Afternoons in the College Chapel
Author : Francis Greenwood Peabody
Publisher :
Page : 376 pages
File Size : 30,95 MB
Release : 1898
Category : Christian life
ISBN :
Author : Francis Greenwood Peabody
Publisher :
Page : 376 pages
File Size : 30,95 MB
Release : 1898
Category : Christian life
ISBN :
Author :
Publisher :
Page : 856 pages
File Size : 50,58 MB
Release : 1895
Category :
ISBN :
Author :
Publisher :
Page : 206 pages
File Size : 28,66 MB
Release : 1911
Category : College students' writings, American
ISBN :
Author : Waldo Selden Pratt
Publisher :
Page : 318 pages
File Size : 30,53 MB
Release : 1911
Category : Theology
ISBN :
Author : Rachel Larkinson
Publisher : Lulu.com
Page : 196 pages
File Size : 25,42 MB
Release : 2016
Category : Religion
ISBN : 0992876214
Diary of the first year at College of a Primitive Methodist minister in training.
Author :
Publisher :
Page : 2134 pages
File Size : 40,76 MB
Release : 1918
Category : Publishers' catalogs
ISBN :
Author : Cambridge, Town of. [Appendix.]
Publisher :
Page : 70 pages
File Size : 14,1 MB
Release : 1847
Category : Cambridge (England)
ISBN :
Author :
Publisher :
Page : 312 pages
File Size : 29,86 MB
Release : 1871
Category :
ISBN :
Author :
Publisher :
Page : 918 pages
File Size : 18,57 MB
Release : 1900
Category : Church history
ISBN :
Author : David Michael O'Shea
Publisher : Boydell & Brewer
Page : 307 pages
File Size : 40,20 MB
Release : 2023-05-23
Category :
ISBN : 178327770X
The first investigation into the choral foundation of the Chapel Royal, Dublin Castle. The Chapel Royal, Dublin Castle, was the place of worship of the British monarch's representative in Ireland from 1814 until the inception of the Irish Free State in 1922. It was founded and maintained by the joint efforts of church and state, and thus its history provides valuable insights into how the relationship between religion and politics shaped Irish society and identity. The Dublin Chapel was established in imitation of the Chapel Royal of St James's Palace, London, and was served by a staff of clergy and musicians. Its musical foundation was a formal and independent entity, with its own personnel and performance traditions. Its distinctive repertoire included music from the English and Irish cathedral traditions, as well as works written by composers associated directly with the Chapel. This study investigates the Chapel's constitution, liturgy and music through an examination of previously unexplored primary material. Discussion of the circumstances of the Chapel's founding and its governance structures situates the institution in the context of the church-state relationship that existed following the Union of 1800. Further, by exploring architecture, churchmanship and musical style, O'Shea demonstrates how the Chapel was part of a wider aesthetic and liturgical tradition. The choral foundation is brought to life with accounts of the Chapel's clergy, organists, boy choristers and gentleman singers, which provide insights into Dublin's social history during a period of significant change. This book reflects on the Dublin Chapel Royal's legacy a century after its closure and offers a new perspective into a forgotten corner of Irish cultural, religious and political history.