Reflections from the Heart - An Anthology of 100 Poems


Book Description

Reflections From The Heart is an anthology of a hundred short poems by three poets. These have all come from a crucible of lived experiences, which have left a deep impression on the poets’ minds, their hearts, and indeed, the core of their beings. They have, all three of them, finely honed sensibilities that have been tempered by all the vicissitudes that they, as individuals, have been through. And yet these speak to all, for they have a universality that makes every reader recognize the emotion that gave rise to them, and the truth that each one of them encapsulates. These poems are not, for the most part, “emotions recollected in tranquillity”. The feelings and emotions that they are imbued with remain within the skeins of the lines themselves, sometimes raw, sometimes a little distanced, but never, really, too far away from the heart. They cannot really be called “tranquil” poems, for the experiences that gave rise to them remain, and disturb even today. Bhaskar Bora’s poems have a power that comes from the circumstances that many of them were written in. A doctor with a flourishing practice, he found himself wheelchair bound after complications from a neurosurgical operation. In his despair, poetry, the writing of it, became a cathartic experience. His life story is moving, and the reader can empathise with the emotions embedded in his poems of that period. But his grit in creating a new profession for himself, that of a restaurateur, his thoughts and emotions on this journey are inspirational, especially as, through his poems we get a first-hand account of both his despair and his courage. His loss of mobility is paralleled by a soaring creativity. And yet, in some poems, there is also a beautiful sense of peace, possibly made more piquant by the prevailing circumstances of his life. This one, as he watches his daughters asleep at night: The princesses sleep in peace Faces glowing in moonlit rooms Duvets pulled, pillows spaced ... (Midnight: Bhaskar Bora) And yet, none of the three poets wallow in any kind of self-pity, nor are these an exercise in navel gazing. No, not at all. There is always, in all the poems, a sense of a wider world, in fact a greater entity, even, in some of them that raise them above the level of unremitting hopelessness to one of hope and a sense of journeying into a brighter future. I may not walk today Tomorrow I may run I may be in pain today Tomorrow is my turn (Tomorrow is my Turn: Bhaskar Bora) And of course, there is the cry of pain, moving and poignant, that pierces the reader’s mind. Pains seen, unseen, Voices heard, unheard As the silence screams Into a deafening noise Laughter, sorrow, anger, despair Melt together in the golden brew. (Dance of the Dead: Bhaskar Bora)




Re-Imagining Northeast Writings and Narratives: Language, Culture, and Border Identity


Book Description

"Re-Imagining Northeast Writings and Narratives: Language, Culture, and Border Identity" presents a collaborative effort to critically examine the concept of Northeast India, focusing on its linguistic, geographical, cultural, and social dimensions. Through a compilation of articles and essays, the volume delves into various aspects such as language, literature, culture, challenges, and the complexities of identity within the region. Each contribution offers detailed insights and findings, enhancing our understanding of Northeast India's diverse cultural landscape and the experiences of its people. By addressing themes of spatiality, movement, and responses to representations of the Northeast, the volume aims to deepen scholarly engagement with the region and stimulate discourse on its unique linguistic, cultural, and border dynamics. It serves as a valuable resource for researchers, scholars, and anyone interested in gaining a nuanced understanding of Northeast India and its intricate interplay of language, culture, and identity.







A Monsoon of Music


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If music be the food of love…four musicians are about to feast. Against the backdrop of a magnificent musical heritage and the haunting and timeless ragas that sweep through these stirring pages, Mitra Phukan presents the ambitious sitarist Kaushik Kashyap, already a ‘name’, who tours the world; Nomita, the shy, small-town vocalist, whom Kaushik’s parents have chosen for him; the beautiful, calm Sandhya Senapati and her handsome husband, who both seem to be hiding deep, dark secrets. As the eventful monsoon months give way to autumn, the characters come to a deeper understanding of themselves as their lives change dramatically and forever. By turns serious, deeply moving and utterly irreverent, Mitra Phukan’s eye for detail, her immense knowledge of Hindustani music and her profound understanding of human nature come together in this wonderfully evocative novel. “The duality between spirituality and materialism... old-world images and modern performers, a gentle satire on the ambitions of today’s youngsters... all find a place in the novel.”—The Hindu Published by Zubaan.




Post-war Assamese Novel


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Mamani's Adventure


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The Collector's Wife


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This is the story of Rukmini who is married to the District Collector of a small town in Assam, and teaches English literature in the local college. On the surface, her life is settled and safe in the big, beautiful bungalow on the hill above the cremation ground, seemingly untouched by the toil and sufferings of the common folk living 'below'. And yet, each time there is an 'incident' in the district, the fear and uncertainty that grips the town finds a reflection in her own life. Assam is in the grip of insurgency and it is this thread that runs like a dark river through the novel and forms its backdrop.







Modern Assamese Literature


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The Legends of the Panjâb


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