Book Description
China can easily boast of its great martial traditions, which many would say is the richest in the world. There are a variety of styles from the north to the south that encompass an extensive repertoire of open-hand and weapon techniques. The ten chapters in this anthology illustrated this wide spectrum. Mark Wiley’s interview with Hou Faxiang presents a fundamental healing modality famous in China — qigong, the nourishing and practical use of internal energy. Its theory and practice is entwined in many martial art styles.In chapters two and three, Robert W. Smith, introduces us to two Shaolin style masters whom he met during his stay in Taiwan. Since Han Qingtang was the top notch expert in joint-locking techniques, Smith managed to photograph seven of Han’s fundamental techniques. General Gao Fangxian was likewise a practical martial artist with an overwhelming presence, even when smiling. In a technical section he shows the might of Northern Shaolin.Southern Hung Gar is the topic for the next two chapters. Allan Ondash focuses on special kicking methods usually done simultaneously with hand usage, making the kicks difficult for a defender to notice being executed. His chapter is followed by Mark Jensen’s interview with Kwok Wing Lam detailing Iron Palm history and training. Yang Jwingming is known worldwide for his knowledge and personal skills in Chinese martial arts, primarily Long Fist and taijiquan. I conducted a lengthly two-part interview that provides information about Master Yang’s early years in Taiwan through his martial arts career in the United States. Stephen Berwick is well-known as one of the first Americans to become a highly respected practitioner and scholar of Chen Style Taijiquan. The interview conducted by Richard Florence shows the roadwork Berwick took to make his dreams come true—to be part of the longstanding Chen Family art. The ninth chapter by Dr. Donald Cheung presents the unique “cow herding stick” as taught by Xiao Mingkui, a Praying Mantis and Chen Taiji practitioner. The final chapter by Jake Burroughs looks at how the head is used in various striking techniques as found in many styles. We hope you will enjoy the material in this anthology, the personal stories of dedicated masters, and the rare photographs of their history and techniques.
