Ancient Gold Jewelry at the Dallas Museum of Art


Book Description

This lovely volume illustrates in color superb examples of Greek, Etruscan, and Roman jewelry. Major types of Greek and Etruscan jewelry from the seventh to the first centuries B.C. are well represented, along with a few Roman imperial works. In exquisite miniature, these ornaments reflect the stylistic history of more monumental art: they are sculptures on a small scale. Underneath the shining splendor these gold objects -- works originally meant to be worn by men and women as a sign of wealth and power in life -- lies a more fundamental meaning. Gold, a mysterious power, was a means for people to communicate with the gods who rule human life. The skill of the ancient goldsmith has never been equaled. Although the techniques used are for the most part understood, the virtuosity and intricacy of manufacture have vet to be duplicated.




Castellani and Italian Archaeological Jewelry


Book Description

During the nineteenth century in Rome, three generations of the Castellani family created what they called “Italian archaeological jewelry,” which was inspired by the precious Etruscan, Roman, Greek, and Byzantine antiquities being excavated at the time. The Castellani jewelry consisted of finely wrought gold that was often combined with delicate and colorful mosaics, carved gemstones, or enamel. This magnificent book is the first to display and discuss the jewelry and the family behind it. International scholars discuss the life and work of the Castellani, revealing the wide-ranging aspects of the family’s artistic and cultural activities. They describe the making and marketing of the jewelry, the survey collection of all periods of Italian jewelry on display in the Castellani’s palatial store, and the Castellani’s activities in the trade of antiquities, as they sponsored excavations, and restored, dealt, and exhibited antiques. They also recount the family’s involvement in the cultural and political life of their city and country.




The Arts of India, Southeast Asia, and the Himalayas at the Dallas Museum of Art


Book Description

In recent years, the Dallas Museum of Art has expanded its collection of South Asian art from a small number of Indian temple sculptures to nearly 500 works, including Indian Hindu and Buddhist sculptures, Himalayan Buddhist bronze sculptures and ritual objects, artwork from Southeast Asia, and decorative arts from India's Mughal period. Artworks in the collection have origins from the former Ottoman empire to Java, and architectural pieces suggest the grandeur of buildings in the Indian tradition. This volume details the cultural and artistic significance of more than 140 featured works, which range from Tibetan thangkas and Indian miniature paintings to stone sculptures and bronzes. Relating these works to one another through interconnecting narratives and cross-references, scholars and curators provide a broad cultural history of the region. Distributed for the Dallas Museum of Art




Etruscan Art


Book Description

This volume--the first serious book in English on Etruscan art--was hailed for its broad scope, thorough knowledge, and clear exposition when it was published almost twenty years ago. Now brought back into print with an updated bibliography and bibliographical essay by Francesca R. Serra Ridgway, it remains an essential introduction for anyone interested in ancient art, history, and civilization. Otto Brendel's exploration of the art, culture, and society of Etruria takes us through its four main periods of creativity: the Villanovan and Orientalizing era, the Archaic era, the Classical era, and the Hellenistic era, when Etruscan art became extinct. According to Brendel, the Etruscans were deeply influenced by Greek styles but used Greek forms and concepts to further their own purposes. Etruscan art is a private art, aristocratic and luxurious but centered in the life of the family and a continuing life in the tomb. Many of the art forms and objects discussed--ceramics, metalware, jewelry, sculpture, and wall painting--are known to us through the discovery of tombs. Most of these objects had a clearly defined function but were also designed, with a high degree of quality and craftsmanship, to be decorative. The beautiful art of the Etruscans, illustrated and explained in this book, sheds much light on a people about whom we know little.




Jewish Women


Book Description

Jewish Women: Between Conformity and Agency examines the concepts of gender and sexuality through the primary lens of visual and material culture from antiquity through to the present day. The backbone of this transhistorical and transcontextual study is the question of Jewish women’s agency in four different geographical, chronological, and methodological contexts, beginning with women’s dress codes in Roman-Byzantine Syro-Palestine, continuing with rituals of purity in medieval Ashkenaz, worship in papal Avignon and the Comtat Venaissin, and ending with marriage and divorce in Israeli film. Each of these explorations is interested in creating a dialogue between the patriarchal legacy of the traditional texts and the chronologically corresponding visual and material culture. The author challenges traditional approaches to the study of Jewish culture by employing tools from art history, archaeology, and film and media studies. In each of these different contexts, there is ample evidence that women—despite persistent overall structural discrimination—have found ways to challenge male constructs of gender norms. Ultimately, these examples from past and present times highlight women’s eminence in shaping Jewish history and culture. Bringing a new interdisciplinary lens to the study of the history of gender and sexuality, the book will be of interest to students and researchers of Jewish history and culture, art history, archaeology, and film studies.







Searching for Ancient Egypt


Book Description

Lavishly illustrated in color, this book presents a spectacular collection of archaeological and artistic treasures covering the extent of Egyptian art from the Predynastic Period of the fourth millennium B.C. to the Greco-Roman period of the fourth century A.D. The volume features more than 130 objects ranging from architectural elements of a royal palace and funerary chapel to delicate jewelry and textile fragments, and contains many objects never previously shown in print. In an introductory essay David P. Silverman documents major expeditions to sites in Egypt and Nubia and summarizes the new information gleaned about ancient Egyptian civilization. Donald B. Redford provides a general treatment of ancient Egypt history. The objects themselves are introduced with concise essays by recognized Egyptologists: Edward Brovarski, Rita E. Freed, Arielle P. Kozloff, David O'Connor, Edna R. Russmann, William K. Simpson, and Josef W. Wegner. Contributors-- Edward Brovarski, Museum of Fine Arts, Boston Rita Freed, Museum of Fine Arts, Boston Arielle Kozloff, Cleveland Museum of Art David O'Connor, Institute of Fine Arts, New York University Donald Redford, University of Toronto Edna. R. Russman, Brooklyn Museum of Art David Silverman, University of Pennsylvania William Kelly Simpson, Yale University Josef W. Wegner, University of Pennsylvania




Eyes of the Ancestors


Book Description

Lavish photography and groundbreaking new texts unlock the magic of the island cultures of Indonesia, Malaysia and East Timor. Eyes of the Ancestors takes an in-depth look at the Dallas Museum of Art's world-renowned collection of artworks from Island Southeast Asia. Beautiful photography and essays by distinguished international scholars unlock the magic of the island cultures of this region. Leading cultural anthropologist Dr. Reimar Schefold introduces these texts, which investigate various indigenous art forms from a fresh art-historical perspective. They describe the contexts, purposes, and aesthetic influences of a range of objects, from intricately woven sacred and ceremonial textiles to carved ancestor figures. Also featured are gold and metalwork designs as well as weaponry and jewelry, most dating back more than a hundred years. A 19th-century mouth mask in the collection, from the Leti Islands, is one of the only four known to be in existence. This wooden mask, carved in the shape of a rooster's head, was used in ritual dances. Other spectacular examples from the collection likewise reflect the beliefs and practices of these island peoples.




The Art of Precolumbian Gold


Book Description




The Gordion Excavations, 1950-1973


Book Description

This volume contains the excavation report for 12 cremation burials from the Phrygian site of Gordion in central Anatolia. These tombs, dating from the later seventh century to the third quarter of the 6th century BCE, were excavated by The University Museum between 1950 and 1969, and by the German brothers Alfred and Gustav Korte in 1900. The processes for interment through construction of tumulus and cremation procedure are carefully detailed, followed by an analysis of associated finds. Two tumuli of the Hellenistic period, both covering stone chambers with inhumation burials within, are included in an appendix. Further appendices discuss other specific materials excavated from the cremation burials. A discussion of the contemporary inhumation and cremation tumulus burials at Gordion in the Phrygian period, highlighting their continuities and significant differences, forms part of the conclusion, as does discussion of sociocultural developments at Gordion between ca. 650-525 BCE as illuminated by the mortuary remains. The tumuli afford insights into questions related to gender, religion, adult/child identity, trade, social status, ethnicity, transcultural affiliations, ceramic developments, jewelry manufacture, high-status artifact display (including ivory), feasting behaviors, animal sacrifice, hero cult, and widespread "killing" of artifacts associated with the cremation burials. This entirely new publication of Gordion's tumuli makes available at last the elite cremation burials of the later Middle and early Late Phrygian (Achaemenid) periods excavated by The University Museum. By including the two Korte tumuli, it provides a complete assemblage of the cremation tumuli at Gordion. They afford remarkable new insights into life, death, and an elaborate system of value at Gordion during this most turbulent century.