Albert Oehlen - Elevator Paintings - Trees


Book Description

Oehlen?s oeuvre is a testament to the innate freedom of the creative act. Unleashing this freedom through self-imposed constraints, Oehlen sets rules and boundaries in order to test the breaking point of painting itself. Through expressionist brushwork, Surrealist methodology, computer-generated lines, and self-conscious amateurism, he multiplies the potential of visual codes through processes of persistent accretion.00Exhibition: Gagosian Gallery, New York, USA (28.02.-15.04.2017).




Albert Oehlen Boxed Edition


Book Description

Limited to 1,000 copies, each numbered and signed by the artist, each signed by the artist. Often wryly funny and just as smart, Albert Oehlen's paintings play the medium for all it's worth. After an early realization that the so-called death of painting actually freed his enthusiasm as to the number of aspects through which one could expand painting, Oehlen, got to work on a wide variety of figurative and non-objective offerings, in what he has called his post-non-representational art. In his most recent work group Oehlen expands painting through the use of blatant advertising posters whose in-your-face aesthetics he transforms with subtle brushwork. Never without a touch of tongue-in-cheek humor, his work seems to be winking at us as it dares us to change the way we look at an image. Klaus Kertess throws a light on the years from 1988 onwards, when Oehlen saw himself self-consciously as a painter and started his first abstract works, then continued to probe the limits of the medium.




Albert Oehlen


Book Description

Surveying the past thirty years of his career and demonstrating his immeasurable influence on contemporary painting, Albert Oehlen: Home and Garden comprises paintings, drawings, and prints from the artist's most important bodies of work. From the beginning of his career, Oehlen set himself the task of exploring the language, structures, and experiences of painting. He has managed to reinvigorate the genres of portraiture, collage, and gestural abstraction in work that deploys a staggering range of imagery and techniques. Oehlen's canvases capture haunting interiors, mutating self-portraits, archaic and digital landscapes, and cryptic fragments of language. As a younger generation of artists turns again to painting as a critical medium, Oehlen's work has only become more influential and prescient.




Joy Forever


Book Description

The title Joy Forever refers to the false promise of a common happiness, constantly played out by the proponents of the creative class and creative economy the very promise that since Romanticism has been ascribed to art itself, a vow which remains unfulfilled. The aim of F/SUW s publication is to scrutinize the false promises of distributed creativity as an ideology of cognitive capitalism. The authors devote themselves to critical examination of the structural links between art, creativity, labour and the creation of value under contemporary relations of production. Some of them do not stop at a critical diagnosis but go further, reflecting upon potential alternatives to the status quo.




City Primeval


Book Description

An anthology of personal documentaries of place and time by key figures in the art world from the 1970s to the present.




Visions of the Self: Rembrandt and Now


Book Description

A legendary painting by Rembrandt forms the centerpiece of this exploration of self-portraits by leading artists of the twentieth and twenty-first centuries. Published to commemorate an exhibition presented by Gagosian in partnership with English Heritage, this stunning volume centers on Rembrandt's masterpiece Self-Portrait with Two Circles (c. 1665), from the collection of Kenwood House in London. The painting is considered to be Rembrandt's greatest late self-portrait and is accompanied here by examples of the genre from leading artists of the past one hundred years. These include works by Francis Bacon, Jean-Michel Basquiat, Lucian Freud, and Pablo Picasso, as well as contemporary artists such as Georg Baselitz, Glenn Brown, Urs Fischer, Damien Hirst, Howard Hodgkin, Giuseppe Penone, Richard Prince, Cindy Sherman, and Rudolf Stingel, among others. Also featured is a new work by Jenny Saville, created in response to Rembrandt's masterpiece. Full-color plates of the works, generous details, and installation views of the exhibition accompany an expansive essay by art historian David Freedberg that provides a close look at the self-portraits created by Rembrandt throughout his life and considers the role of the Dutch master as the precursor of all modern painting.




Hans Ulrich Obrist


Book Description

Transcripts of interviews by Hans Ulrich Obrist with architects, artists, curators, film-makers, musicians, philosophers, social theorists and urbanists.




Carroll Dunham - Prints - Catalogue Raisonné - 1984-2006


Book Description

Widely known for his vibrant paintings that employ a variety of styles--including abstraction, figuration, pop, and cartoon--Carroll Dunham (b. 1949) is also one of the most prolific printmakers of his generation. An integral part of his artistic process, Dunham's prints combine the spontaneity and drama of his paintings with the careful premeditation demanded of the medium. His imagery--which shares the wickedly cartoony semi-abstractions of his paintings--is transformed, refined, and often intensified in his graphic work. Carroll Dunham Printsdocuments the artist's entire print archive--which includes nearly 300 lithographs, etchings, drypoints, linocuts, wood engravings, screenprints, digital prints, and most recently, monotypes--the majority of which have never before been published. The authors examine the significance of printmaking to Dunham's overall oeuvre, his innate sensitivity toward the systematic materials and procedures of printmaking, his inventive approach to this process, and the evolution of his imagery. It also features an insightful essay by Dunham that discusses his journey as a printmaker and his discoveries of the medium.




The Oil Painter's Guide to Painting Trees


Book Description

50 lessons in painting masses of trees, individual trees and leaves, bark, flowers and fruit in all weather and seasons.




Painting Trees


Book Description

Trees are a magnificent source of inspiration for artists. This book looks more closely at their role in art and how best the artist can capture their essence as the sole subject of a painting, to complete a landscape or to step into an abstract representation. In a unique collaboration, Sian and Rob Dudley combine their skills to offer insights into a range of techniques and styles. There are tips and ideas for finding inspiration, developing your ideas, information gathering, layout, tone and colour within the book. Step-by-step projects demonstrate the techniques in action, from first inspiration through to completion. With practical advice on painting through the seasons to help you to see and paint trees with new appreciation, this book is a joyful and essential guide to creating expressive paintings. A beautiful and essential guide to painting trees creatively with confidence and personal style, it is superbly illustrated with 198 colour illustrations featuring watercolour, oil and pencil technique. Will be of great interest to artists, watercolourists, English countryside enthusiasts, natural history and scientific illustrators, Trees are a magnificent source of inspiration for artists. Sian and Rob Dudley are well-known and respected artists and contribute to the online resource Art Tutor.