The Oxford Handbook of Assessment Policy and Practice in Music Education


Book Description

In the music classroom, instructors who hope to receive aid are required to provide data on their classroom programs. Due to the lack of reliable, valid large-scale assessments of student achievement in music, however, music educators in schools that accept funds face a considerable challenge in finding a way to measure student learning in their classrooms. From Australia to Taiwan to the Netherlands, music teachers experience similar struggles in the quest for a definitive assessment resource that can be used by both music educators and researchers. In this two-volume Handbook, contributors from across the globe come together to provide an authority on the assessment, measurement, and evaluation of student learning in music. The Handbook's first volume emphasizes international and theoretical perspectives on music education assessment in the major world regions. This volume also looks at technical aspects of measurement in music, and outlines situations where theoretical foundations can be applied to the development of tests in music. The Handbook's second volume offers a series of practical and US-focused approaches to music education assessment. Chapters address assessment in different types of US classrooms; how to assess specific skills or requirements; and how assessment can be used in tertiary and music teacher education classrooms. Together, both volumes of The Oxford Handbook of Assessment in Music Education pave the way forward for music educators and researchers in the field.




Handbook of Cultural Studies and Education


Book Description

The Handbook of Cultural Studies in Education brings together interdisciplinary voices to ask critical questions about the meanings of diverse forms of cultural studies and the ways in which it can enrich both education scholarship and practice. Examining multiple forms, mechanisms, and actors of resistance in cultural studies, it seeks to bridge the gap between theory and practice by examining the theme of resistance in multiple fields and contested spaces from a holistic multi-dimensional perspective converging insights from leading scholars, practitioners, and community activists. Particular focus is paid to the practical role and impact of these converging fields in challenging, rupturing, subverting, and changing the dominant socio-economic, political, and cultural forces that work to maintain injustice and inequity in various educational contexts. With contributions from international scholars, this handbook serves as a key transdisciplinary resource for scholars and students interested in how and in what forms Cultural Studies can be applied to education.







The Value of Assessment for the Inclusive General Music Classroom


Book Description

This project contains an analysis of the current inclusion and assessment practices of the middle school (7th and 8th grade) general music classroom. There are many studies concerning inclusion of students with special needs and the importance of assessments in teaching music. However, there are very few studies that connect assessment techniques with inclusion, demonstrating that music teachers are teaching to each student’s ability. This study used the case study methodology in the qualitative approach with teacher interviews, surveys, and several classroom observations to analyze the data. The data was coded, and names of people and the school district were anonymized to protect the privacy of those involved. After the data was analyzed, the best strategies for assessment as well as how to use those assessments were provided. The purpose of this project is to present findings on how methods of assessment can increase the success of all students in the inclusive general music classroom.










A Study of Performance-based Authentic Assessments for the Elementary General Classroom Based on the Three Artistic Processes


Book Description

Problem Statement: The purpose of this study is to find and design valid and reliable performance-based authentic assessments for grades 2 and 4 in the general music classroom. The assessments will be derived from the three artistic processes: creating, performing, and responding to music. The MENC National Standards for Music Education is the basis for the Simsbury Public Schools (SPS) K-12 music curriculum and thus, the development of assessment tasks will focus on those 9 standards. Music educators in the Simsbury Public Schools are expected to follow the curriculum based around those 9 standards, by guiding their students through the three artistic processes. Therefore, most assessments in SPS are performance-based, as the students are normally engaged in active participation and performance. Specific measurement tools will accompany each assessment task which will show either student growth or student achievement. By studying these assessment tasks, tools, and data, educators will be able to gain insight into how to develop tasks, measure them, and quantify data so that it is valid to their classrooms. Most importantly, these tasks and measurement tools will have practical applications in almost any general music classroom, and they will show how performance-based assessments can help teachers and students without disrupting the flow of the classroom, stifling the creativity of the teacher or students, or taking up valuable time in which the students should be engaged in meaningful musical experiences.