All Blacked Out & Nowhere to Go


Book Description

Bucky Sinister recounts his life through the sound of punk rock in this loud, fast, poetic memior. His love affair with punk comes full circle as he learns to hate it and then learns to love it again. The pieces in this book take us from his Southern ro




A Lot Can Happen in the Middle of Nowhere


Book Description

Go behind the scenes at this classic '90s film from cinematic masters Joel and Ethan Coen. Ya, you betcha, you're gonna discover some fascinating tidbits to celebrate the film's 25th anniversary.




The Emergence of Black English


Book Description

Debate over the evolution of Black English Vernacular (BEV) has permeated Afro-American studies, creole linguistics, dialectology, and sociolinguistics for a quarter of a century with little sign of a satisfactory resolution, primarily because evidence that bears directly on the earlier stages of BEV is sparse. This book brings together 11 transcripts of mechanical recordings of interviews with former slaves born well over a century ago. It attempts to make this crucial source of data as widely known as possible and to explore its importance for the study of Black English Vernacular in view of various problems of textual composition and interpretation. It does so by providing a complete description of the contents of the recordings, by providing transcripts of most of the contents, and by publishing a group of interpretive essays which examine the data in the light of other relevant historical, cultural, social, and linguistic evidence and which provide contexts for interpretation and analysis. In these essays a group of diverse scholars on BEV analyze the same texts for the first time; the lack of consensus that emerges may seem surprising, but in fact highlights some of the basic problems of textual composition and interpretation and of scholarly dispositions that underlie the study of BEV. The papers raise crucial questions about the evolution of BEV, about its relationship to other varieties, and, most important, about the construction and interpretation of linguistic texts.




H-Unit


Book Description

The bold account of launching an innovative creative writing class inside San Quentin and the journey of hardship, inspiration, & redemption of its members, from New York Times bestselling authors. San Quentin State Prison would be an unlikely place to look for writing talent. But Keith and Kent Zimmerman, twin brothers and New York Times bestselling co-authors of Operation Family Secrets, have found creative passion, a range of gritty, authentic voices, and a path to hope and redemption behind the guarded walls of the prison's H-Unit—through a creative writing course they founded almost a decade ago. H-Unit: A Story of Writing and Redemption Behind the Walls of San Quentin is the dramatic account of hope and purpose that explores Keith and Kent's experience teaching the class and their students' experience in the Literary Throwdown writing competition. Seen from the inside, H-Unit is written in an authentic voice and tells the story of real-life characters, from the recidivous "Big Bob" to the incorrigible "Midget Porn," whose lives are transformed by the written word.




Black Out


Book Description

Lawton's debut stunning thriller--the first of the Inspector Troy novels--has been reissued. "Black Out" captures the realities of wartime London, weaving them into a riveting drama that encapsulates the uncertainty of Europe at the dawn of the postwar era.




Time Bomb Snooze Alarm


Book Description

A veteran poet of the working class who layers his gritty truths with street punk humor. A menagerie of strange people and stranger moments that linger in the dark hallway of Sinister's life.




Black Chameleon Memoirs


Book Description

Most corporate executives follow a traditional path to success by graduating college and accepting an entry-level position in a major corporation, which may or may not lead them to prominence. This strategy may work for some, but not for Mico Brunson, who through fate and circumstances was born poor and Black in a society that wasn't created for him or by him. Black Chameleon Memoirs reveals the gripping saga of how one of the most successful Black businessmen in America rose to prominence using criminal activity and murder while overcoming adversity and an abusive childhood.




Nowhere Boy


Book Description

"A resistance novel for our time." - The New York Times "A hopeful story about recovery, empathy, and the bravery of young people." - Booklist "This well-crafted and suspenseful novel touches on the topics of refugees and immigrant integration, terrorism, Islam, Islamophobia, and the Syrian war with sensitivity and grace." - Kirkus, Starred Review Fourteen-year-old Ahmed is stuck in a city that wants nothing to do with him. Newly arrived in Brussels, Belgium, Ahmed fled a life of uncertainty and suffering in Aleppo, Syria, only to lose his father on the perilous journey to the shores of Europe. Now Ahmed’s struggling to get by on his own, but with no one left to trust and nowhere to go, he’s starting to lose hope. Then he meets Max, a thirteen-year-old American boy from Washington, D.C. Lonely and homesick, Max is struggling at his new school and just can’t seem to do anything right. But with one startling discovery, Max and Ahmed’s lives collide and a friendship begins to grow. Together, Max and Ahmed will defy the odds, learning from each other what it means to be brave and how hope can change your destiny. Set against the backdrop of the Syrian refugee crisis, award-winning author of Jepp, Who Defied the Stars Katherine Marsh delivers a gripping, heartwarming story of resilience, friendship and everyday heroes. Barbara O'Connor, author of Wish and Wonderland, says "Move Nowhere Boy to the top of your to-be-read pile immediately."




Into the Black Nowhere


Book Description

From award-winning author Meg Gardiner, co-author of Michael Mann’s Heat 2--In this exhilarating thriller inspired by real-life serial killer Ted Bundy, FBI profiler Caitlin Hendrix faces off against a charming, merciless serial killer. In southern Texas, on Saturday nights, women are disappearing. One vanishes from a movie theater. Another, from her car at a stoplight. A mother is ripped from her home while checking on her baby. Rookie FBI agent Caitlin Hendrix, newly assigned to the FBI's elite Behavioral Analysis Unit, fears that a serial killer is roaming the dark roads outside Austin. Caitlin's unit discovers the first victim's body in the woods, laid out in a bloodstained white baby-doll nightgown. A second victim in a white nightie lies deeper in the forest's darkness. Around the bodies, Polaroid photos are stuck in the earth like headstones, picturing other women with their wrists slashed. The women in the woods are not the killer's first victims, nor are they likely to be his last. To track the UNSUB, Caitlin must get inside his mind; he is a confident, meticulous killer, capable of charming his victims until their guard is down, snatching them in plain sight. He then plays out a twisted fantasy—turning them into dolls for him to possess, control, and ultimately destroy. Caitlin's profile leads the FBI to focus on one man: a charismatic, successful professional who easily gains people's trust. But can they apprehend him before it's too late? As Saturday night approaches, Caitlin and the FBI enter a desperate game of cat and mouse, racing to capture the cunning predator before he claims his next victim.




I Don't Like the Blues


Book Description

How do you love and not like the same thing at the same time? This was the riddle that met Mississippi writer B. Brian Foster when he returned to his home state to learn about Black culture and found himself hearing about the blues. One moment, Black Mississippians would say they knew and appreciated the blues. The next, they would say they didn't like it. For five years, Foster listened and asked: "How?" "Why not?" "Will it ever change?" This is the story of the answers to his questions. In this illuminating work, Foster takes us where not many blues writers and scholars have gone: into the homes, memories, speculative visions, and lifeworlds of Black folks in contemporary Mississippi to hear what they have to say about the blues and all that has come about since their forebears first sang them. In so doing, Foster urges us to think differently about race, place, and community development and models a different way of hearing the sounds of Black life, a method that he calls listening for the backbeat.