Death Mask


Book Description

The face of evil. And the face of greed… The video showed a nearly naked man bloodied and beaten. Even as archaeologist and TV presenter Annja Creed watched, the clock on his suicide vest ticked down, and precious seconds were lost. But this was no stranger. Garin was her friend. Their fates had been bound by the secrets of Joan of Arc's sword. And Annja had less than twenty-four hours to save his life…. The price for Garin's life was the lost mask of Torquemada, rumored to have been cast by the Grand Inquisitor himself, five hundred years ago during the Spanish Inquisition. Abandoned crypts, lost palaces and a cruel and ancient brotherhood: all clues to the mask's complicated and deadly mystery that Annja, and her mentor, Roux—using all of their considerable resources and cunning—must solve before Garin runs out of time. Annja Creed is facing her greatest trial. And not even the holy sword of Joan of Arc can spare her from the final judgment.




Praying to Portraits


Book Description

In Praying to Portraits, art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait. Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual’s relationship to the divine. Using Inquisition records, hagiographies, art-theoretical treatises, poems, and plays, Jasienski convincingly demonstrates that portraiture was at the very center of broader debates about the status of images in Spain and its colonies. Highly original and persuasive, Praying to Portraits profoundly revises our understanding of early modern portraiture. It will intrigue art historians across geographical boundaries, and it will also find an audience among scholars of architecture, history, and religion in the early modern Hispanic world.




Religion, the Supernatural and Visual Culture in Early Modern Europe


Book Description

This volume brings together some of the most exciting new scholarship on these themes, and thus pays tribute to the ground-breaking work of Charles Zika. Seventeen interdisciplinary essays offer new insights into the materiality and belief systems of early modern religious cultures as found in artworks, books, fragmentary texts and even in Protestant ‘relics’. Some contributions reassess communal and individual responses to cases of possession, others focus on witchcraft and manifestations of the disordered natural world. Canonical figures and events, from Martin Luther to the Salem witch trials, are looked at afresh. Collectively, these essays demonstrate how cultural and interdisciplinary trends in religious history illuminate the experiences of early modern Europeans. Contributors: Susan Broomhall, Heather Dalton, Dagmar Eichberger, Peter Howard, E. J. Kent, Brian P. Levack, Dolly MacKinnon, Louise Marshall, Donna Merwick, Leigh T.I. Penman, Shelley Perlove, Lyndal Roper, Peter Sherlock, Larry Silver, Patricia Simons, Jennifer Spinks, Hans de Waardt and Alexandra Walsham.




Daughters of the Inquisition


Book Description

The #1 New York Times–bestselling author of Mommie Dearest explores WomanSpirit through the ages, from the Neolithic Goddess to the Inquisition to present day. Breaking free of the emotional wreckage of her childhood and a devastating illness that challenged her physically, emotionally, and spiritually, Christina Crawford sought out an indomitable and innate inner source of power. Upon reconnecting with the very essence of the female spirit—that which unites all daughters throughout time—Crawford decided to pursue and discover its “herstory.” Drawing on years of research, she explores every aspect of the evolution of womanhood over the past ten thousand years: culture, government, religion, professions, laws, customs, family, fashion, marriage, commerce, art, industry, and sexuality. Charting the trajectory of female communion, Crawford delves into the Goddess culture of the Neolithic period, in which self-sovereign women governed, built empires, and were deified; explores the Inquisition in which women were demonized, brutalized, and erased from history; and celebrates the rebirth of the WomanSpirit and its influence over generations on the Western world. Both an enlightening journey and an invaluable reference, Daughters of the Inquisition is a testament to the rise, endurance, survival, and lasting impact of the WomanSpirit—its givers of life, its queens, and its warriors.




Murder in the Name of Allah


Book Description

Murder in the Name of Allah is the first translation into English of Mazhab Ke Nam Per Khoon, a re-affirmation of the basic tenets of Islam. Hardly a day passes on which an Islamic event does not make headlines. The president of a Muslim country is assassinated by the supporters of Muslim brotherhood; a European journalist is taken hostage by Islamic Jihad; a Pan-American aircraft is hijacked by another Muslim group; American university professors are taken into custody by Hezbullah; Two passenger carrying airplanes were slammed in to world trade center. The glare of 'Islamic' revolution in Iran is reflected through the flares of every gulf oil refinery. This book is a reminder that the purpose of any religion is the spread of peace, tolerance and understanding. It argues that the meaning of Islam—submission to the will of God—has been steadily corrupted by minority elements in the community. Instead of spreading peace, the religion has been abused by fanatics and made an excuse for violence and the spread of terror, both inside and outside the faith. In confirming the true spirit of Islam, it makes the point to followers of all religions that the future of mankind depends on the intrinsic values of love, tolerance, and freedom of conscience and of belief.




The Inquisition's Inquisitor


Book Description

Writing in 1868, the Philadelphia publisher-cum-historian Henry Charles Lea informed a friend, “I am trying to collect the materials for a history of the Inquisition.” The collecting of these materials—books, manuscripts, and copies of thousands of pages of documents housed in musty European archives and libraries—would occupy Lea (1825–1909) for the remainder of his life. It also led to publication of A History of the Inquisition of the Middle Ages (1884–87) and his acknowledged masterpiece, A History of the Inquisition of Spain (1906–7). Regarded as classics, these path-breaking books inaugurated better understanding of the history of an institution whose aims and methods troubled Lea and remain subjects of heated debate. The first biography of Lea since 1931, The Inquisition’s Inquisitor offers the most comprehensive review to date of his writing on the history of the Catholic Church. Though Lea is generally regarded as a leading practitioner of “scientific” history, Richard L. Kagan examines the extent to which Lea’s religious convictions compromised the ostensibly objective character of his work. Lea’s extensive surviving correspondence also enables Kagan to examine other aspects of Lea’s long and productive career as one of Philadelphia’s most prominent citizens. Lea appears here a young literary critic; a businessman who skillfully transformed his family’s publishing firm into the country’s leading producer of medical books; a dogged political reformer; and a philanthropist whose largesse benefitted many of Philadelphia’s cultural institutions. Newly discovered sources also allow for insights into Lea’s private life, notably his controversial infatuation with his first cousin and future wife, Anna C. Jaudon, and the periodic breakdowns that required abandonment of his beloved “intellectual pursuits.” The Inquisition’s Inquisitor concludes with a survey of Lea’s legacy with respect to current understanding of the Inquisition and to Philadelphia, where reminders of his accomplishments include an eponymous library at the University of Pennsylvania and public elementary school in nearby West Philadelphia.




The Poems of Shelley: Volume Four


Book Description

Percy Bysshe Shelley (1792-1822) was one of the major Romantic poets, and wrote what is critically recognised as some of the finest lyric poetry in the English language. This is the fourth volume of the five-volume The Poems of Shelley, which presents all of Shelley’s poems in chronological order and with full annotation. Date and circumstances of composition are provided for each poem and all manuscript and printed sources relevant to establishing an authoritative text are freshly examined and assessed. Headnotes and footnotes furnish the personal, literary, historical and scientific information necessary to an informed reading of Shelley’s varied and allusive verse. Most of the poems in the present volume were written between late autumn 1820 and late summer 1821. They include Adonais, Shelley’s lament on the death of John Keats, widely recognised as one of the finest elegies in English poetry, as well as Epipsychidion, a poem inspired by his relationship with the nineteen-year-old Teresa Viviani (‘Emilia’), the object of an intense but temporary fascination for Shelley. The poems of this period show the extent both of Shelley’s engagement with Keats’s volume Lamia, Isabella, The Eve of St. Agnes, and Other Poems (1820) — a copy of which he first read in October 1820 — and of his interest in Italian history, culture and politics. Shelley’s translations of some of his own poems into Italian and his original compositions in the language are also included here. In addition to accompanying commentaries, there are extensive bibliographies to the poems, a chronological table of Shelley’s life and publications, and indexes to titles and first lines. The volumes of The Poems of Shelley form the most comprehensive edition of Shelley’s poetry available to students and scholars.




The Theatre of Death – The Uncanny in Mimesis


Book Description

This book is concerned with such questions as the following: What is the life of the past in the present? How might “the theatre of death” and “the uncanny in mimesis” allow us to conceive of the afterlife of a supposedly ephemeral art practice? How might a theatrical iconology engage with such fundamental social relations as those between the living and the dead? Distinct from the dominant expectation that actors should appear life-like onstage, why is it that some theatre artists – from Craig to Castellucci – have conceived of the actor in the image of the dead? Furthermore, how might an iconology of the actor allow us to imagine the afterlife of an apparently ephemeral art practice? This book explores such questions through the implications of the twofold analogy proposed in its very title: as theatre is to the uncanny, so death is to mimesis; and as theatre is to mimesis, so death is to the uncanny. Walter Benjamin once observed that: “The point at issue in the theatre today can be more accurately defined in relation to the stage than to the play. It concerns the filling-in of the orchestra pit. The abyss which separates the actors from the audience like the dead from the living...” If the relation between the living and the dead can be thought of in terms of an analogy with ancient theatre, how might avant-garde theatre be thought of in terms of this same relation “today”?




The Spanish Inquisition


Book Description

In this completely updated edition of Henry Kamen’s classic survey of the Spanish Inquisition, the author incorporates the latest research in multiple languages to offer a new—and thought-provoking—view of this fascinating period. Kamen sets the notorious Christian tribunal into the broader context of Islamic and Jewish culture in the Mediterranean, reassesses its consequences for Jewish culture, measures its impact on Spain’s intellectual life, and firmly rebuts a variety of myths and exaggerations that have distorted understandings of the Inquisition. He concludes with disturbing reflections on the impact of state security organizations in our own time.