An English Tragedy


Book Description

May 1945: victory in Europe and a Labour landslide in the UK. English traitor John Amery is arrested in Italy and brought back to London for trial. If convicted, he faces the death penalty. But his father is a senior politician. Surely the Establishment will look after its own?Based on an extraordinary true story, An English Tragedy is a disturbing tale of wartime treason and conflicting loyalties by Ronald Harwood, author of the Oscarr winning screenplay for The Pianist, and stage plays including The Dresser, Taking Sides and Quartet.An English Tragedy premiered at Watford Palace Theatre in February, 2008.




English Tragedy before Shakespeare (Routledge Revivals)


Book Description

First published in English in 1961, this reissue relates the problems of form and style to the development of dramatic speech in pre-Shakespearean tragedy. The work offers positive standards by which to assess the development of pre-Shakespearean drama and, by tracing certain characteristics in Elizabethan tragedy which were to have a bearing on Shakespeare’s dramatic technique, helps to illuminate the foundations on which Shakespeare built his dramatic oeuvre.




The Politics and Poetics of Contemporary English Tragedy


Book Description

The Politics and Poetics of Contemporary English Tragedy is a detailed study of the idea of the tragic in the political plays of David Hare, Howard Barker, Edward Bond, Caryl Churchill, Mark Ravenhill, Sarah Kane, and Jez Butterworth. Through an in-depth analysis of over sixty of their works, Sean Carney argues that their dramatic exploration of tragic experience is an integral part of their ongoing politics. This approach allows for a comprehensive rather than selective study of both the politics and poetics of their work. Carney's attention to the tragic enables him to find a common discourse among the canonical English playwrights of an older generation and representatives of the nineties generation, challenging the idea that there is a sharp generational break between these groups. Finally, Carney demonstrates that tragic experience is often denied by the social discourse of Englishness, and that these playwrights make a crucial critical intervention by dramatizing the tragic.




The Cambridge Companion to English Renaissance Tragedy


Book Description

Introducing the reader to important topics in English Renaissance tragedy, this Companion presents fresh readings of key texts.




Witchfinders


Book Description

By spring 1645, two years of civil war had exacted a dreadful toll upon England. People lived in terror as disease and poverty spread, and the nation grew ever more politically divided. In a remote corner of Essex, two obscure gentlemen, Matthew Hopkins and John Stearne, exploited the anxiety and lawlessness of the time and initiated a brutal campaign to drive out the presumed evil in their midst. Touring Suffolk and East Anglia on horseback, they detected demons and idolators everywhere. Through torture, they extracted from terrified prisoners confessions of consorting with Satan and demonic spirits. Acclaimed historian Malcolm Gaskill retells the chilling story of the most savage witch-hunt in English history. By the autumn of 1647 at least 250 people--mostly women--had been captured, interrogated, and hauled before the courts. More than a hundred were hanged, causing Hopkins to be dubbed "Witchfinder General" by critics and admirers alike. Though their campaign was never legally sanctioned, they garnered the popular support of local gentry, clergy, and villagers. While Witchfinders tells of a unique and tragic historical moment fueled by religious fervor, today it serves as a reminder of the power of fear and fanaticism to fuel ordinary people's willingness to demonize others.




The Politics and Poetics of Contemporary English Tragedy


Book Description

The Politics and Poetics of Contemporary English Tragedy is a detailed study of the idea of the tragic in the political plays of David Hare, Howard Barker, Edward Bond, Caryl Churchill, Mark Ravenhill, Sarah Kane, and Jez Butterworth. Through an in-depth analysis of over sixty of their works, Sean Carney argues that their dramatic exploration of tragic experience is an integral part of their ongoing politics. This approach allows for a comprehensive rather than selective study of both the politics and poetics of their work. Carney’s attention to the tragic enables him to find a common discourse among the canonical English playwrights of an older generation and representatives of the nineties generation, challenging the idea that there is a sharp generational break between these groups. Finally, Carney demonstrates that tragic experience is often denied by the social discourse of Englishness, and that these playwrights make a crucial critical intervention by dramatizing the tragic.




Neoclassical Tragedy in Elizabethan England


Book Description

Examining the development of neoclassical tragedy during the reign of Elizabeth I (1558-1603), this work investigates the varied manifestations of tragedy modelled upon the classical heritage of ancient Greek drama as adapted by Seneca.




The Female Hero in English Renaissance Tragedy


Book Description

This book focuses on female tragic heroes in England from c.1610 to c.1645. Their sudden appearance can be linked to changing ideas about the relationships between bodies and souls; men's bodies and women's; marriage and mothering; the law; and religion. Though the vast majority of these characters are closer to villainesses than heroines, these plays, by showing how misogyny affected the lives of their central characters, did not merely reflect their culture, but also changed it.




Brecht and Tragedy


Book Description

Explores Brecht's complex relationship with Greek tragedy and the tragic tradition, including significant archival material not seen before.




English Tragedy


Book Description

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