America's Wonderlands


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Travel USA


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America's Renewable Resources


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By recording one country's experience with its vast natural resource base, America's Renewable Resources: Historical Trends and Current Challenges will help to inform the management of future demands on the resource base in the U.S. and throughout the world. The contributors focus specifically on renewable resources--water, forests, rangeland, cropland and soils, and wildlife--which possess the capacity to restore themselves after they have be consumed. Because this capacity can be destroyed and the time required for restoration can be very long, a balance in their use is necessary to sustain continued productivity. In arresting fashion, the authors trace the history of each resource's use from early colonial times through periods of dramatic, sometimes cataclysmic, changes in its utilization by an expanding, diversifying society. They show how unforeseen consequences have forced social institutions into existence and compelled policy makers, especially at the federal level, to deal with problems for which they were largely unprepared. America's Renewable Resources, by examining changes in demand, technologies, policies, and institutions, will assist both policy makers and the public at large to look past short-term events to the conditions fundamental to maintaining our future economic and environmental wellbeing. Originally published in 1991




Who's who in America


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Proceedings


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Castle Films


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Do you remember the first movie you ever owned? It was probably a product of Castle Films. Before home video, Castle Films made every living room a screening room. For four decades the 16mm and 8mm film products of Castle Films were sold in every department store and hobby shop. Castle had big-screen movies for everybody: comedies with Abbott & Costello, The Marx Brothers, and W. C. Fields...monster movies with Frankenstein, Dracula, and the Wolfman...cartoons with Woody Woodpecker, Chilly Willy, and Mighty Mouse...westerns with Clint Eastwood, John Wayne, and James Stewart...travelogues of the world's picturesque places...newsreels of major headline stories...musicals with top singers and bandleaders. Collectors have always wanted a reference book detailing the total output of Castle Films. Here it is. Castle Films: A Hobbyist's Guide is a complete filmography of every title printed between 1937 and 1977. For handy reference, there are separate indexes by title, subject, and serial number, a listing of Castle's color film releases, and a special section "decoding" Castle's various pseudonym titles and disclosing the "true identities" of many films. Castle Films: A Hobbyist's Guide is a fascinating, nostalgic look at one of the pioneers of home entertainment.




Rhetorical Landscapes in America


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A panoramic explanation of "civic tourism" and the shaping of a national identity At the same time a reading of Kenneth Burke and of tourist landscapes in America, Gregory Clark's new study explores the rhetorical power connected with American tourism. Looking specifically at a time when citizens of the United States first took to rail and then highway to become sightseers in their own country, Clark traces the rhetorical function of a wide-ranging set of tourist experiences. He explores how the symbolic experiences Americans share as tourists have helped residents of a vast and diverse nation adopt a national identity. In doing so he suggests that the rhetorical power of a national culture is wielded not only by public discourse but also by public experiences. Clark examines places in the American landscape that have facilitated such experiences, including New York City, Shaker villages, Yellowstone National Park, the Lincoln Highway, San Francisco's 1915 Panama-Pacific International Exposition, and the Grand Canyon. He examines the rhetorical power of these sites to transform private individuals into public citizens, and he evaluates a national culture that teaches Americans to experience certain places as potent symbols of national community. Invoking Burke's concept of "identification" to explain such rhetorical encounters, Clark considers Burke's lifelong study of symbols—linguistic and otherwise—and their place in the construction and transformation of individual identity. Clark turns to Burke's work to expand our awareness of the rhetorical resources that lead individuals within a community to adopt a collective identity, and he considers the implications of nineteenth- and twentieth-century tourism for both visual rhetoric and the rhetoric of display.