An Abridgment of Elements of Criticism (Classic Reprint)


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Excerpt from An Abridgment of Elements of Criticism In the next place, delicacy of taste tends not less to invigorate the social affections, than to moderate those that are selfish. To be convinced of that tendency, we need only reflect that delicacy of taste necessarily heightens our feeling of pain and pleasure; and of course our sympathy, which is the capital branch of every social passion. Sympathy invites a communication of joys and sorrows, hopes and fears: such exercise, soothing and satisfactory in itself, is necessarily productive of mutual good-will and affection. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Elements of Criticism (Classic Reprint)


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Excerpt from Elements of Criticism Congruity and Propriety Dignity and Grace Ridicule Wit Custom and Habit. External Signs of Emotions arid Passions Sentiments Language of Passion. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




The Elements of Style


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Excerpt from The Elements of Style: An Introduction to Literary Criticism This book will, I hope, Speak for itself; and, in any case, it is not, I think, likely to be assisted by any prefatory words, whether of recommendation or deprecation. But I take this opportunity of expressing my gratitude to many givers of help, criticism, and encouragement; especially to Mr. Sidney Smith, b.a., late Scholar of Queen's College, Cambridge, whose help was invaluable at various stages of the work; and to Mr. J. H. Fowler, of Clifton College, who very kindly read the proofs and made suggestions, most of which I have gladly followed. I wish also to thank my publishers, to whom I owe the index, as well as the analytical table of contents in its present form. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.







Elements of Criticism, Vol. 1 of 2 (Classic Reprint)


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Excerpt from Elements of Criticism, Vol. 1 of 2 The pleasures of the eye and the ear have other valua ble properties beside those of dignity and elevation being sweet and moderately exhilarating, they are in their tone equally distant from the turbulence of passion, and the. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Elements of Criticism, Vol. 1 (Classic Reprint)


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Excerpt from Elements of Criticism, Vol. 1 After the utmolt efforts, we find it beyond Our power to conceive the avour ofa rofc to erdi in the mind: we are neceffarily led to conceive that pleafure as exilling in the nol'crils along With the imprefiion made by the rofo Upon that organ. And the fame will be the refult of ex periments with refpec't to every feeling of talie, touch, anddfmell. Touch affords the moft fatisfaetory Ccri ments. Were it not that the delufion is deteeted by phi lofophy, no perfon would hefitate to pronounce, that the pleafure arifing from touching a fmooth, foft, and velvet furface, has its exifience at the ends of the fingers, with. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."




Elements of Criticism in Three Volumes


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Elements of criticism In three volumes[pt.1] Kames, Henry Home, Lord The 18th century was a wealth of knowledge, exploration and rapidly growing technology and expanding record-keeping made possible by advances in the printing press. In its determination to preserve the century of revolution, Gale initiated a revolution of its own: digitization of epic proportions to preserve these invaluable works in the largest archive of its kind. Now for the first time these high-quality digital copies of original 18th century manuscripts are available in print, making them highly accessible to libraries, undergraduate students, and independent scholars. Western literary study flows out of eighteenth-century works by Alexander Pope, Daniel Defoe, Henry Fielding, Frances Burney, Denis Diderot, Johann Gottfried Herder, Johann Wolfgang von Goethe, and others. Experience the birth of the modern novel, or compare the development of language using dictionaries and grammar discourses. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.




Elements of Criticism, Vol. 2 of 2 (Classic Reprint)


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Excerpt from Elements of Criticism, Vol. 2 of 2 The feveral beauties of language above men tioned, being of different kinds, ought to be han dled feparately. I [hall begin with thofe beau ties of language that arife from found; after which will follow the beauties of language con fidered as fignificant: this order appears natural. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Elements of Criticism, Vol. 2


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Excerpt from Elements of Criticism, Vol. 2: With the Author's Last Corrections and Additions, First American From the Seventh London Edition With refpeet to the firft article, every vowel is founded w e expiration of air from the wind-pipe, e cavity of the mouth. By varying this cavity, the ditiierent vowels are founded for the air in paliing throunh cavities differing in lize. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.




Elements of Criticism, Vol. 2 (Classic Reprint)


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Excerpt from Elements of Criticism, Vol. 2 A talte for natural objects is born with us in per zfeetion; for reliihing a fine countenance, a rich land fcape, or a vivid colour, culture is unnecelfary. The oblervation holds equally in natural founds, fuch as the finging of birds, or the murmuring of a brook. Na ture here, the artificer of the object as well as of the percipient, hath accurately fuited them to each other. But of a poem, a cantata, a picture, or other artificial production, a true relith is not commonly attained wrth out tome findy and much praetice. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.