A Walker in the City


Book Description

A literary icon’s “singular and beautiful” memoir of growing up as a first-generation Jewish American in Brownsville, Brooklyn (The New Yorker). A classic portrait of immigrant life in the early decades of the twentieth century, A Walker in the City is a tour of tenements, subways, and synagogues—but also a universal story of the desires and fears we experience as we try to leave our small, familiar neighborhoods for something new. With vivid imagery and sensual detail—the smell of half-sour pickles, the dry rattle of newspapers, the women in their shapeless flowered housedresses—Alfred Kazin recounts his boyhood walks through this working-class community, and his eventual foray across the river to “the city,” the mysterious, compelling Manhattan, where treasures like the New York Public Library and the Metropolitan Museum beckoned. Eventually, he would travel even farther, building a life around books and language and literature and exploring all that the world had to offer. “The whole texture, color, and sound of life in this tenement realm . . . is revealed as tapestried, as dazzling, as full of lush and varied richness as an Arabian bazaar.” —The New York Times




Alfred Kazin's America


Book Description

Over the course of sixty years, Alfred Kazin's writings confronted virtually all of our major imaginative writers, from Emerson to Emily Dickinson to James Wright and Joyce Carol Oates -- including such unexpected figures as Lincoln, William James, and Thorstein Veblen. This son of Russian Jews wrote out of the tensions of the outsider and the astute, outspoken leftist -- or, as he put it, "the bitter patriotism of loving what one knows." Editor Ted Solotaroff hasselected material from Kazin's three classic memoirs to accompany his critical writings. Alfred Kazin's America provides an ongoing example of the spiritual freedom, individualism, and democratic contentiousness that he regarded as his heritage and endeavored to pass on.




Writers on America


Book Description




Writing Was Everything


Book Description

Blending autobiography, history, and criticism, this book is a reaffirmation of literature in an age of deconstruction and critical dogma and stands as testimony to Kazin’s belief that “literature is not theory but, at best, the value we can give to our experience, which in our century has been and remains beyond the imagination of mankind.”




Alfred Kazin's Journals


Book Description

"At the time of his death in 1998, Kazin, Alfred was considered on of the most influential intellectuals of postwar America. What is less well known is that Kazin had been contributing almost daily to an extensive private journal, which arguably contains some of his best writing. These journals collectively tell the story of his journey from Brooklyn's Brownsville neighborhood to his position as a dominant figure in twentieth-century cultural life. To Kazin, the daily entry was a psychological and spiritual act. To read through these entries is to reexperience history as a series of daily discoveries by an alert and adventurous, if often mercurial, intelligence. It is also to encounter an array of interesting and notable personalities. Sketches of friends, mistresses, family figures, and other intellectuals are woven in with commentary on Kazin's childhood ..."--Dust jacket flap.




God and the American Writer


Book Description

God and the American Writer does more to illuminate the fundamental purposes and motivations of our greatest writers from Hawthorne to Faulkner than any study I have read in the past fifty-five years--that is, since the same author's On Native Grounds. --Louis S. Auchincloss This is the culminating work of the finest living critic of American literature. Alfred Kazin brings a lifetime of thought and reading to the triumphant elucidation of his fascinating and slippery subjects: what the meaning of God has been for American writers, and how those writers, from the New England Calvinists to William Faulkner, have expressed it. In a series of trenchant critical studies of writers as divergent as Hawthorne, Melville, Emerson, Lincoln, Whitman, Dickinson, Twain, William James, Eliot, Frost, and Faulkner, Kazin gives a profound sense of each, and his quotations from their works are artfully chosen to pursue the main theme. The centerpiece of the book is the reflection in American writing of the great American tragedy, the Civil War--so deeply involved in the whole complex issue of religion in America. An enthralling book by a major writer. "This is a book about the place of God in the imaginative life of a country that for two centuries countenanced slavery and then engaged in a fratricidal war to end it. For Americans no subject is more compelling or, in its entanglement with the deepest roots of the national soul, more terrible. And no one has ever written as incisively, as movingly, or as unforgivingly about it as Alfred Kazin has here." --Louis Menand "In the era of willful obfuscation, Alfred Kazin is the good, clear word, a brilliant scholar and an original reader. His latest book, God and the American Writer, which comes fifty-five years after On Native Grounds, proves he has lost nothing and gives us everything he has." --David Remnick "American writers have been born into all sorts of religious sects, but have had to struggle in solitude to make sense of God. Alfred Kazin, a cosmos unto himself, has written brilliantly and affectingly of how a dozen or so of our finest authors--poets, novelists, philosophers, and one president--endured and illuminated that struggle. Kazin is sometimes passionate, even fierce, especially in his discussions of slavery and of his hero (and mine), Abraham Lincoln. But, as ever, Kazin's writing is tempered by an enormous American empathy and by his sense of irony about our country and its spiritual predicaments. Spare, sharp, and immensely learned, God and the American Writer is the most moving volume of criticism yet by our greatest living critic." --Sean Wilentz




New York Jew


Book Description

In this book, Alfred Kazin, who for more than 30 years has been one of the central figures of America's intellectual life, takes us into his own life and times. His autobiography encompasses a personal story openly told; an inside look at New York's innermost intellectual circles; strong and intimate revelations of many of the most important writers of the century; and brilliantly astute observations of the literary accomplishments, atmosphere, and fads of the 1940s, 50s, and 60s in the context of America's shifting political gales.




Anthropologists and the Rediscovery of America, 1886–1965


Book Description

This book examines the intersection of cultural anthropology and American cultural nationalism from 1886, when Franz Boas left Germany for the United States, until 1965, when the National Endowment for the Humanities was established. Five chapters trace the development within academic anthropology of the concepts of culture, social class, national character, value, and civilization, and their dissemination to non-anthropologists. As Americans came to think of culture anthropologically, as a 'complex whole' far broader and more inclusive than Matthew Arnold's 'the best which has been thought and said', so, too, did they come to see American communities as stratified into social classes distinguished by their subcultures; to attribute the making of the American character to socialization rather than birth; to locate the distinctiveness of American culture in its unconscious canons of choice; and to view American culture and civilization in a global perspective.




AN AMERICAN PROCESSION


Book Description

An American Procession is a study, on the largest scale, of the major American writers at work during the historically and literarily crucial century that began in the early 1830s, when Ralph Waldo Emerson founded a national literature on the basis of a metaphysical revolution, and ended on the eve of the 1930s with the triumph of modernism and the critical recognition of the “postponed power” of those who had been modern before their time. These one hundred years encompassed a period of unprecedented expansion and promise in the United States, and the work of our novelists, essayists, poets, and historians was the mirror of the nation’s spirit. The thirty years preceding the Civil War produced the transcendental idealism of Emerson, Thoreau, and Whitman and the dark romanticism of Hawthorne, Poe, and Melville. In the years just after World War I, modernism reached its exemplary form in the work of Eliot, Pound, Hemingway, Dos Passos, and Fitzgerald, and between the two wars emerged the great realists: Mark Twain, Henry James, Crane, and Dreiser. It is through an exploration of the lives and works of these writers—together with Emily Dickinson, William James, Henry Adams, and Faulkner—that Kazin maps out a great literary procession shaped by individual genius, by history, and by the implacable American sense of self. With each writer, Alfred Kazin illuminates for us the work, the influences that informed it, and its influence on the work of others. Each figure seems revitalized for us by Kazin’s acuity and powerful sympathy for his subject. An American Procession, with its intellectual energy, its clarity and breadth, is the brilliantly executed capstone of Kazin’s already illustrious career and will stand as the most important study of American literature in our time.




American Dreamers


Book Description

ONE OF THE BEST BOOKS OF THE YEAR: NEWSWEEK/THE DAILY BEAST, THE NEW REPUBLIC, THE PROGRESSIVE The definitive history of the reformers, radicals, and idealists who fought for a different America, from the abolitionists to Michael Moore and Noam Chomsky. While the history of the left is a long story of idealism and determination, it has also been a story of movements that failed to gain support from mainstream America. In American Dreamers, Michael Kazin—one of the most respected historians of the American left working today—tells a new history of the movements that, while not fully succeeding on their own terms, nonetheless made lasting contributions to American society. Among these culture shaping events are the fight for equal opportunity for women, racial minorities, and homosexuals; the celebration of sexual pleasure; the inclusion of multiculturalism in the media and school curricula; and the creation of books and films with altruistic and anti-authoritarian messages. Deeply informed, judicious and impassioned, and superbly written, this is an essential book for our times and for anyone seeking to understand our political history and the people who made it.