All the Queen’s Jewels, 1445–1548


Book Description

From Margaret of Anjou to Katherine Parr, All the Queen’s Jewels examines the jewellery collections of the ten queen consorts of England between 1445–1548 and investigates the collections of jewels a queen had access to, as well as the varying contexts in which queens used and wore jewels. The jewellery worn by queens reflected both their gender and their status as the first lady of the realm. Jewels were more than decorative adornments; they were an explicit display of wealth, majesty and authority. They were often given to queens by those who wished to seek her favour or influence and were also associated with key moments in their lifecycle. These included courtship and marriage, successfully negotiating childbirth (and thus providing dynastic continuity), and their elevation to queenly status or coronation. This book explores the way that queens acquired jewels, whether via their predecessor, their own commission or through gift giving. It underscores that jewels were a vital tool that enabled queens to shape their identities as consort, and to fashion images of power that could be seen by their households, court and contemporaries. This book is perfect for anyone interested in medieval and Tudor history, queenship, jewellery and the history of material culture.




Kateryn Parr


Book Description

Katheryn Parr is mainly remembered today as being the sixth wife of King Henry VIII, the one who ‘survived’. Katheryn was not only a wife but a queen, mother, reformer, and author. Katheryn would face a number of events in her lifetime including being held to ransom during the Pilgrimage of Grace, being placed as regent while Henry was in France, a role which only one of his five previous wives held, her namesake Katherine of Aragon, and overcame a plot which would have led to her arrest and execution. While Queen she was able to unite the Tudor family and establish some form of happiness for Henry VIII’s three children. Raised by her mother Maud Parr, under a humanist education, Katheryn was intelligent enough to understand her role in life and was not afraid to do her research. Although raised a Catholic, Katheryn became a reformer and went on to write a number of religious texts, being the first female in England to ever have a book published under her own name. She was loyal not only to her family but her servants and the women of her court. She loved her stepchildren and provided them with a mother's love and a role model which her stepdaughters could learn from. Her views on what was expected of her placed her into an open conflict with her brother-in-law Edward Seymour and his wife Anne. This book explores the various roles she had in her lifetime and the passion and duty she put into them, even if it meant putting others first. It will explore her love for Thomas Seymour and how it blindsided her and led to a sad end of her life, and the book will finally look at her legacy - the influence she had on Princess Elizabeth, the future Queen Elizabeth I.




Uncrowned Queen


Book Description

An "impeccably researched and beautifully written" biography of Lady Margaret Beaufort, matriarch of the Tudor dynasty (Tracy Borman, author of The Private Lives of the Tudors and Elizabeth's Women). In 1485, Henry VII became the first Tudor king of England. His victory owed much to his mother, Lady Margaret Beaufort. Over decades and across countries, Margaret had schemed to install her son on the throne and end the War of the Roses. Margaret's extraordinarily close relationship with Henry, coupled with her role in political and ceremonial affairs, ensured that she was treated -- and behaved -- as a queen in all but name. Against a lavish backdrop of pageantry and ambition, court intrigue and war, historian Nicola Tallis illuminates how a dynamic, brilliant woman orchestrated the rise of the Tudors.




Katheryn Howard, The Scandalous Queen


Book Description

Bestselling author and acclaimed historian Alison Weir tells the tragic story of Henry VIII’s fifth wife, a nineteen-year-old beauty with a hidden past, in this fifth novel in the sweeping Six Tudor Queens series. “A vivid re-creation of a Tudor tragedy.”—Kirkus Reviews In the spring of 1540, Henry VIII is desperate to be rid of his unappealing German queen, Anna of Kleve. A prematurely aged and ailing forty-nine, with an ever-growing waistline, he casts an amorous eye on a pretty nineteen-year-old brunette, Katheryn Howard. Like her cousin Anne Boleyn, Katheryn is a niece of the Duke of Norfolk, England’s premier Catholic peer, who is scheming to replace Anna of Kleve with a good Catholic queen. A flirtatious, eager participant in the life of the royal court, Katheryn readily succumbs to the king’s attentions when she is intentionally pushed into his path by her ambitious family. Henry quickly becomes besotted and is soon laying siege to Katheryn’s virtue. But as instructed by her relations, she holds out for marriage and the wedding takes place a mere fortnight after the king’s union to Anna is annulled. Henry tells the world his new bride is a rose without a thorn, and extols her beauty and her virtue, while Katheryn delights in the pleasures of being queen and the rich gifts her adoring husband showers upon her: the gorgeous gowns, the exquisite jewels, and the darling lap-dogs. She comes to love the ailing, obese king, enduring his nightly embraces with fortitude and kindness. If she can bear him a son, her triumph will be complete. But Katheryn has a past of which Henry knows nothing, and which comes back increasingly to haunt her—even as she courts danger yet again. What happens next to this naïve and much-wronged girl is one of the saddest chapters in English history.




The Palace


Book Description

A “riotously readable…tender and affectionate” (Daily Mail, London) exploration of five hundred years of British history—from King Henry VIII to Queen Elizabeth II—as seen through the doorways of the exquisite Hampton Court Palace. Architecturally breathtaking and rich in splendid art and décor, Hampton Court Palace has been the stage of some of the most important events in British history, such as the commissioning of King James’s version of the Bible, the staging of many of Shakespeare’s plays, and Queen Elizabeth II’s coronation ball. The Palace takes us on “an entertaining journey into the past” (Kirkus Reviews) as it reveals the ups and downs of royal history and illustrates what was at play politically, socially, and economically at the time. An engaging and charming history book that is perfect for fans of Alison Weir, Philippa Gregory, and Andrew Lownie, The Palace makes you feel as if you were in the room as history was made.




Young Elizabeth


Book Description

The first fully comprehensive biography of the young Elizabeth I in over twenty years, drawing on a rich variety of primary sources from both Elizabeth herself and those closest to her during her tumultuous youth.




Crown of Blood


Book Description

Following Lady Jane Grey's journey from the deadly intrigues of her childhood that led inexorably through to her trial and execution, historian Nicola Tallis unravels the grim tapestry of her life along the way.




Elizabeth's Rival


Book Description

The first biography of Lettice Knollys, one of the most prominent women of the Elizabethan era, also examines the relationship between Elizabeth and Lettice's husband, Robert Dudley, 1st Earl of Leicester, within the context of his third marriage.




Uncrowned Queen


Book Description

The first comprehensive biography in three decades of Margaret Beaufort, the mother of Henry VII, the first Tudor king.




Luxury Arts of the Renaissance


Book Description

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.