Book Description
This book traces the history of African American theatre from its beginnings to the present.
Author : Samuel A. Hay
Publisher : Cambridge University Press
Page : 308 pages
File Size : 30,84 MB
Release : 1994-03-25
Category : Drama
ISBN : 9780521465854
This book traces the history of African American theatre from its beginnings to the present.
Author : Rosemarie K. Bank
Publisher : Cambridge University Press
Page : 316 pages
File Size : 20,19 MB
Release : 1997-01-28
Category : Drama
ISBN : 9780521563871
A study of pre-Civil War American theatre.
Author : Esther Kim Lee
Publisher : Cambridge University Press
Page : 219 pages
File Size : 17,76 MB
Release : 2006-10-12
Category : Drama
ISBN : 0521850517
This book surveys the history of Asian American theatre from 1965 to 2005.
Author : Jeffrey H. Richards
Publisher : Cambridge University Press
Page : 406 pages
File Size : 50,94 MB
Release : 2005-10-27
Category : Drama
ISBN : 1139448048
Drama, Theatre, and Identity in the American New Republic investigates the way in which theatre both reflects and shapes the question of identity in post-revolutionary American culture. In this 2005 book Richards examines a variety of phenomena connected to the stage, including closet Revolutionary political plays, British drama on American boards, American-authored stage plays, and poetry and fiction by early Republican writers. American theatre is viewed by Richards as a transatlantic hybrid in which British theatrical traditions in writing and acting provide material and templates by which Americans see and express themselves and their relationship to others. Through intensive analyses of plays both inside and outside of the early American 'canon', this book confronts matters of political, ethnic and cultural identity by moving from play text to theatrical context and from historical event to audience demography.
Author : Heather S. Nathans
Publisher : Cambridge University Press
Page : 264 pages
File Size : 10,52 MB
Release : 2003-07-17
Category : Drama
ISBN : 9780521825085
This 2003 book examines the growth and influence of the theatre in the development of the young American Republic.
Author : Susan Harris Smith
Publisher : Cambridge University Press
Page : 0 pages
File Size : 24,49 MB
Release : 2006-11-23
Category : Drama
ISBN : 0521032423
A revisionist study of the cultural neglect of American drama.
Author : Barry Witham
Publisher : Cambridge University Press
Page : 220 pages
File Size : 18,80 MB
Release : 2003-09-25
Category : Drama
ISBN : 9780521822596
This 2003 book provides a detailed examination of the operations of the US Federal Theatre Project in the decade of the 1930s.
Author : Kevin Lane Dearinger
Publisher : Rowman & Littlefield
Page : 607 pages
File Size : 27,6 MB
Release : 2016-07-29
Category : Literary Criticism
ISBN : 1611479487
Clyde Fitch (1865-1909) was the most successful and prolific dramatist of his time, producing nearly sixty plays in a twenty-year career. He wrote witty comedies, chaotic farces, homespun dramas, star vehicles, historical works, stark melodramas, and adaptations of European successes, but he was best known for his society plays, mirroring themes found in the novels of Henry James and Edith Wharton. In fact, Fitch collaborated with Wharton on a stage adaptation of her House ofMirth. He was also a gay man, although that gentler adjective was not the term of his time. He was bullied in school and baited by critics throughout his career for what they supposed of his private life. He responded with impressive strength and integrity. He was, at least for a short time, Oscar Wilde’s lover, and Wilde influenced his early plays, but Fitch’s study of Ibsen and other European dramatists inspired him to pursue the course of naturalism. As he became more successful, he took greater control of the staging and design of his plays. He was a complete man of the theatre and among the first names enrolled in New York’s theatrical hall of fame.
Author : D. Krasner
Publisher : Springer
Page : 394 pages
File Size : 30,48 MB
Release : 2016-09-27
Category : History
ISBN : 1137066253
The Harlem Renaissance was an unprecedented period of vitality in the American Arts. Defined as the years between 1910 and 1927, it was the time when Harlem came alive with theater, drama, sports, dance and politics. Looking at events as diverse as the prizefight between Jack Johnson and Jim 'White Hope' Jeffries, the choreography of Aida Walker and Ethel Waters, the writing of Zora Neale Hurston and the musicals of the period, Krasner paints a vibrant portrait of those years. This was the time when the residents of northern Manhattan were leading their downtown counterparts at the vanguard of artistic ferment while at the same time playing a pivotal role in the evolution of Black nationalism. This is a thrilling piece of work by an author who has been working towards this major opus for years now. It will become a classic that will stay on the American history and theater shelves for years to come.
Author : Donatella Galella
Publisher : University of Iowa Press
Page : 333 pages
File Size : 45,40 MB
Release : 2019-03-15
Category : Performing Arts
ISBN : 1609386256
2020 Barnard Hewitt Award, honorable mention Washington D.C.’s Arena Stage was the first professional regional theatre in the nation’s capital to welcome a racially integrated audience; the first to perform behind the Iron Curtain; and the first to win the Tony Award for best regional theatre. This behind-the-scenes look at one of the leading theatres in the United States shows how key financial and artistic decisions were made, using a range of archival materials such as letters and photographs as well as interviews with artists and administrators. Close-ups of major productions from The Great White Hope to Oklahoma! illustrate how Arena Stage navigated cultural trends. More than a chronicle, America in the Round is a critical history that reveals how far the theatre could go with its budget and racially liberal politics, and how Arena both disputed and duplicated systems of power. With an innovative “in the round” approach, the narrative simulates sitting in different parts of the arena space to see the theatre through different lenses—economics, racial dynamics, and American identity.