Amanti's Chest


Book Description

If you see a ghost, keep it away from the people you love the most. Dr. Panola Hartman has finally done it! With the help of a supercomputer, and thru dangerous experiments on a mysterious chest, he captures a ghost named Amanti, who can use the chest to travel though space and time. Hartman realizes that this chest might be used to save his wife, who is dying from a brain tumor. But when he secretly removes the chest from the lab to save her, his plan backfires, and as a result, his wife dies. After her death, Hartman develops a deep resentment for his powerful employer, The Syndicate. Because of his experiments, he has lost the whereabouts of Amanti and the chest, but eventually the chest turns up at a yard sale! A young man named Camden Hill buys the chest unaware of what lies within. The ghostly image of Amanti begins to appear to Camden, who she has found favor in. This comes just in time as he is actually also being hunted by gangsters in connection to a murder. Camden absorbs Amanti's energy and is protected by ghosts who use his body as a portal. The ghosts are his slain enemies and are powerful! Hartman meanwhile has continued to search for the chest and Camden and his girlfriend Lenora Pleasant must now fight for their lives. In an effort to escape from the Syndicate, Hartman has created a deadly chain reaction by causing a nuclear meltdown! Can Camden protect the woman he loves, and stop Dr. Hartman from setting off unforeseen consequences of tampering with Amanti's Chest?










A Descriptive Catalogue of the English Manuscripts of John Gower's Confessio Amantis


Book Description

Winner of the 2022 John Hurt Fisher Award from the John Gower SocietyFirst comprehensive catalogue of the manuscripts of one of the most important medieval works, with full descriptions of their features.The Confessio Amantis is John Gower's major work in English, written around the time that his acquaintance Geoffrey Chaucer was writing the Canterbury Tales. Extant manuscripts are numerous. At the end of the nineteenth century G. C. Macaulay had described the forty manuscripts then known to survive in the introduction to his edition, but some of these descriptions were very brief, and of course the other nine of whose existence he was then unaware were not included. This descriptive catalogue of all of the surviving manuscripts containing the Confessio is the first work to bring together extensive detailed descriptions of its forty-nine complete manuscripts and numerous fragments and excerpts; it will enable scholars of Middle English literature and manuscript studies to compare features across the corpus of surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts. for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts.




Confessio Amantis


Book Description




A Galla-English, English-Galla Dictionary


Book Description

Project report for Graduate Diploma of Business (Shipping)




Confessio Amantis


Book Description

Originally published by Holt, Rinehart, and Winston, 1966.




Confessio Amantis, Volume 1


Book Description

The complete text of John Gower's poem is a three-volume edition, including all Latin components-with translations-of this bilingual text and extensive glosses, bibliography and explanatory notes. Volume 1 contains the Prologue and Books 1 and 8, in effect the overall structure of Gower's poem.




Fictions of Witness in the Confessio Amantis


Book Description

Fictions of Witness in the Confessio Amantis details the first years of the Confessio’s material history and offers a major revision to a century’s old narrative of political revision and conversion around the trauma of 1400. Joel Fredell argues for “late stage” revisions by Gower to his great poem in Middle English from the late 1390s up to Gower’s death in 1408. This approach, new to scholarship for Ricardian and Lancastrian literature, demands profound re-evaluation of Gower's poetic persona and its entanglement in the opening and closing books of the Confessio. It offers a reassessment of the political and literary relationships between versions dedicated to Richard II and Henry IV. It repositions Gower's laureate status in a London world of deluxe book production that created a canon of Ricardian poets linked to their fifteenth-century inheritors. Finally, it identifies for the first time how late medieval authors designed their poetry as fictional artifacts that witness history from quasi-chronicles like Maidstone’s Concordia or Richard the Redeless, quasi-petitions like the Lollard “Petition to the King and Parliament,” quasi-epistles that begin so many texts, quasi-transcripts such as the Record and Process of the Deposition of Richard II, and so on.