Queer British Art


Book Description

In 1861, the death penalty was abolished for sodomy in Britain; just over a century later, in 1967, homosexuality was finally decriminalised. Between these legal landmarks lies a century of seismic shifts in gender and sexuality for men and women. These found expression across the arts as British artists, collectors and consumers explored transgressive identities, experiences and desires. Some of these works were intensely personal, celebrating lovers or expressing private desires. Others addressed a wider public, helping to forge a sense of community at a time when the modern categories of gay, lesbian, bisexual and transgender were largely unrecognised. Ranging from the playful to the political, the explicit to the domestic, these works showcase the rich diversity of queer British art. This publication, the first to focus exclusively on British queer art, will feature sections on ambivalent sexualities and gender experimentation amongst the Pre-Raphaelites; the new science of sexology's impact on portraiture; queer domesticities in Bloomsbury and beyond; eroticism in the artist's studio and relationships between artists and models; gender play and sexuality in British surrealism; and love and lust in sixties Soho. 00Exhibition: Tate Britain, London, United Kingdom (05.04.2017-01.10.2017).




Postwar Modern


Book Description

This landmark volume offers a major re-assessment of the art that emerged in Britain in the twenty years following the end of the Second World War: a period of anxiety, profound social change and explosive creativity. Published to coincide with the Barbican Centre’s 40th anniversary, it draws together the work of fifty artists, exploring a period straddled precariously between the horror of the past and the promise of the future. Spanning painting, sculpture, architecture, ceramics and photography, Postwar Modern will explore a rich field of experiment which challenges the idea that Britain was a cultural backwater at this time. Through new texts by Jane Alison, Hilary Floe, Ben Highmore, Hammad Nassar and Greg Salter, the book looks afresh at celebrated artists such as Francis Bacon, David Hockney, Lucian Freud and Eduardo Paolozzi, shown in dialogue with lesser-known figures. These will include those, like Francis Newton Souza, Avinash Chandra and Robert Adams, who were acclaimed by contemporaries but neglected in subsequent history-making; others, like Kim Lim, Anwar Jalal Shemza and Franciszka Themerson, are only now attracting the attention they deserve. Throughout their work, vital shared preoccupations become visible: gender, class, race and nationhood; the body, the bombsite, and the home. It is a period resonating strongly with our own: as the UK emerges from more than a decade of austerity and confronts the challenges of post-pandemic reconstruction, society is asking similarly deep questions about who we want and need to be.




British Vision


Book Description

"Show-stoppers from many private and regional galleries, mixing paintings, watercolors, books, sculptures and photographs."—The Guardian"Stunning and constantly surprising. . . . Although it contains most of our great artists it is not a 'survey' so much as an unconventional, personal and thought-provoking take on British art, full of unexpected works and unfamiliar names, as well as familiar landmarks—over 300 works gathered from collections all over the world."—The SpectatorFrom the landscapes of Wilson and Constable to the visionary imagery of Blake and Bacon, this book, published to accompany a major exhibition at the Museum of Fine Arts, Ghent, is a beautifully illustrated survey of British art from 1750 to 1950. British Vision presents some of the most celebrated works in British art history, selected from public and private collections in Europe, Britain, and the United States by Robert Hoozee, drawing on the expertise of Andrew Dempsey, John Gage, Mark Haworth-Booth, and Timothy Hyman. Among the artists whose work appears in British Vision are William Hogarth, Thomas Gainsborough, George Stubbs, William Blake, Henry Fuseli, John Constable, J. M. W. Turner, Richard Dadd, Dante Gabriel Rossetti, Edward Burne-Jones, Stanley Spencer, Graham Sutherland, Francis Bacon, and Lucien Freud.Essays by a group of distinguished art historians focus on two defining characteristics of British art, observation and imagination, seen within the context of society, landscape, and the visionary. Together, they set forth important arguments about what makes British art recognizable, what gives it its typically "British" style, and how British artists have contributed to the history of art as a whole. This lavishly illustrated catalog is a sumptuous record of the most comprehensive exhibition of British art to be displayed in recent years, and represents a unique opportunity to discover the creative forces that shaped British art over two centuries.




British Art in the 20th Century


Book Description

Includes paintings and sculpture which have shaped the course of art in the 20th century.




Graham Sutherland


Book Description

A compelling biographical study of a leading twentieth-century British artist, 'Graham Sutherland: Life, Work and Ideas' offers new insight into how he and his paintings developed. In the culmination of her life's work, Rosalind Thuillier builds on the reflections and recollections of a friendship spanning decades to craft a comprehensive study of Sutherland's life and works, interweaving his perceptive responses to his own art, taken from personal notes and correspondence, with critical reviews and collectors' musings to give an authentic picture of the man whose work divided critics. Drawing on Sutherland's personal archive, the book includes an expansive collection of images that provide a fresh view of the artist. Studies by Sutherland, along with preparatory works for what would become renowned paintings, are published for the first time. Graham Sutherland's distinctive style and the emotions that shaped the paintings are here vividly explored. Thuillier describes not only the inspiration he found in the windswept Pembrokeshire countryside, but also his time as an official war artist, and his friendships inside and outside the art world. She expertly details the process behind the creation of works such as the controversial portrait of Churchill (1954), subsequently destroyed, and his most famous work, the huge 'Christ in Glory in the Tetramorph' tapestry (1962) in Coventry Cathedral. 'Graham Sutherland: Life, Work and Ideas' is not merely a biography, but a journey behind the scenes of the artist'scareer, exploring the paintings, relationships and influences that formed his vision as an artist and his undeniable contribution to art.




Modern Britain, 1900-1960


Book Description

There is a real sense of rediscovery with this formidable gathering of modern British art that covers work from the birth of the Edwardian era through decades of experimentalism, through the two world wars. Beautifully, produced much of the art has not be




Art on the Line


Book Description

On 1 May 1780, England's Royal Academy of Arts opened its twelfth annual exhibition, the first to be held in the magnificent rooms of William Chambers's newly built Somerset House. For the next fifty-seven years, the Great Room of Somerset House effectively defined the centre of the London art world - the place where viewers had to see and be seen, and where artists fiercely vied for the attention of potential buyers. Such great exhibition performers as Joshua Reynolds, Thomas Lawrence, John Constable, J. M. W. Turner and David Wilkie sharpened their skills during these stimulating decades. In this extensively illustrated book, seventeen renowned experts revisit and assess the Somerset House years, a period of great achievement and central importance in the history of British art. The book's contributors view the Somerset House phenomenon from a broad range of perspectives. They deal with the physical nature of the exhibitions, the audience, the role of the press, the Royal Academy's place within the larger world of urban entertainments, and how the conditions of display shaped and even transformed patterns of art production. In addition, they explore such topics as the tactics of exhibitors in different genres of painting, the exhibition histories of works in other media and the impact on foreign artists and observers of an increasingly self-confident national school of British art.




From Blast to Pop


Book Description

In this catalog of an exhibition shown at the University of Chicago's David and Alfred Smart Museum of Art, curator Richard A. Born charts the complex trajectory of modernism in Britain, from the 1914 Vorticist manifesto to the emergence of British pop art in the late 1950s and early '60s. Entries cover 100 paintings, drawings, prints, and sculptures. 13 color and 101 b&w illustrations.




Fragile Earth


Book Description

Contemporary artists probe the impact of human intervention on the environment Just as artists of the 19th and 20th centuries participated in forging an American natural history as explorers, cataloguers, collectors, and early environmentalists, contemporary artists continue to incorporate and comment on the natural world in their art. Motivated by the inexorable rise of urban-industrial development and the subsequent deterioration of our planet, artists confront the vulnerability of our environment and the effects of global climate change to illustrate the continued relevance of ecology and nature conservation to contemporary artistic practice. In Fragile Earth: The Naturalist Impulse in Contemporary Art, leading artists Jennifer Angus, Mark Dion, Courtney Mattison, and James Prosek make natural elements their medium conceptually and literally, from prints created with eel bodies, to ceramic sculpture mimicking coral bleaching, cabinets filled with colorful plastic collected from oceans and rivers, and walls covered with shockingly beautiful, preserved insects. Bringing an artistic perspective to natural science, these essays and written conversations showcase the persuasive role artists can play in advocating for the preservation of our earth.




Cynthia Nolan


Book Description

Cynthia Reed, single mother, psychiatric nurse, novelist and connoisseur, married Sidney Nolan in Sydney in 1948. England served as their home base from 1953 till her death in 1976, territory charted in her four travel books. This biography is drawn from her books in depth and from her intimate letters to her brother John and his wife, Sunday Reed between 1927, when she was nineteen, and 1944 when their correspondence ceased. Her unpopularity in Australia in the sixties is accounted for and the stereotypes of the envious sister-in-law, the mad artist's wife and the nihilistic suicide dismantled.