Ambrogio Leone's De Nola, Venice 1514


Book Description

This volume offers the first comprehensive study of the De Nola (Venice 1514), a hitherto underappreciated Latin text written by the Nolan humanist and physician Ambrogio Leone. Furnished with four pioneering engravings made with the help of the Venetian artist Girolamo Mocetto, the De Nola is an impressively rich and multifaceted text, which contains an antiquarian (and celebratory) study of the city of Nola in the Kingdom of Naples. By describing antiquities, inscriptions, and buildings, as well as social and religious phenomena, the De Nola offers a precious window into a southern Italian Renaissance city, and constitutes a refined example of sixteenth-century antiquarianism. The work is analysed in a multidisciplinary approach, encompassing art and architectural history, antiquarianism, literature, social history, and anthropology.




A Companion to the Renaissance in Southern Italy (1350–1600)


Book Description

A Companion to the Renaissance in Southern Italy offers readers unfamiliar with Southern Italy an introduction to different aspects of the fifteenth- and sixteenth-century history and culture of this vast and significant area of Europe, situated at the center of the Mediterranean. Commonly regarded as a backward, rural region untouched by the Italian Renaissance, the essays in this volume paint a rather different picture. The expert-written contributions present a general survey of the most recent research on the centers of southern Italy, as well as insight into the ground-breaking debates on wider themes, such as the definition of the city, continuity and discontinuity at the turn of the sixteenth century, and the effects of dynastic changes from the Angevin and Aragonese Kingdom to the Spanish Viceroyalty. Taken together, they form an essential resource on an important, yet all too often overlooked or misunderstood part of Renaissance Italy. Contributors: Giancarlo Abbamonte, David Abulafia, Guido Cappelli, Chiara De Caprio, Bianca de Divitiis, Fulvio Delle Donne, Teresa D’Urso, Dinko Fabris, Guido Giglioni, Antonietta Iacono, Fulvio Lenzo, Lorenzo Miletti, Francesco Montuori, Pasquale Palmieri, Eleni Sakellariou, Francesco Senatore, Francesco Storti, Pierluigi Terenzi, Carlo Vecce, Giuliana Vitale, and Andrea Zezza.




The Various Models of Lordship in Europe between the Ninth and Fifteenth Centuries


Book Description

The status of lord represented one of the most original solutions to the political and social transitions of the Medieval period. Questions still remain unanswered and require further investigation, thus many scholars have collaborated to produce this collection which offers a synthesis of the most recent scholarship. This book relates the workings of seigneurial systems in different areas of Europe, from the Baltic to the Mediterranean, from Castile to Pontus. In this way, the perspective remains the same, institutional and material. This book emphasises both the institutional and informal forms of lordship identified and crystallised by social and political actors (for example, communities, sovereigns, nobles, bishops, and abbots). It offers a general framework for those approaching the subject for the first time and a useful in-depth tool with numerous regional cases for long-term scholars.




ICGG 2020 - Proceedings of the 19th International Conference on Geometry and Graphics


Book Description

This book covers various aspects of Geometry and Graphics, from recent achievements on theoretical researches to a wide range of innovative applications, as well as new teaching methodologies and experiences, and reinterpretations and findings about the masterpieces of the past. It is from the 19th International Conference on Geometry and Graphics, which was held in São Paulo, Brazil. The conference started in 1978 and is promoted by the International Society for Geometry and Graphics, which aims to foster international collaboration and stimulate the scientific research and teaching methodology in the fields of Geometry and Graphics. Organized five topics, which are Theoretical Graphics and Geometry; Applied Geometry and Graphics; Engineering Computer Graphics; Graphics Education and Geometry; Graphics in History, the book is intended for the professionals, academics and researchers in architecture, engineering, industrial design, mathematics and arts involved in the multidisciplinary field.




Remembering Parthenope


Book Description

This edited collection focuses on how the ancient past of the city of Naples has been invented, shaped, transmitted, and received in literature, art, and material culture since the time of the city's foundation. Adopting a chronological approach, chapters examine important moments in Naples' reception history from the Roman period (when the city was already several centuries old) to the present day. Among the topics covered are representations of the city's early history and mythology in texts and temples of the Roman period; later uses of Roman spolia (marble sculptures and architectural elements) in Christian churches; the importance of antiquity to the rulers of the Angevin and Swabian periods; the appropriation of the city's classical heritage by Renaissance humanists; the image of the 'local' poets Virgil and Statius in later eras; humanist images of the ancient aqueducts and catacombs that ran beneath the city; representations of classical monuments in early modern city guides; images of ancient ruins in contemporary Catholic nativity scenes; and the archaeology and philosophy of the city's Metro system. Featuring contributions from an interdisciplinary range of scholars, this comprehensive volume provides a highly accessible point of entry into the vast bibliography on ancient Naples.







Appendices. Notes


Book Description










Antiquarian Literature in the Sixteenth Century


Book Description

During the sixteenth century, antiquarian studies (the study of the material past, comprising modern archaeology, epigraphy, and numismatics) rose in Europe in parallel to the technical development of the printing press. Some humanists continued to prefer the manuscript form to disseminate their findings – as numerous fair copies of sylloges and treatises attest –, but slowly the printed medium grew in popularity, with its obvious advantages but also its many challenges. As antiquarian printed works appeared, the relationship between manuscript and printed sources also became less linear: printed copies of earlier works were annotated to serve as a means of research, and printed works could be copied by hand – partially or even completely. This book explores how antiquarian literature (collections of inscriptions, treatises, letters...) developed throughout the sixteenth century, both in manuscript and in print; how both media interacted with each other, and how these printed antiquarian works were received, as attested by the manuscript annotations left by their early modern owners and readers.