Alfred Wallis


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The Life of Alfred Wallis


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This is the story of Cornish fisherman-turned-artist Alfred Wallis, whose paintings of boats from his past inspired the future of British modern art. Told from Wallis' perspective - inspired by his crudely written letters to Jim Ede - this book takes the reader through his remarkable life; his early sailing days, his late arrival to painting, his encounters with 'proper' artists and his battle with mental health. Wallis' naïve yet poignant work has captured the imagination of many. His paintings are a portal into Wallis' world of ships, boats and the sea; and his deep concern for preserving 'what used to be'.




Alfred Wallis


Book Description

Wallis was a semi-literate Cornish fisherman, a little mentally unbalanced and largely deaf, who took up painting at the age of seventy, never having received any tuition. He painted largely out of loneliness, selling his pictures for a few pence to anyone who wanted them. He died in a workhouse above Penzance at the age of eighty-seven. Wallis used to paint old scraps of cardboard, most of them oddly shaped and supplied by the local grocer. He insisted on using ship s paint, a medium which he understood, and he employed very few colours. His subject was usually the sea and boats - scenes he had known during his early days as an Atlantic seaman and offshore fisherman. Painting was for him a dip into the memories of the past. Despite his lack of training, during his lifetime Wallis had a few distinguished patrons, for the most part artists, scholars and museum officials, among whom were Ben Nicholson, Barbara Hepworth and H. S. Ede (then at the Tate Gallery)."




The Alfred Wallis Factor


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Since his death in 1942, St Ives has become marinated in the spirit of the naive painter, Alfred Wallis. Naum Gabo, the Russian Constructivist, felt that Wallis's gift as an artist was that he never knew he was one. His unconventional approach and the innocence of his personal method of making art marked Alfred Wallis, even after his death, as a crucial figure in the modernist movement. The art scene in St Ives during World War II is depicted vividly in The Alfred Wallis Factor which illustrates the birth of modernism in the small fishing port in the far south-west of England. With dominant personalities like Sven Berlin, Ben Nicholson, Barbara Hepworth, Adrian Stokes, Bernard Leach, Terry Frost, Peter Lanyon, Wilhelmina Barns-Graham and Patrick Heron, it was inevitable that personal relationships would both form and fracture. Though causes would range from the banal to the bizarre, David Wilkinson never loses focus on the high stakes for which these characters were playing: the creation of their work, and reputations, of lasting significance. Their passion was strong and their ambition even stronger. The Alfred Wallis Factor tells the story of this extraordinary painter's long-lasting influence on - and beyond - modernism: David Wilkinson expounds the events around and following the artist's death, assessing the roles of friends and rivals in making Alfred Wallis a benchmark of modern British art. The Alfred Wallis Factor is a comprehensive examination of a troubled era, in which life met war and changed the destiny of the art world.




The Voyages Of Alfred Wallis


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Alfred Wallis was born in 1855 and died in a workhouse in Cornwall in 1942. A fisherman, sailing from Newlyn, Mousehole and St Ives, he began to paint in the 1920s - strange, brilliant pictures of ships and the sea. In 1928 he was discovered in St Ives by Ben Nicholson and Christopher Wood and for the rest of his life, alone in his tiny cottage, attacked by periods of madness, he painted furiously. In MATISSE'S WAR, Peter Everett explored the psyche of one of the most celebrated painters of our age. Here he performs a similar feat for another artist, one who knew no fame in his lifetime but whose paintings have found vast popularity since his death.




Book of the Dead


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Alfred Wallis


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- Kettle's Yard, the University of Cambridge's modern and contemporary art gallery, holds the largest public collection of works by Alfred Wallis Alfred Wallis (1855-1942) is one of the most original and inspiring British artists of the 20th Century. Promoted by the artist Ben Nicholson amongst others, Wallis's paintings influenced the development of British art between the wars. The directness of Wallis' vision reflected a lifetime of living by and from the sea. His paintings are of what he knew, remembered and imagined. Yet they are also timeless stories about survival and the nature of our relationship with the world. As Jim Ede commented "Wallis is never local." With over 70 illustrations, excerpts from letters and texts by Michael Bird, Ben Nicholson and Jim Ede, this book takes a fresh look at this extraordinary artist and his relationship to Kettle's Yard. It includes some of Wallis's best works from the Kettle's Yard collection including many that are not normally on display, from ambitious paintings such as Saltash to what Wallis knew and loved best: ships and boats. Kettle's Yard, the University of Cambridge's modern and contemporary art gallery, holds the largest public collection of works by Alfred Wallis. Wallis was born in Devon. He was a fisherman and later a scrap-metal merchant in St. Ives. He took up painting in his later years, following the death of his wife in 1922. He was admired by Ben Nicholson and Christopher Wood, who came across his work when visiting St. Ives in 1928 and included it in the Seven & Five Society's exhibition of 1929. He died in Madron Poorhouse.




First Steps in Egyptian


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Natural Selection and Beyond


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Alfred Russel Wallace (1823 - 1913) was one of the late nineteenth century's most potent intellectual forces. His link to Darwin as co-discoverer of the principle of natural selection alone would have secured him a place in history, but he went on to complete work entitling him to recognition as the 'father' of modern biogeographical studies, as a pioneer in the field of astrobiology, and as an important contributor to subjects as far-ranging as glaciology, land reform, anthropology and ethnography, and epidemiology. Beyond this, many are coming to regard Wallace as the pre-eminent field biologist, collector, and naturalist of tropical regions. Add to that the fact that he was a vocal supporter of spiritualism, socialism, and the rights of the ordinary person, and it quickly becomes apparent that Wallace was a man of extraordinary breadth of attention. Yet his work in many of these areas is still not well known, and still less recognized is his relevance to current day research almost 100 years after his death. This rich collection of writings by more than twenty historians and scientists reviews and reflects on the work that made Wallace a famous man in his own time, and a figure of extraordinary influence and continuing interest today.