Doomed by Hope


Book Description

Doomed by Hope is a beautifully presented collection of essays by writers and artists which traces the history of contemporary Arab theatre and its relationship to social change. With contributors from Syria, Egypt, Lebanon, Palestine, Kuwait, and Yemen, this book includes both academic discussions and personal narratives, alongside a number of specially commissioned portraits of contemporary Arab theatre artists. The essays revolve around the legacy of the late Syrian dramatist Saadallah Wannous, whose monumental plays incited audiences to rise up against tyranny decades ago. This unique book is one of the first English language volumes on Arab theatre. In a highly topical manner following the Arab Spring, it explores cultural practices – from reading plays in a classroom to performing in a security state and directing in theatres, prisons, and international festivals – in times of revolt.




Arabic Thought Against the Authoritarian Age


Book Description

Cutting-edge scholarship on post-war Arab intellectual history that challenges conventional thinking about authoritarianism, religion and revolution in the modern Middle East.




Four Plays from Syria


Book Description

Four full-length plays from the leading Syrian dramatist of the twentieth century, published in English for the first time.




Theatrical Worlds (Beta Version)


Book Description

"From the University of Florida College of Fine Arts, Charlie Mitchell and distinguished colleagues form across America present an introductory text for theatre and theoretical production. This book seeks to give insight into the people and processes that create theater. It does not strip away the feeling of magic but to add wonder for the artistry that make a production work well." -- Open Textbook Library.




A Brief History of Commercial Capitalism


Book Description

The rise of capitalism to global dominance is still largely associated – by both laypeople and Marxist historians – with the industrial capitalism that made its decisive breakthrough in 18th century Britain. Jairus Banaji’s new work reaches back centuries and traverses vast distances to argue that this leap was preceded by a long era of distinct “commercial capitalism”, which reorganised labor and production on a world scale to a degree hitherto rarely appreciated. Rather than a picture centred solely on Europe, we enter a diverse and vibrant world. Banaji reveals the cantons of Muslim merchants trading in Guangzhou since the eighth century, the 3,000 European traders recorded in Alexandria in 1216, the Genoese, Venetians and Spanish Jews battling for commercial dominance of Constantinople and later Istanbul. We are left with a rich and global portrait of a world constantly in motion, tied together and increasingly dominated by a pre-industrial capitalism. The rise of Europe to world domination, in this view, has nothing to do with any unique genius, but rather a distinct fusion of commercial capitalism with state power.




Commitment and Beyond


Book Description

This book is about relations between literature, society and politics in the Arab world. It is an attempt to come to terms with the changing conceptualizations of the political in Arabic literature in recent modern history. It examines historical and contemporary conceptions of literary commitment (iltizam) and how notions of 'writing with a cause' have been shaped, contested, re-actualized since the 1940s until today. Against the backdrop of the current social and political transformations in the Arab world, questions on the role of the arts, specifically literature and its politics, arise with immediacy and require profound reflection and analysis. The chapters reexamine critically both current and historical notions of the political in modern Arabic literature as well as the legacy of iltizam as a term and an agenda. Literary commitment is understood here not just solely as a (completed) period in Arabic literary history but also as a vivid, changing and continuing idea that questions the role of literature and the author in and for a society.




Shakespeare on the Arabian Peninsula


Book Description

Since the turn of the millennium, the Arabian Peninsula has produced a remarkable series of adaptations of Shakespeare. These include a 2007 production of Much Ado About Nothing, set in Kuwait in 1898; a 2011 performance in Sharjah of Macbeth, set in 9th-century Arabia; a 2013 Yemeni adaptation of The Merchant of Venice, in which the Shylock figure is not Jewish; and Hamlet, Get Out of My Head, a one-man show about an actor’s fraught response to the Danish prince, which has been touring the cities of Saudi Arabia since 2014. This groundbreaking study surveys the surprising history of Shakespeare on the Arabian Peninsula, situating the current flourishing of Shakespearean performance and adaptation within the region’s complex, cosmopolitan, and rapidly changing socio-political contexts. Through first-hand performance reviews, interviews, and analysis of resources in Arabic and English, this volume brings to light the ways in which local theatremakers, students, and scholars use Shakespeare to address urgent regional issues like authoritarianism, censorship, racial discrimination and gender inequality.




Cities of Salt


Book Description

Spell-binding evocation of Bedouin life in the 1930s when oil is discovered by Americans in an unnamed Persian Gulf kingdom.




The Arab Shakespeare Trilogy


Book Description

Sulayman Al Bassam is one of the world's leading contemporary dramatists. His adaptations of Shakespeare, performed around the world, have won many awards and met with widespread acclaim on four continents. This volume brings together for the first time three of Al Bassam's adaptations of Shakespearean plays - including versions of Hamlet, Richard III and Twelfth Night - collectively known as The Arab Shakespeare Trilogy. The Al-Hamlet Summit sees the familiar characters of Hamlet reborn as delegates placed in a conference room in an unnamed modern Arab state on the brink of war; Richard III: an Arab Tragedy is a contemporary adaptation of Shakespeare's classic, reworked and transplanted into the scorching oil-rich Islamic world of the Gulf; while The Speaker's Progress is a forensic reconstruction of Twelfth Night which transforms into an unequivocal act of defiance towards the state, forming a dark satire on the decades of hopelessness and political inertia that fed twenty-first-century revolts across the Arab region. The Arab Shakespeare Trilogy features an editorial introduction by Graham Holderness, positioning the plays within the contexts of both modern Shakespearean drama and Arab culture as well as an author's preface by Sulayman Al Bassam, detailing the plays' history of theatrical reception and outlining his philosophy of Shakespeare adaptation.




Post-Colonial Drama


Book Description

Post-Colonial Drama is the first full-length study to address the ways in which performance has been instrumental in resisting the continuing effects of imperialism. It brings to bear the latest theoretical approaches from post-colonial and performance studies to a range of plays from Australia, Africa, Canada, New Zealand, the Caribbean and other former colonial regions. Some of the major topics discussed in Post-Colonial Drama include: * the interactions of post-colonial and performance theories * the post-colonial re-stagings of language and history * the specific enactments of ritual and carnival * the theatrical citations of the post-colonial body Post-Colonial Drama combines a rich intersection of theoretical approaches with close attention to a wide range of performance texts.