Author : Neil Faulkner
Publisher : Resistance Books
Page : 136 pages
File Size : 29,40 MB
Release : 2021-11-28
Category : Political Science
ISBN : 9780902869356
The fast-accelerating world crisis is driving us towards barbarism and extinction. The capitalist system means ecological and social collapse. Mainstream politics, embedded in the system, has been reduced to irrelevance. Revolution has become an existential imperative. This book offers critical Marxist thinking about the nature of the crisis and what must be done to turn mass protest into the revolutionary transformation on which our survival depends.
Author : Guy Debord
Publisher : Bread and Circuses Publishing
Page : 154 pages
File Size : 22,89 MB
Release : 2012-10-01
Category : Political Science
ISBN : 1617508306
The Das Kapital of the 20th century,Society of the Spectacle is an essential text, and the main theoretical work of the Situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's, in particular the May 1968 uprisings in France, up to the present day, with global capitalism seemingly staggering around in it’s Zombie end-phase, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This ‘Red and Black’ translation from 1977 is Introduced by Notting Hill armchair insurrectionary Tom Vague with a galloping time line and pop-situ verve, and given a more analytical over view by young upstart thinker Sam Cooper.
Author : William Paul Dickson
Publisher :
Page : 94 pages
File Size : 47,42 MB
Release : 1979
Category : Alienation (Philosophy)
ISBN :
Author : Guy Debord
Publisher : Unredacted Word
Page : 227 pages
File Size : 35,89 MB
Release : 2021-04-01
Category : Philosophy
ISBN : 1736961829
Debord describes and critiques the way we live. The power in these ideas lies in their ability to question, identify, and name the common assumptions of the present. Developing the concept of The Spectacle, he describes the “gaze” of contemporary society. From its publication just before, and ultimately influencing the May 1968 revolt in Paris and Occupy Wall Street, this book continues to transform a wide range of progressive philosophical and political movements, most notably anti-capitalism, postmodernism, marxism, and anarchism. This new translation brings a concrete edge to the text, elaborating upon the original, and adding annotations. Bringing fifty years of prominent radical thinking back to the text, from Baudrillard to Odell to Zuboff—it’s clear that Debords’ book is more relevant in the era of social media, the attention economy, and the emergence of Surveillance Capitalism than ever before.
Author : Guy Debord
Publisher : PM Press
Page : 161 pages
File Size : 50,6 MB
Release : 2024-09-03
Category : Philosophy
ISBN :
The Society of the Spectacle is a carefully considered effort to clarify the most fundamental tendencies and contradictions of the society in which we find ourselves—in order to facilitate its overthrow. Guy Debord was the founder of the Situationist International, the notorious avant-garde group that helped trigger the May 1968 revolt in France, which brought the entire country to a standstill for several weeks. His book The Society of the Spectacle, originally published in Paris in 1967, has been translated into more than twenty other languages and is arguably the most important radical work of the twentieth century. Ken Knabb’s meticulous new translation is the first edition in any language to include extensive annotations, clarifying the historical allusions and revealing the sources of Debord’s quotations and “détournements.” Contrary to popular misconceptions, Debord’s book is neither an ivory tower “philosophical” discourse nor a mere expression of “protest.” This makes the book more of a challenge, but it is also why it remains so pertinent more than half a century after its original publication, while countless other social theories and intellectual fads have come and gone. It has, in fact, become even more pertinent than ever, because the spectacle has become more all-pervading and glaringly obvious than ever. As Debord noted in his follow-up work, Comments on the Society of the Spectacle (1988), “spectacular domination has succeeded in raising an entire generation molded to its laws.” Debord’s book remains the best guidebook to understanding that mold and breaking it.
Author : Guy Debord
Publisher : Pattern Books
Page : 164 pages
File Size : 43,72 MB
Release : 2020-06-28
Category : Political Science
ISBN : 5841295055
The "Das Kapital" of the 20th century. Look, you don't need a description of the book. It is Capital of the 20th century, okay. You know who Marx is already, and the spectacle is mediating our lives through images. Get a cheap version of this book and drop it in a bin somewhere so someone else can read it. Send it to a prisoner. Don't put it on your shelf so you can look smart, put it in your pocket and treat it like you're smuggling drugs.
Author : Jerome Braun
Publisher : Routledge
Page : 215 pages
File Size : 40,12 MB
Release : 2012-04-23
Category : Social Science
ISBN : 1136618333
This book examines alienation from both a sociological and psychoanalytic perspective, revisiting classic treatments of the topic (Marx, Simmel, Weber) and exploring its relevance to understanding post-modern consumer society. It examines the escapist potentials for good and for ill in modern society - those fostered by commercial interests, and those maintained by individuals and groups as their form of resisting alienation.
Author : Raoul Vaneigem
Publisher : PM Press
Page : 355 pages
File Size : 49,74 MB
Release : 2012-10-05
Category : Philosophy
ISBN : 1604867825
Originally published just months before the May 1968 upheavals in France, Raoul Vaneigem’s The Revolution of Everyday Life offered a lyrical and aphoristic critique of the “society of the spectacle” from the point of view of individual experience. Whereas Debord’s masterful analysis of the new historical conditions that triggered the uprisings of the 1960s armed the revolutionaries of the time with theory, Vaneigem’s book described their feelings of desperation directly, and armed them with “formulations capable of firing point-blank on our enemies.” “I realise,” writes Vaneigem in his introduction, “that I have given subjective will an easy time in this book, but let no one reproach me for this without first considering the extent to which the objective conditions of the contemporary world advance the cause of subjectivity day after day.” Vaneigem names and defines the alienating features of everyday life in consumer society: survival rather than life, the call to sacrifice, the cultivation of false needs, the dictatorship of the commodity, subjection to social roles, and above all the replacement of God by the Economy. And in the second part of his book, “Reversal of Perspective,” he explores the countervailing impulses that, in true dialectical fashion, persist within the deepest alienation: creativity, spontaneity, poetry, and the path from isolation to communication and participation. For “To desire a different life is already that life in the making.” And “fulfillment is expressed in the singular but conjugated in the plural.” The present English translation was first published by Rebel Press of London in 1983. This new edition of The Revolution of Everyday Life has been reviewed and corrected by the translator and contains a new preface addressed to English-language readers by Raoul Vaneigem. The book is the first of several translations of works by Raoul Vaneigem that PM Press plans to publish in uniform volumes. Vaneigem’s classic work is to be followed by The Knight, the Lady, the Devil, and Death (2003) and The Inhumanity of Religion (2000).
Author : Maurice Samuels
Publisher : Cornell University Press
Page : 297 pages
File Size : 18,69 MB
Release : 2018-08-06
Category : Literary Criticism
ISBN : 1501729837
Struggling to make sense of the Revolution of 1789, the French in the nineteenth century increasingly turned to visual forms of historical representation in a variety of media. Maurice Samuels shows how new kinds of popular entertainment introduced during and after the Revolution transformed the past into a spectacle. The wax display (in which visitors circulated amid life-size statues of historical figures), the phantasmagoria show (in which images of historical personages were projected onto smoke or invisible screens), and the panorama (in which spectators viewed giant circular canvases depicting historical scenes) employed new optical technologies to entice crowds of spectators. Such entertainments, Samuels asserts, provided bourgeois audiences with an illusion of mastery over the past, allowing them to picture their new role as historical agents.Samuels demonstrates how the spectacular mode of historical representation pervaded historiography, drama, and the novel during the Romantic period. He then argues that the early Realist fiction of Balzac and Stendhal emerged as a critique of the spectacular historical imagination. By investigating how postrevolutionary France envisioned the past, Samuels illuminates a vital moment in the cultural history of modernity.
Author : Tom Bunyard
Publisher : BRILL
Page : 442 pages
File Size : 14,58 MB
Release : 2017-11-20
Category : Social Science
ISBN : 9004356029
In Debord, Time and Spectacle Tom Bunyard provides a detailed philosophical study of the theoretical work of Guy Debord and the Situationist International. Drawing on evidence from Debord’s books, films, letters and notes, Bunyard reconstructs the Hegelian and Marxian ideas that support Debord’s central concept of ‘spectacle’. This affords a reconsideration of Debord’s theoretical claims, and a reinterpretation of his broader work that foregrounds his concerns with history and lived time. By bringing Situationist theory into dialogue with recent reinterpretations of Marx, this book also identifies problems in Debord’s critique of capitalism. It argues, however, that the conceptions of temporality and spectacle that support that critique amount to a philosophy of praxis that remains relevant today.
