The Rest Is Noise


Book Description

Winner of the 2007 National Book Critics Circle Award for Criticism A New York Times Book Review Top Ten Book of the Year Time magazine Top Ten Nonfiction Book of 2007 Newsweek Favorite Books of 2007 A Washington Post Book World Best Book of 2007 In this sweeping and dramatic narrative, Alex Ross, music critic for The New Yorker, weaves together the histories of the twentieth century and its music, from Vienna before the First World War to Paris in the twenties; from Hitler's Germany and Stalin's Russia to downtown New York in the sixties and seventies up to the present. Taking readers into the labyrinth of modern style, Ross draws revelatory connections between the century's most influential composers and the wider culture. The Rest Is Noise is an astonishing history of the twentieth century as told through its music.




Noise Music


Book Description

Noise/Music looks at the phenomenon of noise in music, from experimental music of the early 20th century to the Japanese noise music and glitch electronica of today. It situates different musics in their cultural and historical context, and analyses them in terms of cultural aesthetics. Paul Hegarty argues that noise is a judgement about sound, that what was noise can become acceptable as music, and that in many ways the idea of noise is similar to the idea of the avant-garde. While it provides an excellent historical overview, the book's main concern is in the noise music that has emerged since the mid 1970s, whether through industrial music, punk, free jazz, or the purer noise of someone like Merzbow. The book progresses seamlessly from discussions of John Cage, Erik Satie, and Pauline Oliveros through to bands like Throbbing Gristle and the Boredoms. Sharp and erudite, and underpinned throughout by the ideas of thinkers like Adorno and Deleuze, Noise/Music is the perfect primer for anyone interested in the louder side of experimental music.




The Unwanted Sound of Everything We Want


Book Description

Noise is usually defined as unwanted sound: loud music from a neighbor, the honk of a taxicab, the roar of a supersonic jet. But as Garret Keizer illustrates in this probing examination, noise is as much about what we want as about what we seek to avoid. In a journey that leads us from the primeval Tanzanian veldt to wind farms in Maine, Keizer invites us to listen to noise in history, in popular culture, and not least of all in our own backyards. He follows noise throughout history and across the globe. He considers what it has to tell us about today's most pressing issues, from social inequality to climate change. The result is guaranteed to change how we hear the world, and how we measure our own personal volume within it.




Noise


Book Description

Listening - Sacrificing - Representing - Repeating - Composing - The politics of silence and sound, by Susan McClary.




Noise, Water, Meat


Book Description

An examination of the role of sound in twentieth-century arts. This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.




Hearings


Book Description




Seismic Exploration Methods


Book Description

This book describes the seismic methods used in geophys ical exploration for oil and gas in a comprehensive, non rigorous, mathematical manner. I have used it and its predecessors as a manual for short courses in seismic methods, and it has been extensively revised time and again to include the latest advances in our truly remark able science. I once called it, "Advanced Seismic Inter pretation," but the geophysicists who attended the courses always wondered when I was going to start dis cussing interpretation. They discovered at the end that I never did discuss interpretation as they knew it. No men tion was made of reflection picking, posting times, map ping, contouring, and things they already knew perfectly well. Instead, I discussed Fourier transforms, sampling theory, impulse responses, distortion operators, Wiener filters, noise in f-k space, velocity spectra, wave-equation migration, and direct detection of hydrocarbons as each of these topics appeared on the seismic scene. I wanted the geophysicists to think beyond the routine ofinterpre tation, to develop a better understanding of why seismic sections look as they do, to have a better feel for what digital processing is doing, for good or evil, to the seismic data. I attempted to stretch their minds. Whitehead said it best: "A mind once stretched by a new idea can never shrink to its former dimension. " May this book be a suc cessful mind-stretcher. R. L.




Data Preprocessing in Data Mining


Book Description

Data Preprocessing for Data Mining addresses one of the most important issues within the well-known Knowledge Discovery from Data process. Data directly taken from the source will likely have inconsistencies, errors or most importantly, it is not ready to be considered for a data mining process. Furthermore, the increasing amount of data in recent science, industry and business applications, calls to the requirement of more complex tools to analyze it. Thanks to data preprocessing, it is possible to convert the impossible into possible, adapting the data to fulfill the input demands of each data mining algorithm. Data preprocessing includes the data reduction techniques, which aim at reducing the complexity of the data, detecting or removing irrelevant and noisy elements from the data. This book is intended to review the tasks that fill the gap between the data acquisition from the source and the data mining process. A comprehensive look from a practical point of view, including basic concepts and surveying the techniques proposed in the specialized literature, is given.Each chapter is a stand-alone guide to a particular data preprocessing topic, from basic concepts and detailed descriptions of classical algorithms, to an incursion of an exhaustive catalog of recent developments. The in-depth technical descriptions make this book suitable for technical professionals, researchers, senior undergraduate and graduate students in data science, computer science and engineering.




Federal Register


Book Description