Disappearing Church


Book Description

When church and culture look the same... For the many Christians eager to prove we can be both holy and cool, cultural pressures are too much. We either compartmentalize our faith or drift from it altogether—into a world that’s so alluring. Have you wondered lately: Why does the Western church look so much like the world? Why are so many of my friends leaving the faith? How can we get back to our roots? Disappearing Church will help you sort through concerns like these, guiding you in a thoughtful, faithful, and hopeful response. Weaving together art, history, and theology, pastor and cultural observer Mark Sayers reminds us that real growth happens when the church embraces its countercultural witness, not when it blends in. It’s like Jesus said long ago, “If the salt loses its saltiness, it is no longer good for anything…”




Art and Faith


Book Description

From a world-renowned painter, an exploration of creativity’s quintessential—and often overlooked—role in the spiritual life “Makoto Fujimura’s art and writings have been a true inspiration to me. In this luminous book, he addresses the question of art and faith and their reconciliation with a quiet and moving eloquence.”—Martin Scorsese “[An] elegant treatise . . . Fujimura’s sensitive, evocative theology will appeal to believers interested in the role religion can play in the creation of art.”—Publishers Weekly Conceived over thirty years of painting and creating in his studio, this book is Makoto Fujimura’s broad and deep exploration of creativity and the spiritual aspects of “making.” What he does in the studio is theological work as much as it is aesthetic work. In between pouring precious, pulverized minerals onto handmade paper to create the prismatic, refractive surfaces of his art, he comes into the quiet space in the studio, in a discipline of awareness, waiting, prayer, and praise. Ranging from the Bible to T. S. Eliot, and from Mark Rothko to Japanese Kintsugi technique, he shows how unless we are making something, we cannot know the depth of God’s being and God’s grace permeating our lives. This poignant and beautiful book offers the perspective of, in Christian Wiman’s words, “an accidental theologian,” one who comes to spiritual questions always through the prism of art.




The Creative Gift


Book Description




The Arts and the Christian Imagination


Book Description

Dr. Clyde Kilby was known to many as an early, long and effective champion of C. S. Lewis, and the founder of the Marion E. Wade Center at Wheaton College, IL, for the study of the works of Lewis, J.R.R. Tolkien and other members of the Inklings. Less known is that Dr. Kilby was also an apologist in his time for arts, aesthetics and beauty, particularly among Evangelicals. This collection offers a sampler of the work of Dr. Clyde Kilby on these themes. He writes reflections under four headings: "Christianity, Art, and Aesthetics"; "The Vocation of the Artist"; "Faith and the Role of the Imagination"; and "Poetry, Literature and the Imagination." With a unique voice, Kilby writes from a specific literary and philosophical context that relates art and aesthetics with beauty, and all that is embodied in the classics. His work is particularly relevant today as these topics are being embraced by Protestants, Evangelicals, and indeed people of faith from many different traditions. A deeply engaging book for readers who want to look more closely at themes of art, aesthetics, beauty and literature in the context of faith. "What a great gift to read the collected writings of this gentle, brilliant visionary, teacher and friend! I can say, like so many others, it was Clyde Kilby who set my course in life. Like the dandelions he tended all winter, we flourished under his wisdom and care. Now his remarkable words on the page act as a kind of resurrection. We can hear his voice again and bless his memory." —Luci Shaw, Poet, Writer in Residence, Regent College Author of Thumbprint in the Clay "The Arts and the Christian Imagination is a landmark book. Its scope is breathtaking, bringing together in one place well-known "signature" essays by Clyde Kilby and unknown but equally excellent ones. The essays in this book, masterfully edited, sum up what a whole era wanted to say about literature and art in themselves and in relation to the Christian Faith." —Leland Ryken, Professor Emeritus English, Wheaton College, Author of The Christian Imagination "It was my great privilege to take several classes with Clyde Kilby when I was a student at Wheaton. Now a new generation, and readers far from the Chicago suburbs, have the chance to experience the sparkle, wit, aesthetic insight, and deep Christian commitment that made Kilby such an unusually captivating teacher. Even without his hobbit-like presence, his words remain a true inspiration." —Mark A. Noll, Author of Jesus Christ and the Life of the Mind, Francis A. McAnaney Professor of History, University of Notre Dame "Thousands owe to this giant of Wheaton their ability to hear literary voices with Gospel-tuned ears. This sampler of his hugely influential writing will make the reader profoundly grateful for a man whose legacy is beyond measure." —Jeremy Begbie, Thomas A. Langford Research Professor of Theology — Duke Divinity School, Director of Duke Initiatives in Theology and the Arts "Samuel Johnson said people need to be reminded more often than they need to be instructed. Dr. Kilby reminds us of what it means to be made in the image of God and how art, in our creation and reception of it, illuminates, articulates and glorifies that original great mimesis. With wisdom and relevance, this collection provides a touchstone for the spiritual thinker in its reconciliation of art's true and beautiful purpose with the unspeakable, inimitable mystery of God." —Dr. Carolyn Weber, Professor and speaker, Award-winning author of Surprised by Oxford; Holy is the Day "To read the reflections of C.S. Kilby on art and the Christian imagination is to engage one of the most pertinently constructive interior critiques of American evangelical culture in the 1960's. His biblically formed imagination saw good and truth in what seemed to many of his generation astonishing places—French Catholic philosophers, agnostic novelists, psychic experimentalists, off-beat artists, mathematicians, mentally disturbed poets--and he asked fellow evangelicals, comfortably certain of the categories of their own perception, to examine whether or not some alien accounts did not square better with a biblical view of the human person than their own rigidities. To read these essays is to hear again his distinctively gentle voice in the classroom, and once again to gather many pearls of wisdom." —David Lyle Jeffrey, Distinguished Professor of Literature and the Humanities Honors Program, Senior Fellow, Baylor Institute for Studies in Religion, Baylor University "As I read Dr. Kilby's words in this book, "Love, not duty, sends the artist forth," I recalled my class with him fifty years ago. I can still almost hear his voice as he read from Wordsworth: "what we have loved others will love, and we will show them how." That line perfectly describes Clyde Kilby's life and work. As his student, I love what my dear Professor of English literature loved. I treasure this collection of his essays on Arts and Christian Imagination." —G. Walter Hansen, Professor Emeritus Fuller Seminary, Co-author of Through Your Eyes: Dialogues on the Paintings of Bruce Herman




God in the Gallery (Cultural Exegesis)


Book Description

Is contemporary art a friend or foe of Christianity? Art historian, critic, and curator Daniel Siedell, addresses this question and presents a framework for interpreting art from a Christian worldview in God in the Gallery: A Christian Embrace of Modern Art. As such, it is an excellent companion to Francis Schaeffer's classic Art and the Bible. Divided into three parts--"Theology," "History," and "Practice"--God in the Gallery demonstrates that art is in conversation with and not opposed to the Christian faith. In addition, this book is beautifully enhanced with images from such artists as Andy Warhol, Jackson Pollock, Enrique Martínez Celaya, and others. Readers of this book will include professors, students, artists, and anyone interested in Christianity and culture.




The Slain God


Book Description

Throughout its entire history, the discipline of anthropology has been perceived as undermining, or even discrediting, Christian faith. Many of its most prominent theorists have been agnostics who assumed that ethnographic findings and theories had exposed religious beliefs to be untenable. E. B. Tylor, the founder of the discipline in Britain, lost his faith through studying anthropology. James Frazer saw the material that he presented in his highly influential work, The Golden Bough, as demonstrating that Christian thought was based on the erroneous thought patterns of 'savages.' On the other hand, some of the most eminent anthropologists have been Christians, including E. E. Evans-Pritchard, Mary Douglas, Victor Turner, and Edith Turner. Moreover, they openly presented articulate reasons for how their religious convictions cohered with their professional work. Despite being a major site of friction between faith and modern thought, the relationship between anthropology and Christianity has never before been the subject of a book-length study. In this groundbreaking work, Timothy Larsen examines the point where doubt and faith collide with anthropological theory and evidence.




Food and Faith in Christian Culture


Book Description

Without a uniform dietary code, Christians around the world used food in strikingly different ways, developing widely divergent practices that spread, nurtured, and strengthened their religious beliefs and communities. Featuring never-before published essays, this anthology follows the intersection of food and faith from the fourteenth to the twenty-first century, charting the complex relationship among religious eating habits and politics, culture, and social structure. Theoretically rich and full of engaging portraits, essays consider the rise of food buying and consumerism in the fourteenth century, the Reformation ideology of fasting and its resulting sanctions against sumptuous eating, the gender and racial politics of sacramental food production in colonial America, and the struggle to define "enlightened" Lenten dietary restrictions in early modern France. Essays on the nineteenth century explore the religious implications of wheat growing and breadmaking among New Zealand's Maori population and the revival of the Agape meal, or love feast, among American brethren in Christ Church. Twentieth-century topics include the metaphysical significance of vegetarianism, the function of diet in Greek Orthodoxy, American Christian weight loss programs, and the practice of silent eating rituals among English Benedictine monks. Two introductory essays detail the key themes tying these essays together and survey food's role in developing and disseminating the teachings of Christianity, not to mention providing a tangible experience of faith.




Christian Reflections


Book Description

This collection contains fourteen of Lewis's theological papers on subjects such as Christianity and literature, Christianity and culture, ethics, futility, church music, modern theology and biblical criticism, the Psalms, and petitionary prayer. Common to all of these varied essays are Lewis's uniquely effective style and his tireless concern to relate basic Christianity to all of life.




Christianity and Culture


Book Description

Two long essays: "The Idea of a Christian Society" on the direction of religious thought toward criticism of political and economic systems; and "Notes towards the Definition of Culture" on culture, its meaning, and the dangers threatening the legacy of the Western world.




Why God Makes Sense in a World That Doesn't


Book Description

It has never been more important to articulate the wonder and enchantment of the Christian message. Yet the traditional approaches of apologetics are often outmoded in an age of profound disenchantment and distraction, unable to meet this pressing need. This winsome apologetics book for a new generation makes the case that Christianity offers a compelling explanatory framework for making sense of our world. Pastor and writer Gavin Ortlund believes it is essential to appeal not only to the mind but also to the heart and the imagination as we articulate the beauty of the gospel. Why God Makes Sense in a World That Doesn't reimagines four classical theistic arguments--cosmological, teleological, moral, and Christological--making a cumulative case for God as the best framework for understanding the storied nature of reality. The book suggests that Christian theism can explain such things as the elegance of math, the beauty of music, and the value of love. It is suitable for use in classes yet accessibly written, making it a perfect resource for churches and small groups.