Author : Marika Herskovic
Publisher :
Page : 378 pages
File Size : 33,60 MB
Release : 2003
Category : Art
ISBN :
A unique book presents Art's main stream between 1950 and1959 in New York and across the US regardless of race, gender or ethnic origin.
Author : Joan Marter
Publisher : Yale University Press
Page : 217 pages
File Size : 41,22 MB
Release : 2016-01-01
Category : Art
ISBN : 0300208421
This publication contains a survey of female abstract expressionist artists, revealing the richness and lasting influence of their work and the movement as a whole as well as highlighting the lack of critical attention they have received to date.
Author : Marika Herskovic
Publisher :
Page : 0 pages
File Size : 37,64 MB
Release : 2009
Category : Abstract expressionism
ISBN : 9780967799421
This survey (a follow¿up to the earlier volumes: New York School Abstract Expressionists: Artists Choice by Artists;7 American Abstract Expressionism of the 1950s An Illustrated Survey.8) intends to present a significantly different approach. Fifty eight American painters and sculptors of the post-World War II era, are represented, each by one abstract and one figurative work.The book intends to show that the most engaged mainstream creative work in New York and across the USA was not restricted to non-representational or representational expressionism but rather to the creative power of the individual expressionist artist. The artists are represented in alphabetical order. The usual convention of critical analysis is replaced by statements written by the artists themselves. The statements may serve to enlighten the readers as to the artists¿ relation to their creative process. The biographical information for each artist is presented in a standardized, uniform fashion. It is critical that a reference book of this sort would provide excellent, large format reproductions. The books were printed by the world renowned Dr. Cantz¿sche Druckerei in Ostfildern, Germany,
Author : David Thistlewood
Publisher :
Page : 242 pages
File Size : 25,99 MB
Release : 1993
Category : Art
ISBN :
This first volume in the Tate Gallery Liverpool Critical Forum series is derived from a conference held in conjunction with the display of Abstract Expressionist Painting from the USA, which was mounted at Tate Gallery Liverpool from March 1992 to January 1993. The display comprised 21 paintings by 13 artists, including Ad Reinhardt, Norman Lewis, Adolph Gottlieb, Jackson Pollock, Arshile Gorky, Franz Kline and Willem de Kooning. The objectives of the conference, involving speakers from the international community of scholarship in the field, were: to elicit new observations, critical judgments and proposals from the knowledge base of abstract expressionism and perhaps to challenge some of its prevailing conventions; and to debate the role of the Tate Gallery Liverpool as a modifier of this field of knowledge.
Author : Various
Publisher : Library of America
Page : 1184 pages
File Size : 35,62 MB
Release : 2014-10-09
Category : Art
ISBN : 1598533673
Experience the creative explosion that transformed American art—in the words of the artists, writers, and critics who were there In the quarter century after the end of World War II, a new generation of painters, sculptors, and photographers transformed the face of American art and shifted the center of the art world from Paris to New York. Signaled by the triumph of abstraction and the ascendancy of painters such as Pollock, Rothko, de Kooning, and Kline, this revolution generated an exuberant and contentious body of writing without parallel in our cultural history. In the words of editor, art critic, and historian Jed Perl, “there has never been a period when the visual arts have been written about with more mongrel energy—with more unexpected mixtures of reportage, rhapsody, analysis, advocacy, editorializing, and philosophy.” In this Library of America volume, Perl gathers for the first time the most vibrant contemporary accounts of this momentous period—by artists, critics, poets, gallery owners, and other observers—conveying the sweep and energy of a cultural scene dominated (in the poet James Schuyler’s words) by “the floods of paint in whose crashing surf we all scramble.” Here are statements by the most significant artists, and major critical essays by Clement Greenberg, Susan Sontag, Hilton Kramer, and other influential figures. Here too is an electrifying array of responses by poets and novelists, reflecting the free interplay between different art forms: John Ashbery on Andy Warhol; James Agee on Helen Levitt; James Baldwin on Beauford Delaney; Truman Capote on Richard Avedon; Tennessee Williams on Hans Hofmann; and Jack Kerouac on Robert Frank. The atmosphere of the time comes to vivid life in memoirs, diaries, and journalism by Peggy Guggenheim, Dwight Macdonald, Calvin Tomkins, and others. Lavishly illustrated with scores of black-and-white images and a 32-page color insert, this is a book that every art lover will treasure.
Author : Mary Kate O'Hare
Publisher : Pomegranate Communications
Page : 0 pages
File Size : 32,32 MB
Release : 2010
Category : Art, Abstract
ISBN : 9780764952746
The first survey of Pan-American geometric abstraction between the 1920s and 1950s, Constructive Spirit: Abstract Art in South and North America, 1920s-50s provides a fresh and innovative look at this dynamic and cosmopolitan period of Modernism in the Americas. In the first half of the twentieth century, South American and US artists infused the hard-edge lines and geometric shapes of abstract art with new perspectives. This richly illustrated book examines the connections, both conceptual and personal, among abstract artists from Argentina, Brazil, the United States, Uruguay, and Venezuela, suggesting parallels that cut across time, national borders, and a range of media. It begins with the arrival of Torres-García in New York City in 1920, and culminates in the 1950s, as North and South American abstract artists converged in the international arena in such exhibition venues as the Bienal de São Paulo. Released in conjunction with the traveling exhibition organized by the Newark Museum, Constructive Spirit presents more than ninety rarely seen paintings, sculptures, prints, photographs, drawings, and films, from private and public collections across both continents. The sixty-eight featured artists include the renowned-Alexander Calder, Joaquín Torres-García, Jesús Rafael Soto, and Arshile Gorky, for example-as well as those who deserve much wider recognition, such as Charmion von Wiegand, Geraldo de Barros, Alfredo Hlito, and many others. Essayists Karen A. Bearor, Tricia Laughlin Bloom, Aliza Edelman, Adele Nelson, Mary Kate O'Hare, and Cecilia de Torres offer new insights as they investigate the ideas and influences that informed South and North American artists' transformation of abstraction into a language of their own.
Author : Catherine Craft
Publisher : University of Chicago Press
Page : 326 pages
File Size : 18,99 MB
Release : 2012-05-30
Category : Art
ISBN : 0226116808
An Audience of Artists turns this time line for the postwar New York art world on its head, presenting a new pedigree for these artistic movements. Drawing on an array of previously unpublished material, Catherine Craft reveals that Neo-Dada, far from being a reaction to Abstract Expressionism, actually originated at the heart of that movement's concerns about viewers, originality, and artists' debts to the past and one another. Furthermore, she argues, the original Dada movement was not incompatible with Abstract Expressionism. In fact, Dada provided a vital historical reference for artists and critics seeking to come to terms with the radical departure from tradition that Abstract Expressionism seemed to represent. Tracing the activities of artists such as Robert Motherwell, Barnett Newman, and Jackson Pollock alongside Marcel Duchamp's renewed embrace of Dada in the late 1940s, Craft explores the challenges facing artists trying to work in the wake of a destructive world war and the paintings, objects, writings, and installations that resulted from their efforts."--Jacket.
Author : Karen Wilkin
Publisher : Yale University Press
Page : 142 pages
File Size : 47,12 MB
Release : 2007-01-01
Category : Art
ISBN : 9780300120233
Color field painting, which emerged in the United States in the 1950s, is based on radiant, uninflected hues. Exemplified by the work of Helen Frankenthaler, Morris Louis, Kenneth Noland, Jules Olitski, Larry Poons, and Frank Stella, among others, these stunningly beautiful and impressively scaled paintings constitute one of the crowning achievements of postwar American abstract art. Color as Field offers a long-overdue reevaluation of this important aspect of American abstract painting. The authors examine how color field painting rejects the gestural, layered, and hyper-emotional approach typical of Willem de Kooning and his followers, yet at the same time develops and expands ideas about all-overness and the primacy of color posited by the work of other members of the abstract expressionist generation, such as Adolph Gottlieb, Hans Hofmann, Robert Motherwell, Jackson Pollock, and Mark Rothko. From the fresh historical standpoint of the 21st century, this fascinating reassessment ranges across the artists’ individual approaches and their commonalities, concluding with insights into the ongoing legacy of post-1970s color field painting among present-day artists.
Author : Marika Herskovic
Publisher :
Page : 393 pages
File Size : 50,35 MB
Release : 2000
Category : Art
ISBN : 9780967799407
A Complete Documentation of the New York Painting and Sculpture Annuals: 1951-1957.
Author : Alexander Nemerov
Publisher : Penguin
Page : 305 pages
File Size : 15,93 MB
Release : 2022-03-22
Category : Biography & Autobiography
ISBN : 0525560203
A National Book Critics Circle finalist • One of Vogue's Best Books of the Year A dazzling biography of one of the twentieth century's most respected painters, Helen Frankenthaler, as she came of age as an artist in postwar New York “The magic of Alexander Nemerov's portrait of Helen Frankenthaler in Fierce Poise is that it reads like one of Helen's paintings. His poetic descriptions of her work and his rich insights into the years when Helen made her first artistic breakthroughs are both light and lush, seemingly easy and yet profound. His book is an ode to a truly great artist who, some seventy years after this story begins, we are only now beginning to understand.” ―Mary Gabriel, author of Ninth Street Women At the dawn of the 1950s, a promising and dedicated young painter named Helen Frankenthaler, fresh out of college, moved back home to New York City to make her name. By the decade's end, she had succeeded in establishing herself as an important American artist of the postwar period. In the years in between, she made some of the most daring, head-turning paintings of her day and also came into her own as a woman: traveling the world, falling in and out of love, and engaging in an ongoing artistic education. She also experienced anew―and left her mark on―the city in which she had been raised in privilege as the daughter of a judge, even as she left the security of that world to pursue her artistic ambitions. Brought to vivid life by acclaimed art historian Alexander Nemerov, these defining moments--from her first awed encounter with Jackson Pollock's drip paintings to her first solo gallery show to her tumultuous breakup with eminent art critic Clement Greenberg―comprise a portrait as bold and distinctive as the painter herself. Inspired by Pollock and the other male titans of abstract expressionism but committed to charting her own course, Frankenthaler was an artist whose talent was matched only by her unapologetic determination to distinguish herself in a man's world. Fierce Poise is an exhilarating ride through New York's 1950s art scene and a brilliant portrait of a young artist through the moments that shaped her.
