One Stone to the Building


Book Description

Do you love the harp? The French harpist Henriette Reni (18751956) asked this question of each student, and it remained her ideal throughout her life. This book explores the circumstances which surrounded the beginning of Henriette Renis career as a masterful harpist and composer. Through her celebrated performances of her Concerto en ut mineur, she gained acclaim simultaneously as a virtuosic performer and composer. In the wake of her success, several new masterpieces by respected composers appeared, including Pierns Concertstck and Ravels Introduction et Allegro. The elements of Renies virtuosity are traced through her famous Lgende, and her less-known Deux promenades matinales. Her compositional style is explored through her Scherzo-Fantaisie for harp and violin and her Concerto en ut mineur. As a teacher, Renis influence echoed throughout the world. Her profound influence has been evident through the vision of her own students, including Susann McDonald, Marcel Grandjany, Mildred Dilling, Odette Le Dentu, Odette de Montesquiou, Bertile Fournier, Emmy Hrlimann, Bertile Robet Auffray, and Marie Astrid DAuffray. The crystallization of Renis teaching practice is described through her Mthode complte de harpe (Complete Method for Harp) and her twelve volumes of harp transcriptions, Les classiques de la harpe. The amount of literature about Renis life and work is disproportionate to the deep imprint she made upon the harps history and repertoire. This book is a start to further recognizing her vast importance to the establishment of the harp.




American Harpist


Book Description

Harp culture in America began in the early 1900s in New York City. Stephanie Curcio grew up and studied harp during those times. She shares her experiences as well as her contributions to the world of harp. She also provides insights into growing a career, teaching/pedagogy, ensemble/orchestral work, competitions, various styles, composing, notation, copyright and music publishing.




Guide to the Contemporary Harp


Book Description

Harps and harp music have enjoyed a renaissance over the past century and today can be heard in a broad array of musical contexts. Guide to the Contemporary Harp is a comprehensive resource that examines the vibrant present-day landscape of the harp. The authors explore the instrument from all angles, beginning with organology; moving through composition, notation, and playing techniques; and concluding with the contemporary repertoire for the harp. The rapid diversification in these areas of harp performance is the result of both technological innovations in harp making, which have produced the electric harp and MIDI harp, and innovative composers and players. These new instruments and techniques have broadened the concept of what is possible and what constitutes harp music for today. Guide to the Contemporary Harp is an essential guide for any harpist looking to push the instrument and its music to new heights.




Traveling Home


Book Description

A compelling account of the vibrant musical tradition of Sacred Harp singing, Traveling Home describes how song brings together Americans of widely divergent religious and political beliefs. Named after the most popular of the nineteenth-century shape-note tunebooks - which employed an innovative notation system to teach singers to read music - Sacred Harp singing has been part of rural Southern life for over 150 years. In the wake of the folk revival of the 1950s and 60s, this participatory musical tradition attracted new singers from all over America. All-day "singings" from The Sacred Harp now take place across the country, creating a diverse and far-flung musical community. Blending historical scholarship with wide-ranging fieldwork, Kiri Miller presents an engagingly written study of this important music movement.




The Social Harp


Book Description

One of the rarest country songbooks, it contains 222 pieces, mostly folktune settings, dating from the time between the Revolution and the Civil War. This facsimile reprinting has appendices useful for the study of its sources and an introduction that throws light on the men who wrote for nineteenth-century American songsters.




The Savvy Music Teacher


Book Description

Is it possible to have a music teaching career that is meaningful, artistically fulfilling, and financially self-supporting? The Savvy Music Teacher unveils a clear, realistic, dollar-for-dollar blueprint for earning a steady income as a music teacher, increasing impact and income simultaneously. This comprehensive resource reveals an entrepreneurial process with lessons that cannot be found anywhere else. Armed with Cutler's expert guidance, readers will learn to develop: · A thriving studio with a transformative curriculum · Multiple income/impact streams · Innovation strategies for every aspect of business and art · Powerhouse marketing · Time management skills · Financial literacy and independence · An inspired career outlook A must-read for music students, aspiring studio owners, early career instructors, and established gurus, The Savvy Music Teacher is packed with actionable advice written in accessible language. Real-life experiences from successful teacher-entrepreneurs are featured throughout.




The History of the Erard Piano and Harp in Letters and Documents, 1785–1959


Book Description

Sébastien Erard and the firm that carried his name are seminal in the history of musical instruments. Erard's inventions - especially the double escapement for the piano and the double-action for the harp - have had an enormous impact on instruments and musical life and are still at the foundation of piano and harp building today. The recently discovered archives of the Erard piano and harp building firm are perhaps the largest and most complete record of musical instrument making anywhere, containing never-before-published correspondence from musicians including Mendelssohn, Liszt and Fauré. These volumes present the archive's records and documents in two parts, the first relating to inventions, business, composers and performers and the second to the Erard family correspondence. In both the original French and with English translations, the documents offer fascinating insights into the musical landscape of Europe from the start of Erard's career in 1785 to the closure of the firm in 1959.




The Egan Irish Harps


Book Description

In the politically charged era following the 1801 Act of Union, when Ireland's harp symbol was ubiquitous in political imagery, the playable instrument, the Gaelic harp, had largely disappeared. John Egan, a self-taught inventor, conceived a new national instrument, the "Portable Irish Harp," with innovative mechanisms to expand the harp's chromatic capabilities. The template for the modern Irish harp, Egan's design was imitated a century later by several principal harp makers. Antique Egan harps, prized as rare cultural artefacts and art objects, survive in museums and private collections worldwide, and the book's illustrations and a "Catalogue of Egan Harps" are an invaluable resource. This book on Ireland's renowned harp maker, John Egan, and the Egan family firm, reveals the significance of Egan harps in shaping Irish harp history.




Juneteenth Texas


Book Description

Juneteenth Texas reflects the many dimensions of African-American folklore. The personal essays are reminiscences about the past and are written from both black and white perspectives. They are followed by essays which classify and describe different aspects of African-American folk culture in Texas; studies of specific genres of folklore, such as songs and stories; studies of specific performers, such as Lightnin' Hopkins and Manse Lipscomb and of particular folklorists who were important in the collecting of African-American folklore, such as J. Mason Brewer; and a section giving resources for the further study of African Americans in Texas.




I Belong to This Band, Hallelujah!


Book Description

The Sacred Harp choral singing tradition originated in the American South in the mid-nineteenth century, spread widely across the country, and continues to thrive today. Sacred Harp isn’t performed but participated in, ideally in large gatherings where, as the a cappella singers face each other around a hollow square, the massed voices take on a moving and almost physical power. I Belong to This Band, Hallelujah! is a vivid portrait of several Sacred Harp groups and an insightful exploration of how they manage to maintain a sense of community despite their members’ often profound differences. Laura Clawson’s research took her to Alabama and Georgia, to Chicago and Minneapolis, and to Hollywood for a Sacred Harp performance at the Academy Awards, a potent symbol of the conflicting forces at play in the twenty-first-century incarnation of this old genre. Clawson finds that in order for Sacred Harp singers to maintain the bond forged by their love of music, they must grapple with a host of difficult issues, including how to maintain the authenticity of their tradition and how to carefully negotiate the tensions created by their disparate cultural, religious, and political beliefs.