An Outcast of the Islands by Joseph Conrad - Delphi Classics (Illustrated)


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This eBook features the unabridged text of ‘An Outcast of the Islands’ from the bestselling edition of ‘The Complete Works of Joseph Conrad’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Conrad includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘An Outcast of the Islands’ * Beautifully illustrated with images related to Conrad’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles




An Outcast of the Islands


Book Description

Running Away Doesn't Always Remove the Problem “It's only those who do nothing that make no mistakes, I suppose.” - Joseph Conrad, An Outcast of the Islands This second novel of Conrad details the undoing of Peter Willems, a disreputable, immoral man who, on the run from a scandal in Makassar, finds refuge in a hidden native village, only to betray his benefactors over lust for the tribal chief's daughter.




An Outcast of the Islands


Book Description

After a failed fraud in Singapur, the dubious Englishman Peter Willems is saved by his old companion Captain Lingard. The captain, a very influential person on the Indonesian islands, gives Peter shelter in an small native village. But when Peter falls for the tribal chief’s daughter, his selfishness leads to a betrayal of his savior. He reveals a secret Lingard at any costs wanted to keep for himself. In punishment for his cruel deed, Peter is banished on a desolate island. »An Outcast of the Islands«, originally published in 1896, is the second novel by Joseph Conrad. It was inspired by Conrad's work as mate on the steamship Vidar. Joseph Conrad was born in 1857 in former Poland. In 1886 he obtained British citizenship and two years later was appointed captain of the British merchant marine. His voyages to the Malay Peninsula and to the Congo Free State became the setting for his stories. Conrad published many tales and novels in English and is still regarded as one of the most brilliant authors in English literature. He died in 1924 in England.




An Outcast of the Islands (Classic Reprint)


Book Description

Excerpt from An Outcast of the Islands When he stepped off the straight and narrow path of his peculiar honesty, it was with an inward assertion of unflinching resolve to fall back again into the monotonous but safe stride of virtue as soon as his little excursion into the wayside quagmires had produced the desired effect. It was going to be a short episode - a sentence in brackets, so to speak - in the flowing tale of his life: a thing of no moment, to be done unwillingly, yet neatly, and to be quickly forgotten. He imagined that he could go on afterwards looking at the sunshine, enjoying the shade, breathing in the perfume of flowers in the small garden before his house. He fancied that nothing would be changed, that he would be able as heretofore to tyrannise good-humouredly over his half-caste wife, to notice with tender contempt his pale yellow child, to patronise loftily his dark-skinned brother-in-law, who loved pink neckties and wore patent-leather boots on his little feet, and was so humble before the white husband of the lucky sister. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.










Science and Religion in Neo-Victorian Novels


Book Description

Criticism about the neo-Victorian novel — a genre of historical fiction that re-imagines aspects of the Victorian world from present-day perspectives — has expanded rapidly in the last fifteen years but given little attention to the engagement between science and religion. Of great interest to Victorians, this subject often appears in neo-Victorian novels including those by such well-known authors as John Fowles, A. S. Byatt, Graham Swift, and Mathew Kneale. This book discusses novels in which nineteenth-century science, including geology, paleontology, and evolutionary theory, interacts with religion through accommodations, conflicts, and crises of faith. In general, these texts abandon conventional religion but retain the ethical connectedness and celebration of life associated with spirituality at its best. Registering the growth of nineteenth-century secularism and drawing on aspects of the romantic tradition and ecological thinking, they honor the natural world without imagining that it exists for humans or functions in reference to human values. In particular, they enact a form of wonderment: the capacity of the mind to make sense of, creatively adapt, and enjoy the world out of which it has evolved — in short, to endow it with meaning. Protagonists who come to experience reality in this expansive way release themselves from self-anxiety and alienation. In this book, Glendening shows how, by intermixing past and present, fact and fiction, neo-Victorian narratives, with a few instructive exceptions, manifest this pattern.




Traveler's Companion Indonesia


Book Description

Sensuous, exotic, and incredibly diverse, the Indonesian archipelago stretches for more than 5,000 km (3,200 miles) along the equator. Like lumps of rough-hewn jade on a velvet field of blue, its 13,600 islands have captured the imagination of travelers for centuries. Redolent of romance and the scent of drying cloves, Indonesia is the largest country in Southeast Asia. But one need not travel far to experience Indonesia's diversity. Tea plantations blanketing the slops of dormant volcanoes are only a few hours drive from coastal waters where lanteen-rigged prahus set sail much as they did centuries ago when the first Arabian traders arrived. As you page through "Traveler's Indonesia Companion", you will travel deep into a country of colorful contrast where temple cities bear silent witness to the greatness of vanished civilizations and costumed rituals dating back hundreds of years proceed amid the distant roar of jet aircraft. In the "Traveler's Indonesia Companion", the authors explore this vast archipelago from the riverine jungles of Borneo and the Dutch canals of old Batavia to the mist-shrouded mountain valleys of Irian Jaya where stone age tribes barely a generation removed from head-hunting still pursue a life of subsistence farming. Whether you are dreaming from an armchair or booking your flight, the Traveler's Indonesia Companion guides deliver the best information and guidance for exploring this breathtaking destination.







Modernism and Subjectivity


Book Description

In Modernism and Subjectivity: How Modernist Fiction Invented the Postmodern Subject, Adam Meehan argues that theories of subjectivity coming out of psychoanalytic, poststructuralist, and adjacent late-twentieth-century intellectual traditions had already been articulated in modernist fiction before 1945. Offering a bold new genealogy for literary modernism, Meehan finds versions of a postmodern subject embodied in works by authors who intently undermine attempts to stabilize conceptions of identity and who draw attention to the role of language in shaping conceptions of the self. Focusing on the philosophical registers of literary texts, Meehan traces the development of modernist attitudes toward subjectivity, particularly in relation to issues of ideology, spatiality, and violence. His analysis explores a selection of works published between 1904 and 1941, beginning with Joseph Conrad’s prescient portrait of the subject interpolated by ideology and culminating with Samuel Beckett’s categorical disavowal of the subjective “I.” Additional close readings of novels by F. Scott Fitzgerald, Aldous Huxley, James Joyce, Nathanael West, and Virginia Woolf establish that modernist texts conceptualize subjectivity as an ideological and linguistic construction that reverberates across understandings of consciousness, race, place, and identity. By reconsidering the movement’s function and scope, Modernism and Subjectivity charts how profoundly modernist literature shaped the intellectual climate of the twentieth century.