Seeing the Centre


Book Description

Albert Namatjira was a member of the Aranda people of Central Australia (now referred to as the Western Aranda or Arrernte language group). Following the success of his first solo exhibition in Melbourne in 1938, Namatjira became increasingly famous, with popular reproductions of his works being hung in countless Australian homes. The first prominent Indigenous artist to achieve household recognition in a modern idiom, Namatjira subsequently became a tragic figure set against the background of assimilation debates and entangled aesthetic prejudices of the time. His art became virtually ignored by the mainstream of the Australian art world. This book, especially commissioned by the Gordon Darling Foundation and the National Gallery for the centenary of Namatjira's birth, redresses this neglect.




Albert Namatjira, 1902-1959


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The Royal Tour


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Albert Namatjira, 1902-1959


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Battarbee and Namatjira


Book Description

Battarbee and Namatjira is the biography of two artists Rex Battarbee and Albert Namatjira, one white Australian from Warrnambool in Victoria, the other Aboriginal, of the Arrernte people, from the Hermannsburg Mission south of Alice Springs. From their first encounters in the early 1930s, when Battarbee introduced Namatjira to the techniques of water-colour painting, through the period of Namatjira’s popularity as a painter, to the tragic circumstances leading to his death in 1959, their close relationship was to have a decisive impact on Australian art. This biography, illustrated with photographs, makes extensive use of Battarbee’s diaries for the first time, to throw new light on Namatjira’s life, and to bring Battarbee, who has been largely ignored by biographers, back into focus. Some of its findings will be controversial. By moving between the artists and their backgrounds, and looking closely at the nature of their friendship, Edmond is able to portray the personal and social complexities the two men faced, while at the same time illuminating larger cultural themes – the treatment of the Arrernte and Indigenous people generally, the influence of the Lutheran church, the development of anthropology, and the evolution of Australian art.




How to Draw Australia’s Sights and Symbols


Book Description

From the sacred monolith Uluru to the Great Barrier Reef, Australia is a country filled with natural wonders. Students will learn about Australia's wildlife and landmarks as they draw symbols of the Land Down Under. Australia's history also comes alive through its sights and symbols. The subjects follow Australia from its Aboriginal crafts and traditions, through its colonial period in the nineteenth century, to the sleek Sydney Opera House of today's Australia.




Albert Namatjira


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Biographical information about life and works; chapters by J. Jones, D. Thomas, A. Blackwell annotated separately.




Pacific Art


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Contributors explore the complex relations among Pacific artists, patrons, collectors, and museums over time, as well as the different meanings given to art objects by each.




Ochre and Rust


Book Description

Ochre and Rust offers a fresh perspective on frontier relations between Australian Aboriginal people and European colonists. Nine museum artefacts take the reader into a fascinating zone of encounter and mutual curiosity between collectors and those indigenous people who piqued or responded to their interest. While colonialism is the broad frame, details gleaned from archives, images and the objects themselves reveal a new picture of interaction between individual Aboriginal people and European collectors. Philip Jones explores and makes sense of particular historical moments in colonial history, when Aboriginal people perceived and expected other, more elusive outcomes. Ochre and Rust, an elegantly written challenge to received wisdom about the colonial frontier, has won Australia's inaugural Prime Minister's Award for Literary Non-Fiction.




The Creators


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