An Analysis of Harmonic Elements and Structure in Robert Schumann's Fantasie in C, Opus 17
Author : Grant Leslie Rohr
Publisher :
Page : 190 pages
File Size : 13,85 MB
Release : 1984
Category :
ISBN :
Author : Grant Leslie Rohr
Publisher :
Page : 190 pages
File Size : 13,85 MB
Release : 1984
Category :
ISBN :
Author : Sara Haltiwanger Bencini
Publisher :
Page : 312 pages
File Size : 23,98 MB
Release : 1989
Category :
ISBN :
Author : Jeffrey Jamner
Publisher :
Page : 470 pages
File Size : 17,98 MB
Release : 1996
Category : Musical analysis
ISBN :
Author : Yi-Chiu Rachel Chao
Publisher :
Page : 664 pages
File Size : 27,50 MB
Release : 2008
Category : Piano music
ISBN :
Author : Mary Louise Boehm
Publisher :
Page : 72 pages
File Size : 28,29 MB
Release : 1949
Category :
ISBN :
Author : Rudy Mark Rozanski
Publisher :
Page : 106 pages
File Size : 11,21 MB
Release : 1988
Category :
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Author : Lorna Paterson
Publisher :
Page : 0 pages
File Size : 28,90 MB
Release : 1978
Category :
ISBN :
Author : Nicholas Marston
Publisher : Cambridge University Press
Page : 138 pages
File Size : 32,24 MB
Release : 1992-10-30
Category : Music
ISBN : 9780521398923
Nicholas Marston traces the fascinating history of Schumann's Fantasie, Op. 17.
Author : Alyssa Koay
Publisher :
Page : 60 pages
File Size : 16,74 MB
Release : 2012
Category : Piano music
ISBN :
Author : Harald Krebs
Publisher : New York : Oxford University Press
Page : 305 pages
File Size : 26,9 MB
Release : 1999
Category : Musical meter and rhythm
ISBN : 0195169468
This book presents a theory of metrical conflict and applies it to the music of Schumann, thereby placing the composer's distinctive metrical style in full focus. It describes the various categories of metrical conflict that characterize Schumann's work, investigates how states of conflict are introduced and then manipulated and resolved in his compositions, and studies the interaction of such metrical conflict with form, pitch structure, and text. Throughout the text, Krebs intersperses his own theoretical assertions with Schumannesque dialogues between Florestan and Eusebius, who comment on the theory at hand while also discussing and illustrating relevant aspects of "their" metrical practices.