American Exceptionalisms


Book Description

An incisive and wide ranging look at a powerful force and myth in American culture and history, American Exceptionalisms reveals the centuries-old persistence of the notion that the United States is an exceptional nation, in being both an example to the world and exempt from the rules of international law. Scholars from North America and Europe trace versions of the rhetoric of exceptionalism through a multitude of historical, cultural, and political phenomena, from John Winthrop's vision of the "cittie on a hill" and the Salem witch trials in the seventeenth century to The Blair Witch Project and Oprah Winfrey's "Child Predator Watch List" in the twenty-first century. The first set of essays focus on constitutive historical moments in the development of the myth, rom early exploration narratives through political debates in the early republic to twentieth-century immigration debates. The latter essays address the role of exceptionalism in the "war on terror" and such cornerstones of modern popular culture such as the horror stories of H.P. Lovecraft, the songs of Steve Earle, and the Oprah Winfrey show. Sylvia Söderlind is Associate Professor of English Language and Literature at Queen's University, Kingston, Ontario, Canada. She is the author of Margin/Alias: Language and Colonization in Canadian and Québécois Fiction (Toronto: University of Toronto Press, 1991) and articles on American, Canadian and Québécois fiction, "ghostmodernism" and translation, and the politics of metaphor published in, among others, Canadian Review of Comparative Literature, Ariel, Essays in Canadian Writing, Voix et images, RS/SI, New Feminism Review (Japan), ARTES (Sweden). James Taylor Carson is Professor of History and Associate Dean in the Faculty of Arts and Science at Queen's University, Kingston, Ontario, Canada. His scholarship focuses on the ethnohistory of native peoples in the American South, and he has published two books on the subject, Searching for the Bright Path: The Mississippi Choctaws from Prehistory to Removal (Lincoln: University of Nebraska Press, 1999) and Making an Atlantic World: Circles, Paths, and Stories from the Colonial South (Knoxville: University of Tennessee Press, 2007).




Seditious Allegories


Book Description

The multifaceted career of John Thelwall (1764-1834)—poet, novelist, playwright, journalist, politician, scientist—is the lens through which we are offered here a new look at the phenomenon of British Jacobinism, long distorted by the critical view of it as intellectually weak bequeathed to us by Coleridge and Wordsworth, once Jacobins themselves. This book, the first on Thelwall in almost one hundred years, combines literary analysis and historical description to show how this innovative political activist remained true to his radicalism while adapting his methods in the face of the anti-Jacobin reaction that Paine's The Rights of Man helped set off. The three parts of the book set Thelwall's achievements and challenges in the political and literary context of his times. Part One, "Jacobin(s) Writing," focuses on the most essential aspects, ideologically and formally, of the insurgent writing of the 1790s to which Thelwall contributed. Part Two, "The Voice of the People," treats both Thelwall's radical oratory and journalism, as well as his writings and activities as a natural scientist and rhetorician, a professor and technician of "elocution." Part Three, "Jacobin Allegory," expounds on Thelwall's characteristic strategy of indirect expression through synecdoche and allegory, which he used in his later career after repression forced him out of politics. Through Thelwall's life Michael Scrivener succeeds in revealing how British Jacobinism reshaped the public sphere, initiating numerous literary experiments with oratory, pamphlets, periodicals, popularizations, and songs in the spaces opened up by political associations, lectures, meetings, and trials. Jacobinism thus altered the very institutions of reading and writing by expanding literacy, restructuring the popular arena for reading, and generating a body of diverse texts that were "seditious allegories."




Undomesticated Dissent


Book Description

"This book seeks to tell the story of religious dissent as a polemical and dialectical argument from the seventeenth century to the present, from Bunhill Fields to Plymouth Rock. Its narrative displays the ongoing contestation about the proper mode of dissent from evangelical to political to radical, and more importantly it places Bunyan, Defoe, and Blake and their writings within this extended argument"--Preface.




Dissent and Philosophy in the Middle Ages


Book Description

Dissent and Philosophy in the Middle Ages offers scholars of Dante's Divine Comedy an integral understanding of the political, philosophical, and religious context of the medieval masterwork. First penned in French by Ernest L. Fortin, one of America's foremost thinkers in the fields of philosophy and theology, Dissidence et philosophie au moyen-%ge brings to light the complexity of Dante's thought and art, and its relation to the central themes of Western civilization. Available in English for the first time through this superb translation by Marc A. LePain, Dissent and Philosophy will make a supremely important contribution to the discussion of Dante as poet, theologian, and philosopher.




Early Romanticism and Religious Dissent


Book Description

Religious diversity and ferment characterize the period that gave rise to Romanticism in England. It is generally known that many individuals who contributed to the new literatures of the late eighteenth century came from Dissenting backgrounds, but we nonetheless often underestimate the full significance of nonconformist beliefs and practices during this period. Daniel White provides a clear and useful introduction to Dissenting communities, focusing on Anna Barbauld and her familial network of heterodox 'liberal' Dissenters whose religious, literary, educational, political, and economic activities shaped the public culture of early Romanticism in England. He goes on to analyze the roles of nonconformity within the lives and writings of William Godwin, Mary Wollstonecraft, Samuel Taylor Coleridge, and Robert Southey, offering a Dissenting genealogy of the Romantic movement.










Allegory and Enchantment


Book Description

What is modernity? Where are modernitys points of origin? Where are its boundaries? And what lies beyond those boundaries? Allegory and Enchantment explores these broad questions by considering the work of English writers at the threshold of modernity, and by considering,in particular, the cultural forms these writers want to leave behind. From the fourteenth to the seventeenth centuries, many English writers fashion themselves as engaged in breaking away from an array of old idols: magic, superstition, tradition, the sacramental, the medieval. Many of these writers persistently use metaphors of disenchantment, of awakening from a broken spell, to describe their self-consciously modern orientation toward a medieval past. And many of them associate that repudiated past with the dynamics and conventions of allegory. In the hands of the major English practitioners of allegorical narrativeWilliam Langland, John Skelton, Edmund Spenser, and John Bunyanallegory shows signs of strain and disintegration. The work of these writers seems to suggest a story of modern emergence in which medieval allegory, with its search for divine order in the material world, breaks down under the pressure of modern disenchantment. But these four early modern writers also make possible other understandings of modernity. Each of them turns to allegory as a central organizing principle for his most ambitious poetic projects. Each discovers in the ancient forms of allegory a vital, powerful instrument of disenchantment. Each of them, therefore, opens up surprising possibilities: that allegory and modernity are inescapably linked; that the story of modern emergence is much older than the early modern period; and that the things modernity has tried to repudiatethe old enchantmentsare not as alien, or as absent, as they seem.




Glimpses of Glory


Book Description

This is a major reinterpretation of John Bunyan, each of whose works, including the posthumous, is analyzed in its immediate historical context. The author draws on recent literature on depression to demonstrate that Bunyan suffered from this mood disorder as a young man and then used this experience to help mold his literary works.




Dissenting Words


Book Description

Dissenting Words is a lively and engaging collection of interviews that span the length of Jacques Rancière's trajectory, from the critique of Althusserian Marxism and the work on proletarian thinking in the nineteenth century to the more recent reflections on politics and aesthetics. Across these pages, Rancière discusses the figures, concepts and arguments he has introduced to the theoretical landscape over the past forty years, the themes and concerns that have animated his thinking, the positions he has defended and the wide range of objects and discourses that have attracted his attention and through which his thought has unfolded: history, pedagogy, literature, art, cinema. But more than reflecting on the continuities, turns, ruptures and deviations in his thought, Rancière recasts his work in a different discursive register. And the pleasure we experience in reading these interviews – with their asides, displacements and reconstructions – stems from the way Rancière transforms the voice of the thinker commenting on his texts and elucidating his concepts into another, and equally rich, manifestation of his thought. Core sections of this edition are translated from the french publication Et tant pis pour le gens fatigués, by Jacques Rancière, © Editions Amsterdam 2009, published by arrangement Agence litteraire Pierre Astier & Associés