An Exhibition Always Hides Another Exhibition


Book Description

Essays and portraits on the career and influence of curator Hans Ulrich Obrist. Hans Ulrich Obrist is the Kim Kardashian of the art world. That sounds absurd to those of you who know him. But there are many who know just his name or just his initials, HUO. This book is here to tell you more. What does it mean to be HUO? What does it mean to be a curator? Is there anything less interesting to me (or you?) than selecting artists for exhibitions? In an era of, let's call it, “boutique” art shows, the issue seems about as relevant as Diet Coke (and the Kardashians). But if anything, Hans is the Real Thing. Hans is Coca-Cola. In this book you'll find personal, anecdotal remarks on HUO's character, republished texts, and portraits (by artists including Alex Katz) that give context to the questions that frame the book: “Who is HUO?” and “What does HUO do?” More so, “What has he done?” If the art world were to seek out a supreme leader who was benevolent, kind, and fair, HUO would be it. Contributors Etel Adnan, Manthia Diawara Sophia Al-Maria, Etel Adnan, Ed Atkins, Alan Pauls, Dominique Gonzalez-Foerster, D. T. Max, Jacques Herzog, Joseph Grigely, Yoko Ono, Ho Rui An, Michael Diers, Douglas Coupland, Bruce Altshuler, Agnès Varda, Andrew Durbin, Sophie Collins, Daniel Birnbaum, Boris Groys, Bruno Latour, Adam Thirlwell, Wong Hoy Cheong, Raqs Media Collective, Michael Bracewell, and Stefano Boeri. Portraits of HUO by Alex Katz, Jimmie Durham, Adrián Villar Rojas, Pascale Marthine Tayou, Cui Jie, Gerhard Richter, Giorgio Griffa, Sophia Al-Maria, Jamian Juliano Villani, Torbjørn Rødland, Simone Fattal, and Monir Shahroudy Farmanfarmaian




The Hospitality of Presence


Book Description

Daniel Birnbaum¿s The Hospitality of Presence is a study of the concept of otherness in Edmund Husserl¿s phenomenology. In the late 1990s it gained international attention in academic circles. It was reviewed favorably in specialized philosophy journals such as Review of Metaphysics and quoted extensively, most notably by Paul Ricoeur in one of the legendary French thinker¿s last books. It has long been out of print. Birnbaum¿s study explores Husserl¿s theory of temporality and his conception of the Other. The reason for examining these two issues together is that they appear to be closely related and that they illuminate not only each other but also phenomenology¿s understanding of what it is to be a subject. In opposition to the commonly held view that the idea of a ¿decentered¿ and open subject has developed subsequently to and partly as a critique of Husserl¿s position, this study endeavors to show that his notion of subjectivity is based on a highly sophisticated notion of alterity. The book provides a theoretical framework to Birnbaum¿s more aphoristic essay Chronology (2005, new edition 2007). Daniel Birnbaum who has written extensively about contemporary art from a theoretical perspective has, since more than a decade, a close working relationship with Danish artist Olafur Eliasson who has produced a special project for this new edition. The book also contains a preface by Hans Ulrich Obrist, a ¿speculative note¿ on the limits of phenomenology by philosopher Sven-Olov Wallenstein and a new introduction by the author.




Theorising the Artist Interview


Book Description

Reflecting on the relationship between artists and their audiences, this book examines how artists have presented themselves publicly through interviews and sought to establish a critical voice for themselves. Considering the interview as a form of cultural production, contributors explore the criteria for determining the artist interview as a distinct field of research in relation to other cultural fields. Structured in four parts, ‘History and Historiography’, ‘Subverting the Biographical Model’, ‘Interviews as Practice’ and ‘Materiality and Technology’, the book takes an interdisciplinary approach that encompasses the fields of art history, fine art, oral history, curating, media studies and museum conservation. By theorising the artist interview as a form of cultural production and embracing it as a co-constructed critical practice, this volume aims to show and encourage an approach to art history which dismantles old hierarchies in favour of valuing dialogue and collaboration. The book will be of interest to scholars working in art history, museum studies, oral history and historiography.




Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground


Book Description

With an ode by Olafur Eliasson Following Everything You Always Wanted to Know About Curating* *But Were Afraid to Ask, this second volume in the series on international curator Hans Ulrich Obrist presents a selection of his key writings from the past two decades, which elaborate on the manifold thinkers, curators, and events that influence his interdisciplinary practice of exhibition making. The collected essays form the compartments of Obrist's curatorial toolbox, along with elucidating his views on stewardship, patronage, and art itself. Influences and interlocutors cited and discussed here include, among others, Alexander Dorner, Édouard Glissant, Claude Lévi-Strauss, Jean-François Lyotard, Dominique de Menil, Josef Ortner, Cedric Price, Sir John Soane, and Harald Szeemann.




Pictures at an Exhibition


Book Description

A sweeping and sensuous novel of a son’s quest to recover his family’s lost masterpieces, looted by the Nazis during the occupation. Max Berenzon’s father is the most successful art dealer in Paris, owner of the Berenzon Gallery, home to both Picasso and Matisse. To Max’s great surprise, his father forbids him from entering the family business, choosing instead to hire a beautiful and brilliant gallery assistant named Rose Clément. When Paris falls to the Nazis, the Berenzons survive in hiding, but when they return in 1944 their gallery is empty, their priceless collection vanished. In a city darkened by corruption and black martketers, Max chases his twin obsessions: the lost paintings and Rose Clément.




Ways of Curating


Book Description

Drawing on his own experiences and inspirations - from staging his first exhibition in his tiny Zurich kitchen in 1986 to encounters and conversations with artists, exhibition makers and thinkers alive and dead - Hans Ulrich Obrist's Ways of Curating looks to inspire all those engaged in the creation of culture. Moving from meetings with the artists who have inspired him (including Gerhard Richter and Gilbert and George) to the creation of the first public museums in the 18th century, recounting the practice of inspirational figures such as Diaghilev and Walter Hopps, skipping between exhibitions (his own and others), continents and centuries, Ways of Curating argues that curation is far from a static practice. Driven by curiosity, at its best it allows us to create the future.




--Dontstopdontstopdontstopdontstop


Book Description

Writings from 1990-2006 by visionary curator Hans Ulrich Obrist.




Notes from an Exhibition


Book Description

'Poised and pitch-perfect throughout' Mail on Sunday Set in Cornwall, the bestselling novel of artistic compulsion, marriage, and the secrets left behind. 'This book is complete perfection' Stephen Fry Celebrated artist Rachel Kelly dies alone in her Penzance studio, after decades of struggling with the creative highs and devastating lows that have coloured her life. Her family gathers, each of them searching for answers. They reflect on lives shaped by the enigmatic Rachel - as artist, wife and mother - and on the ambiguous legacies she leaves them, of talent, torment and transcendent love. 'An uplifting, immensely empathetic novel' Guardian What readers love about NOTES FROM AN EXHIBITION: ' A shifting, multi-layered, beautifully textured portrait of not-quite ordinary family life' ⭐ ⭐ ⭐ ⭐ ⭐ 'The word that shimmers with me is empathy. Gale has such a sensitive understanding of how minds and hearts work and react on one another amid the chaos and sometimes intense joys of real living' ⭐ ⭐ ⭐ ⭐ ⭐ 'I loved the exhibition-style notes at the beginning of each chapter, which heralded a hint of the chapter's contents. Beautifully woven back and forth in time to reveal the complexities of fascinating family members and their relationships' ⭐ ⭐ ⭐ ⭐ ⭐




Liu Ye: The Book Paintings


Book Description

Chinese artist Liu Ye’s subtle, colorful canvases convey his love of literature in the artist’s first publication solely dedicated to his paintings of books. Beijing-based artist Liu Ye is known for his precise, deftly rendered representational paintings. Reminiscent of cartoons and illustrations in children’s books, they include references to abstract artists such as Piet Mondrian. In this new publication devoted exclusively to his Book Paintings, the artist examines the book as both a physical object and cultural totem. He simultaneously stresses the geometry in the composition while always imbuing his paintings with his uniquely recognizable style. The result is a body of work that feels both alien and familiar. Liu's Book Painting series, begun in 2013, depicts closeup views of books that are turned open to reveal empty pages, a strategy that emphasizes the object’s formal qualities over its content. Intimately scaled, these paintings indicate an appreciation of the book as an object, as well as a love of literature—Liu’s father was a children’s book author who introduced him to Western writers at a young age, fueling his curiosity and imagination. Published on the occasion of a solo exhibition presented at David Zwirner, New York, in 2020, this catalogue includes new writing by the acclaimed poet Zhu Zhu and an interview with the artist by Hans Ulrich Obrist.




The exhibition Dorking


Book Description