Agitations


Book Description

This book examines the role of temperament and taste in the forming of aesthetic and ideological opinions. In provocative chapters about reading and writing, about the relation between life and literature, about knowledge and certainty, about God and death, and about a gradual disaffection with the literary scene, the book demonstrates that opposing points of view are based more on innate predilections than on disinterested thought or analysis.




Federalism and Separatist Agitations in Nigeria


Book Description

This book offers a reflection on the tension between federalism and separatist agitations in Nigeria. The persistent clamour for restructuring as well as the widespread separatist agitations in the country depicts a moral expression. It does so against the backdrop of the prevailing waves of sub-nationalist tendencies in different parts of the country, including the threat of secession in the South East. Considered across the variegated themes that form the thrust of the books are select practical and theoretical insights that are relevant in repositioning the federalist praxis in Nigeria in the interest of national unity and stability. The book will come handy to the communities of scholars, policy makers and practitioners who are involved in the earnest search for an answer to the federalism dimension of Nigeria’s nagging National Question. Students and the general reading populace will find the contents of the book quite insightful.



















The Dynamics of Student Agitations


Book Description




Beautiful Agitation


Book Description

In modern Syria, a contested territory at the intersection of differing regimes of political representation, artists ventured to develop strikingly new kinds of painting to link their images to life forces and agitated energies. Examining the works of artists Kahlil Gibran, Adham Ismail, and Fateh al-Moudarres, Beautiful Agitation explores how painters in Syria activated the mutability of form to rethink relationships of figure to ground, outward appearance to inner presence, and self to world. Drawing on archival materials in Syria and beyond, Anneka Lenssen reveals new trajectories of painterly practice in a twentieth century defined by shifting media technologies, moving populations, and the imposition of violently enforced nation-state borders. The result is a study of Arab modernism that foregrounds rather than occludes efforts to agitate against imposed identities and intersubjective relations.