American Cultural Rebels


Book Description

Artistic vanguards plot new aesthetic movements, print controversial magazines, hold provocative art shows, and stage experimental theatrical and musical performances. These revolutionaries have often helped create America's countercultural movements, from the early romantics and bohemians to the beatniks and hippies. This work looks at how experimental art and the avant-garde artists' lifestyles have influenced, and at times transformed, American culture since the mid-nineteenth century. The work will introduce readers to these artists and rebels, making a careful distinction between the worlds of the high modern artist (salons and galleries) and the bohemian.




Jazz, Rock, and Rebels


Book Description

"This significant contribution to German history pioneers a conceptually sophisticated approach to German-German relations. Poiger has much to say about the construction of both gender norms and masculine and feminine identities, and she has valuable insights into the role that notions of race played in defining and reformulating those identities and prescriptive behaviors in the German context. The book will become a 'must read' for German historians."—Heide Fehrenbach, author of Cinema in Democratizing Germany "Poiger breaks new ground in this history of the postwar Germanies. The book will serve as a model for all future studies of comparative German-German history."—Robert G. Moeller, author of Protecting Motherhood "Jazz, Rock, and Rebels exemplifies the exciting work currently emerging out of transnational analyses. [A] well-written and well-argued study."—Priscilla Wald, author of Constituting Americans




Race Rebels


Book Description

Many black strategies of daily resistance have been obscured--until now. Race rebels, argues Kelley, have created strategies of resistance, movements, and entire subcultures. Here, for the first time, everyday race rebels are given the historiographical attention they deserve, from the Jim Crow era to the present.




Early American Rebels


Book Description

During the half century after 1650 that saw the gradual imposition of a slave society in England's North American colonies, poor white settlers in the Chesapeake sought a republic of equals. Demanding a say in their own destinies, rebels moved around the region looking for a place to build a democratic political system. This book crosses colonial boundaries to show how Ingle's Rebellion, Fendall's Rebellion, Bacon's Rebellion, Culpeper's Rebellion, Parson Waugh's Tumult, and the colonial Glorious Revolution were episodes in a single struggle because they were organized by one connected group of people. Adding land records and genealogical research to traditional sources, Noeleen McIlvenna challenges standard narratives that disdain poor whites or leave them out of the history of the colonial South. She makes the case that the women of these families played significant roles in every attempt to establish a more representative political system before 1700. McIlvenna integrates landless immigrants and small farmers into the history of the Chesapeake region and argues that these rebellious anti-authoritarians should be included in the pantheon of the nation's Founders.




White Rebels in Black


Book Description

Investigates the appropriation of black popular culture as a symbol of rebellion in postwar Germany




American Rebels


Book Description

American Rebels is an anthology of specially commissioned essays by leading American writers that attempt to reconcile authentic patriotism with original artistic creation, unpopular opinion, and real moral principles that don't change with the winds. It includes rebels in politics, education, journalism, religion, literature, film, sports, music, law, popular culture, and social struggle. These are real rebels against conformity, commercialism, racism, oligarchy, the bogus conventional wisdom, stacked decks, and sacred cows. The Americans celebrated don't fit under any one ideology or party. They are too free-spirited to be categorized, belonging to a continuum of conviction and creation in our tangled national history. Some, like Walt Whitman, Bob Dylan, Marlon Brando, and Frank Sinatra, are famous. Others are less well known but have earned a broad appreciation; among them are Sam Fuller, Paul O'Dwyer, and Mike Harrington. Still others like Edward Abbey, Benjamin Mays, and Bill Hicks are almost cult figures—revered by a small, intense following. Others have faded from memory, like Margaret Sanger and Clarence Darrow, and deserve a new shaft of sunlight. This groundbreaking collection includes original essays by Pete Hamill, Stanley Crouch, Budd Schulberg, Danny Goldberg, J. Hoberman, Patricia Bosworth, Tom Hayden, Steve Earle, and others.




Rebels on the Border


Book Description

Rebels on the Border offers a remarkably compelling and significant study of the Civil War South's highly contested and bloodiest border states: Kentucky and Missouri. By far the most complex examination to date, the book sharply focuses on the "borderland" between the free North and the Confederate South. As a result, Rebels on the Border deepens and enhances understanding of the sectional conflict, the Civil War, and Reconstruction. After slaves in central Kentucky and Missouri gained their emancipation, author Aaron Astor contends, they transformed informal kin and social networks of resistance against slavery into more formalized processes of electoral participation and institution building. At the same time, white politics in Kentucky's Bluegrass and Missouri's Little Dixie underwent an electoral realignment in response to the racial and social revolution caused by the war and its aftermath. Black citizenship and voting rights provoked a violent white reaction and a cultural reinterpretation of white regional identity. After the war, the majority of wartime Unionists in the Bluegrass and Little Dixie joined former Confederate guerrillas in the Democratic Party in an effort to stifle the political ambitions of former slaves. Rebels on the Border is not simply a story of bitter political struggles, partisan guerrilla warfare, and racial violence. Like no other scholarly account of Kentucky and Missouri during the Civil War, it places these two crucial heartland states within the broad context of local, southern, and national politics.




Nation of Rebels


Book Description

In this wide-ranging and perceptive work of cultural criticism, Joseph Heath and Andrew Potter shatter the most important myth that dominates much of radical political, economic, and cultural thinking. The idea of a counterculture -- a world outside of the consumer-dominated world that encompasses us -- pervades everything from the antiglobalization movement to feminism and environmentalism. And the idea that mocking or simply hoping the "system" will collapse, the authors argue, is not only counterproductive but has helped to create the very consumer society radicals oppose. In a lively blend of pop culture, history, and philosophical analysis, Heath and Potter offer a startlingly clear picture of what a concern for social justice might look like without the confusion of the counterculture obsession with being different.




Patron Saints


Book Description

This lively work of cultural history tells the stories of five young art patrons who, in the last 1920s and 1930s, were instrumental in bringing modern painting, sculpture, and dance to America. A combination of wealth, Harvard education privilege, and family connections enabled Lincoln Kirstein, Edward M. M. Warburg, Agnes Mongan, James Thrall Soby, and A. Everett (Chick) Austin, Jr., to introduce the work of Picasso, Balanchine, Calder, and other important artists to the United States.




Reluctant Rebels


Book Description

After the feverish mobilization of secession had faded, why did Southern men join the Confederate army? Kenneth Noe examines the motives and subsequent performance of "later enlisters." He offers a nuanced view of men who have often been cast as less patriotic and less committed to the cause, rekindling the debate over who these later enlistees were, why they joined, and why they stayed and fought. Noe refutes the claim that later enlisters were more likely to desert or perform poorly in battle and reassesses the argument that they were less ideologically savvy than their counterparts who enlisted early in the conflict. He argues that kinship and neighborhood, not conscription, compelled these men to fight: they were determined to protect their families and property and were fueled by resentment over emancipation and pillaging and destruction by Union forces. But their age often combined with their duties to wear them down more quickly than younger men, making them less effective soldiers for a Confederate nation that desperately needed every able-bodied man it could muster. Reluctant Rebels places the stories of individual soldiers in the larger context of the Confederate war effort and follows them from the initial optimism of enlistment through the weariness of battle and defeat.