of reading, and a meditation on the effects that the popular arts have had on literary modernism. The writings of John Dos Passos, Theodore Dreiser, T.S. Eliot, F. Scott Fitzgerald, Langston Hughes, Jean Toomer, and Walt Whitman are heard in a new key; the performers and tunesmiths who inspired them have their stories told; and the music of the past, long out of print and fashion, is recapitulated and made available in digital form. A work of criticism situated at the crossroads of literary analysis, musicology, and cultural history, The Great American Songbooks demonstrates the importance of studying fiction and poetry from interdisciplinary perspectives, and it suggests new avenues for research in the dawning age of the digital humanities.




Ethnomusicology


Book Description

Complementing Ethnomusicology: An Introduction, this volume of studies, written by world-acknowledged authorities, places the subject of ethnomusicology in historical and geographical perspective. Part I deals with the intellectual trends that contributed to the birth of the discipline in the period before World War II. Organized by national schools of scholarship, the influence of 19th-century anthropological theories on the new field of "comparative musicology" is described. In the second half of the book, regional experts provide detailed reviews by geographical areas of the current state of ethnomusicological research.




Bulletin of the Rosenberg Library


Book Description

Includes the library's annual reports for 1909-




A Life in Ragtime


Book Description

In 1919, the world stood at the threshold of the Jazz Age. The man who had ushered it there, however, lay murdered--and would soon plunge from international fame to historical obscurity. It was a fate few would have predicted for James Reese Europe; he was then at the pinnacle of his career as a composer, conductor, and organizer in the black community, with the promise of even greater heights to come. "People don't realize yet today what we lost when we lost Jim Europe," said pianist Eubie Blake. "He was the savior of Negro musiciansin a class with Booker T. Washington and Martin Luther King." In A Life in Ragtime , Reid Badger brilliantly captures this fascinating life, tracing a critical chapter in the emergence of jazz through one man's remarkable odyssey. After an early start in Washington, Europe found his fame in New York, the entertainment capital of turn-of-the-century America. In the decade before the First World War, he emerged as an acknowledged leader in African-American musical theater, both as a conductor and an astonishingly prolific composer. Badger reveals a man of tremendous depths and ambitions, constantly aspiring to win recognition for black musicians and wider acceptance for their music. He toiled constantly, working on benefit concerts, joining hands with W.E.B. Du Bois, and helping to found a black music school--all the while winning commercial and critical success with his chosen art. In 1910, he helped create the Clef Club, making it the premiere African-American musical organization in the country during his presidency. Every year from 1912 to 1914, Europe led the Clef Club orchestra in triumphant concerts at Carnegie Hall, winning new respectability and popularity for ragtime. He went on to a tremendously successful collaboration with Vernon and Irene Castle, the international stars who made social dancing a world-wide rage. Along the way, Europe helped to revolutionize American music--and Badger provides fascinating details of his innovations and wide influence. In World War I, the musical pioneer won new fame as the first African-American officer to lead men into combat in that conflict--but he was best known as band leader for the all-black 15th Infantry Regiment. As the "Hellfighters" of the 15th racked up successes on the battlefield, Europe's band took France by storm with the new sounds of jazz. In 1919, the soldiers returned to New York in triumph, and Europe was the toast of the city. Then, just a few months later, he was dead--stabbed to death by a drummer in his own orchestra. From humble beginnings to tragic end, the story of Jim Europe comes alive in Reid Badger's account. Weaving in the wider story of our changing culture, music, and racial conflict, Badger deftly captures the turbulent, promising age of ragtime, and the drama of a triumphant life cut short.




Bulletin (1901-195 )


Book Description




Africans In Colonial Louisiana


Book Description

Although a number of important studies of American slavery have explored the formation of slave cultures in the English colonies, no book until now has undertaken a comprehensive assessment of the development of the distinctive Afro-Creole culture of colonial Louisiana. This culture, based upon a separate language community with its own folkloric, musical, religious, and historical traditions, was created by slaves brought directly from Africa to Louisiana before 1731. It still survives as the acknowledged cultural heritage of tens of thousands of people of all races in the southern part of the state. In this pathbreaking work, Gwendolyn Midlo Hall studies Louisiana's creole slave community during the eighteenth century, focusing on the slaves' African origins, the evolution of their own language and culture, and the role they played in the formation of the broader society, economy, and culture of the region. Hall bases her study on research in a wide range of archival sources in Louisiana, France, and Spain and employs several disciplines--history, anthropology, linguistics, and folklore--in her analysis. Among the topics she considers are the French slave trade from Africa to Louisiana, the ethnic origins of the slaves, and relations between African slaves and native Indians. She gives special consideration to race mixture between Africans, Indians, and whites; to the role of slaves in the Natchez Uprising of 1729; to slave unrest and conspiracies, including the Pointe Coupee conspiracies of 1791 and 1795; and to the development of communities of runaway slaves in the cypress swamps around New Orleans.




Branch Library News


Book Description