America's Boy


Book Description

In 1986 the overthrow of Ferdinand and Imelda Marcos by Cory Aquino's 'People Power' revolution focused global attention on the Philippines. Western media took their lead from the US, and the untrammelled denigration of the fleeing dictator and his wife served to tarnish the Philippines more generally. James Hamilton-Paterson, who knew the Philippines well having lived there for some years, resolved in America's Boy (1998) to examine the Marcoses more closely - not to exonerate them but, rather, to explain the political and social roots of their regime, sustained for so long by support from Washington. 'The ultimate book about the national character of the Philippines ... both a history and a psychoanalysis of a whole people, a socio-political tour de force.' Carmen Guerrero Nakpil, Malaya 'Every page displays Hamilton-Paterson's mastery of his material ... required reading for anyone interested in the enduring impact of US policy in the Philippines.' Publishers Weekly




America's Boy


Book Description

A journalist remembers his childhood struggles to gain acceptance from the jeans-wearing set, his envy of his admired older brother, his parent's atypical personalities, and the Fourth of July accident that ended his brother's life.




The American Boy's Handy Book


Book Description

Each summer, millions of children complain, "There's nothing to do." Originally published in 1888, The American Boy's Handy Book resoundingly challenges this age-old dilemma by providing a huge number of ideas for fun and instructional projects for young boys. Everything from camping and kite building to raising dogs and building boats is detailed for the would-be adventurer and do-it your-selfer.




American Boy


Book Description

The author of the acclaimed Montana 1948 “spins charm and melancholy” in this novel of youth and romantic rivalry in 1960s rural Minnesota (Denver Post). Willow Falls, Minnesota, 1962. The shooting of a young woman on Thanksgiving Day sets off a chain of unsettling events in the life of seventeen-year-old Matthew Garth. A close friend of the prosperous Dunbar family, Matthew is present in Dr. Dunbar’s home office when the victim is brought in. The sight of Louisa Lindahl—beautiful and mortally wounded—makes an indelible impression on the young man. Fueled by his feverish desire for this mysterious woman and a deep longing for the comfort and affluence that appears to surround the Dunbars, Matthew finds himself drawn into a vortex of greed, manipulation, and ultimately betrayal. Larry Watson’s tale heart-breaking tale “resonates with language as clear and images as crisp as the spare, flat prairie of its Minnesota setting” (Kirkus Reviews). An Esquire Best Book of 2011




America's Boy


Book Description

A narrative history of the U.S.-supported dictatorship that came to define the Philippines. Ferdinand and Imelda Marcos presented themselves as the reincarnation of a primal couple from Filipino mythology. Ferdinand reinvented himself as a matchless fighter against the Japanese, and Time magazine hailed him as a hero. He was the strongman, the dictator, welcomed at the White House by Lyndon B. Johnson, Nixon, Reagan, and the C.I.A..-America's Boy. For twenty-one years he and Imelda dominated the Philippines. In the , a "democratic revolution" replaced them with Corazon Aquino, who, in turn, was followed by Fidel Ramos, Imelda's cousin. Nothing changed: the world applauded, the shadow play went on. James Hamilton-Paterson has gathered astonishing information from senators, cronies, rivals, and Marcos family members, including Imelda. Covering the entire one-hundred-year history of U. S. involvement in the Philippines, he offers a devastating vision of the price Filipinos paid for dictatorship. Perhaps no other couple is as emblematic of American Imperialism as the Marcoses; America's Boy is their story. Passionate, deeply researched, and haunting, it is "a riveting read" (The Guardian [London]) by one of the language's best stylists.




Mama's Boy


Book Description

This heartfelt, deeply personal memoir explores how a celebrated filmmaker and activist and his conservative Mormon mother built bridges across today’s great divides—and how our stories hold the power to heal. Dustin Lance Black wrote the Oscar-winning screenplay for Milk and helped overturn California’s anti–gay marriage Proposition 8, but as an LGBTQ activist he has unlikely origins—a conservative Mormon household outside San Antonio, Texas. His mother, Anne, was raised in rural Louisiana and contracted polio when she was two years old. She endured brutal surgeries, as well as braces and crutches for life, and was told that she would never have children or a family. Willfully defying expectations, she found salvation in an unlikely faith, raised three rough-and-rowdy boys, and escaped the abuse and violence of two questionably devised Mormon marriages before finding love and an improbable career in the U.S. civil service. By the time Lance came out to his mother at age twenty-one, he was a blue-state young man studying the arts instead of going on his Mormon mission. She derided his sexuality as a sinful choice and was terrified for his future. It may seem like theirs was a house destined to be divided, and at times it was. This story shines light on what it took to remain a family despite such division—a journey that stretched from the steps of the U.S. Supreme Court to the woodsheds of East Texas. In the end, the rifts that have split a nation couldn’t end this relationship that defined and inspired their remarkable lives. Mama’s Boy is their story. It’s a story of the noble quest for a plane higher than politics—a story of family, foundations, turmoil, tragedy, elation, and love. It is a story needed now more than ever.




Liberace


Book Description

More people watched his nationally syndicated television show between 1953 and 1955 than followed I Love Lucy. Even a decade after his death, the attendance records he set at Madison Square Garden, the Hollywood Bowl, and Radio City Music Hall still stand. Arguably the most popular entertainer of the twentieth century, this very public figure nonetheless kept more than a few secrets. Darden Asbury Pyron, author of the acclaimed and bestselling Southern Daughter: The Life of Margaret Mitchell, leads us through the life of America's foremost showman with his fresh, provocative, and definitive portrait of Liberace, an American boy. Liberace's career follows the trajectory of the classic American dream. Born in the Midwest to Polish-Italian immigrant parents, he was a child prodigy who, by the age of twenty, had performed with the Chicago Symphony Orchestra. Abandoning the concert stage for the lucrative and glittery world of nightclubs, celebrities, and television, Liberace became America's most popular entertainer. While wildly successful and good natured outwardly, Liberace, Pyron reveals, was a complicated man whose political, social, and religious conservativism existed side-by-side with a lifetime of secretive homosexuality. Even so, his swishy persona belied an inner life of ferocious aggression and ambition. Pyron relates this private man to his public persona and places this remarkable life in the rapidly changing cultural landscape of twentieth-century America. Pyron presents Liberace's life as a metaphor, for both good and ill, of American culture, with its shopping malls and insatiable hunger for celebrity. In this fascinating biography, Pyron complicates and celebrates our image of the man for whom the streets were paved with gold lamé. "An entertaining and rewarding biography of the pianist and entertainer whose fans' adoration was equaled only by his critics' loathing. . . . [Pyron] persuasively argues that Liberace, thoroughly and rigorously trained, was a genuine musician as well as a brilliant showman. . . . [A]n immensely entertaining story that should be fascinating and pleasurable to anyone with an interest in American popular culture."—Kirkus Reviews "This is a wonderful book, what biography ought to be and so seldom is."—Kathryn Hughes, Daily Telegraph "[A]bsorbing and insightful. . . . Pyron's interests are far-ranging and illuminating-from the influence of a Roman Catholic sensibility on Liberace and gay culture to the aesthetics of television and the social importance of self-improvement books in the 1950s. Finally, he achieves what many readers might consider impossible: a persuasive case for Liberace's life and times as the embodiment of an important cultural moment."—Publishers Weekly "Liberace, coming on top of his amazing life of Margaret Mitchell, Southern Daughter, puts Darden Pyron in the very first rank of American biographers. His books are as exciting as the lives of his subjects."—Tom Wolfe "Fascinating, thoughtful, exhaustive, and well-written, this book will serve as the standard biography of a complex icon of American popular culture."—Library Journal




The Boy Problem


Book Description

A historical perspective on the factors affecting boys’ relationships with school and the criminal justice system. Outstanding Academic Title, Choice America’s educational system has a problem with boys, and it’s nothing new. The question of what to do with boys—the “boy problem”—has vexed educators and social commentators for more than a century. Contemporary debates about poor academic performance of boys, especially those of color, point to a myriad of reasons: inadequate and punitive schools, broken families, poverty, and cultural conflicts. Julia Grant offers a historical perspective on these debates and reveals that it is a perennial issue in American schooling that says much about gender and education today. Since the birth of compulsory schooling, educators have contended with what exactly to do with boys of immigrant, poor, minority backgrounds. Initially, public schools developed vocational education and organized athletics and technical schools as well as evening and summer continuation schools in response to the concern that the American culture of masculinity devalued academic success in school. Urban educators sought ways to deal with the "bad boys"—almost exclusively poor, immigrant, or migrant—who skipped school, exhibited behavioral problems when they attended, and sometimes landed in special education classes and reformatory institutions. The problems these boys posed led to accommodations in public education and juvenile justice system. This historical study sheds light on contemporary concerns over the academic performance of boys of color who now flounder in school or languish in the juvenile justice system. Grant's cogent analysis will interest education policy-makers and educators, as well as scholars of the history of education, childhood, gender studies, American studies, and urban history.







Diaspora Boy


Book Description

Eli Valley's comic strips are intricate fever dreams employing noir, horror, slapstick and science fiction to expose the outlandish hypocrisies at play in the American/Israeli relationship. Sometimes banned, often controversial and always hilarious, Valley's work has helped to energize a generation exasperated by American complicity in an Israeli occupation. This, the first full-scale anthology of Valley's art, provides an essential retrospective of America and Israel at a turning point. With meticulously detailed line work and a richly satirical palette peppered with perseverating turtles, xenophobic Jedi knights, sputtering superheroes, mutating golems and zombie billionaires, Valley's comics unmask the hypocrisy and horror behind the headlines. This collection supplements the satires with historical background and contexts, insights into the creative process, selected reactions to the works, and behind-the-scenes tales of tensions over what was permissible for publication. Brutally riotous and irreverent, the comics in this volume are a vital contribution to a centuries-old tradition of graphic protest and polemics.